Synopsis
In Belgium, an object called a sandwich tin exists. Someone unfamiliar (myself) with this thing examines it, this tin brandished like a link between this colorful community, from its mass production to its utilization. The sandwich tin, banal and ordinary, becomes a playful analyzer of a northern European society, Christian and industrial, which doesn't only box up our food, but also our time and our thoughts.
Credits
Director (1)
Production and distribution (2)
- Executive Producer : Les Productions de L'Oeil Sauvage
- Foreign production company : Les Films de la Mémoire
Full credits (7)
- Executive Producers : Bernard Bloch, Frédéric Féraud
- Screenwriter : Floriane Devigne
- Director of Photography : Rémon Fromont
- Music Composer : Renaud Grémillon
- Editor : Monique Dartonne
- Sound Recordist : Philippe Vandendriessche
- Foreign Producer : Willy Perelsztejn
Technical details
- Type : Short film
- Genres : Documentary
- Sub-genre : Auteur documentary, Comedy, Research - Experimental
- Themes : History, Society
- Production language : French, Flemish
- Coproducer countries : France, Belgium
- Original French-language productions : Unspecified
- Nationality : 50% French (France, Belgium)
- Production year : 2007
- Runtime : 53 min
- Visa number : 118.258
- Visa issue date : 18/04/2008
- Production formats : Digital Beta
- Color type : Color
- Aspect ratio : 4/3
- Audio format : Stereo
- Rating restrictions : None
News & awards
Selections (2)
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Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.



























