Synopsis
A man is making a film. He hires a female casting director to help him find his leading actress on the streets of Paris. Young actresses or passengers from Saint Lazare train station are confronted with this man of the camera who listens and speaks.
Credits
Director (1)
Actors (7)
Production and distribution (3)
- Executive Producer : Palmeraie et Désert
- Film exports/foreign sales : Palmeraie et Désert
- French distribution : Connaissance du Cinéma
Full credits (9)
- Executive Producers : Pascale Dauman, Raymond Depardon
- Screenwriter : Raymond Depardon
- Director of Photography : Raymond Depardon
- Music Composer : Faton Cahen
- Assistant director : Sylvie Peyre
- Editors : Roger Ikhlef, Yann Coquart
- Sound recordists : Claudine Nougaret, François Groult
- Press Attaché (film) : Agnès Chabot
- Sales agents : Raymond Depardon, Claudine Nougaret
Technical details
- Type : Feature film
- Genres : Fiction, Documentary, Experimental
- Sub-genre : Women
- Themes : City, The future, Cinema
- Production language : French
- Original French-language productions : Unspecified
- Nationality : 100% French
- Production year : 1998
- French release : 07/01/1998
- Runtime : 1 h 35 min
- Current status : Released
- Visa number : 90.452
- Visa issue date : 22/12/1997
- Approval : Yes
- Production formats : 35mm
- Color type : Black & White
- Audio format : Dolby SRD
Box-office & releases
TV broadcasting
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News & awards
Selections (2)
Istanbul Film Festival
Turkey , 1999
Documentary Section
About
"We began by making an in-depth study of mass transit locations at sunrise and sunset. The most crowded times are between 7 and 9 a.m. and 5.30 and 7 p.m. around the winter solstice. The crew were lying in ambush from first light to film the crowds. Raymond on camera, the two actors Sylvie and Luc, and Claudine and Jonathan on sound.
We tried to capture the natural sound of the city in all its richness: its different acoustics, the diversity of its sources and the wealth of its noises. The sounds of train engines, footsteps, passing motorbikes, snatches of conversation, whistles, drowned out by echoes or picked out in isolation, are heard in the same balance as they are in real life."
(Claudine Nougaret & Raymond Depardon)