Synopsis
Eva could never imagine life with a husband and kids. Yet now she's living it! She makes love, breastfeeds, caresses, cooks. But suddenly a major career challenge arises. She doesn't want to have to choose – she wants it all: career, love, children, sex and all the rest!
Credits
Director (1)
Actors (17)
Production and distribution (4)
- Executive Producers : Les Films Alain Sarde, L'Arbre et la Colombe
- Co-production : M6 Films
- Film exports/foreign sales : STUDIOCANAL
- French distribution : United International Picture - UIP (France)
Full credits (16)
- Executive Producers : Alain Sarde, Patrick Braoudé
- Screenwriter : Guila Braoudé
- Director of Photography : Philippe Pavans De Cecatty
- Music Composer : Jacques Davidovici
- Assistant Director : Bertrand Guerry
- Editor : Yves Deschamps
- Sound Recordist : Pierre Lenoir
- Costume designers : Mimi Lempicka, Marie-Noëlle Van Meerbeeck
- Assistant Operator : Antoine Gueugneau
- Press Attachés (film) : Myriam Bruguière, Olivier Guigues
- Sound Editor : strAtos
- Continuity supervisor : Chantal Pernecker
- Production Designer : Emmanuel Sorin
- Artistic Director : Laurent Piron
- Sound Mixer : Christian Fontaine
- Still Photographer : Moune Jamet
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Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Comedy
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 1999
- French release : 17/11/1999
- Runtime : 1 h 40 min
- Current status : Released
- Visa number : 94.868
- Visa issue date : 09/04/1999
- Approval : Yes
- Color type : Color
- Aspect ratio : 1.85
Box-office & releases
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International releases
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News & awards
Selections (2)
Shanghai - International Film Festival
China, 1999
Official Competition
About
The highpoints of this project stem from the intensity of a "first time" – my first film. On the set, friendly trust was the key. Expressing the truth and sincerity of women who don't want to sacrifice anything (clinging to their numerous facets, shortcomings, excesses, guilt and uncompromising determination to exist) probably prompted the crew into comparing their daily lives, sharing tales of parenting. Everyone offered me a little of their own personal experience as a gift. The humor and irony was the most pleasant side, even if it required constant discipline. I wanted to transcribe a certain energy and get some distance on a hard-to-manage lifestyle. Laughter in the face of drama provides an escape from depression. Laughter in the theater produces an inexplicably magic buzz. These days, all I can think about is the intensity of a "second time."
Guila Braoudé – Director