The Body of Old
Synopsis
Seventy-five-year-old Jacques, his face marked by age, looking concerned, enters a television room especially decorated for his wife's birthday. Lucie, his wife, is seventy years old. Sitting across from him, enveloped by a disease, she doesn't see him. Today, he will try, using everything he's got, to try to reconnect with her.
Credits
Director (1)
Production and distribution (3)
- Executive Producer : Hybrid Films
- Co-productions : La Mouette à 3 Queues, Les Yeux d'IZO
- Film exports/foreign sales : Premium Films
Full credits (18)
- Executive Producers : William Rougier, Jules Pottier, Bruno Tiranti
- Screenwriters : Basile Charpentier, Louise De Prémonville
- Director of Photography : Benoît Feller
- Music Composer : Jérémy Baysse
- Assistant Director : Cédric Léger
- Editor : Stéphane Kazadi
- Sound Recordist : Benoît Perraud
- Costume designer : Élodie Gaillard
- Co-producers : Richard Béguier, Odile Méndez-Bonito
- Assistant Operator : Christelle Poupin
- Production Manager : Paul Sergent
- Sound Editor : David Couturier
- Continuity supervisor : Aurélie Vallée
- Production Designer : Nicolas Lefèbvre
- Special Effects : Nicolas Vrignaud
- Visual effects : Nicolas Vrignaud
- Make-up Artist : Caroline Philipponnat
- Sound Mixer : Denis Leleux
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Psychological drama
- Themes : Love, Relationships, Ageing
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2017
- Runtime : 19 min 59 seconds
- Visa number : 146.137
- Visa issue date : 23/02/2017
- Production formats : HD 4K
- Color type : Color
- Aspect ratio : 1.89
- Audio format : Dolby 5.1
- Rating restrictions : None
Resources
Website(1)
www.facebook.com/lecorpsdesvieux
Go to the siteMovies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.
