Synopsis
When Gilles, Marylin, Lucie, and Thomas arrive at a Speed Dating party, they all have a picture in mind of the ideal person who'll set their pulses racing. What they don't know is that one of the waiters is slipping a powerful disinhibiting drug in their cocktails!
Credits
Director (1)
Actors (7)
Production and distribution (4)
- Executive Producer : FullDawa Films
- Co-production : Adami
- Foreign production company : Nexus Factory
- Film exports/foreign sales : L'Agence du court métrage
Full credits (16)
- Executive Producers : Boris Mendza, Gaël Cabouat, David Atrakchi
- Screenwriters : Cécile Telerman, Léa Raud
- Director of Photography : Mahdi Lepart
- Music Composer : Fred Alliot Parker
- Assistant Director : Pierre Abadie
- Editor : Marie Castro
- Costume designer : Marion Rebmann
- Foreign producers : Sylvain Goldberg, Serge De Poucques
- Co-producer : Bruno Boutleux
- Assistant Operators : Olivier Craeymeersch, Grégory Hennaut
- Camera Operator : Olivier Merckx
- Production managers : Maxime Maisin, Jean-Pierre Garrabos
- Sound editor : Mathilde Martouzet
- Continuity supervisor : Émily-Jane Torrens
- Production Designer : Catherine Cosme
- Make-up Artists : Florence Thonet, Marie Messien
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Comedy
- Themes : Love, Society, Drugs
- Production language : French
- Coproducer countries : France, Belgium
- Original French-language productions : Unspecified
- Nationality : Majority French (France, Belgium)
- Production year : 2017
- Runtime : 13 min 30 seconds
- Visa number : 147.102
- Visa issue date : 25/09/2017
- Production formats : HD
- Color type : Color
- Aspect ratio : 2.40
- Audio format : DTS 5.1
- Rating restrictions : None
News & awards
Selections (2)
Resources
Website(1)
http://www.fulldawafilms.com/work/chougmuud/
Go to the siteMovies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.






































