Synopsis
When she finds an abandoned copy of "Diary of a Seducer" on a park bench, Claire Conti doesn't know that she is caught up in a fatal plot. Grégoire, the owner of the book, is a gloomy and romantic young man who lives with his grandmother, locked away in a large turn-of-the-century house. Like the heroine of "Diary of a Seducer", Claire doesn't yet realise that she is the prey in a plan of seduction that has been designed to ensnare her by Sébastien, her best friend temporarily staying with her mother.
Credits
Director (1)
Actors (20)
Production and distribution (3)
- Executive Producer : Gemini Films
- Film exports/foreign sales : Gemini Films
- French distribution : Rezo Films
Full credits (16)
- Executive Producer : Paulo Branco
- Screenwriter : Danièle Dubroux
- Director of Photography : Laurent Machuel
- Music Composer : Jean-Marie Sénia
- Assistant directors : Sabine Barthélémy, David Colombo-Léotard
- Editor : Jean-François Naudon
- Sound Recordist : Henri Maïkoff
- Costume designer : Anne Schotte
- Assistant Operators : Emmanuel Pineau, Gilles Porte
- Production Manager : Philippe Saal
- Press Attaché (film) : Agnès Chabot
- Sound editor : Chantal Quaglio
- Assistant editors : Maguelone Pouget, Morgane Spacagna
- Continuity supervisor : Bénédicte Darblay
- Production Designer : Patrick Durand
- Sound Mixer : Gérard Rousseau
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Technical details
- Type : Feature film
- Genres : Fiction
- Production language : French
- Production country : France (100.0%)
- Original French-language productions : Yes
- Nationality : 100% French (France)
- Production year : 1995
- French release : 28/02/1996
- Runtime : 1 h 35 min
- Current status : Released
- Visa number : 87.416
- Visa issue date : 13/12/1995
- Approval : Yes
- Production formats : 35mm
- Color type : Color
- Aspect ratio : 1.66
Box-office & releases
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International releases
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News & awards
Selections (4)
Berlin - Youth Film Forum
Germany, 1996
Feature Film Forum
About
"People in love amuse me and interest me in everyday life. They are in an exceptional and therefore captivating state. In movies, I'd rather watch people dealing with that rather than with everyday problems. They seem to lose themselves under the influence of that celebrated emotion that is also the enigma of the film. They all become a little crazy. Just as one of the analyst's patients says that he likes crazy people because they're creative, I too have a penchant for unusual people, the lunatics who reinterpret reality with surprising lucidity."
(Danièle Dubroux)