The latest international press roundup followed the news of French works in festivals, markets, and movie theaters outside of France in March.
In Greece, the Web The Best site focused the spotlight on Saint Omer, which was programmed in the French-language Film Festival in Greece .
In Rome, the daily L’Espresso wrote about the Rendez-vous – Nuovo cinema francese, which has just wrapped: "Angry, shifty or melancholic: Karim Leklou is the face of new French cinema."
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In Argentina, Prensario took an interest in the programs presented by Unifrance during Coming Next from France at Séries Mania.
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And in Ukraine, Breezee.com published an article about the awards ceremony at CPH:DOX, noting the fact that the Unifrance Doc Award was given to the French-Ukrainian project Cuba&Alaska.
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Audiovisual focus
VideoAge reported on the explosive growth of Series Mania in Lille: "Series Mania should be renamed SeriesBazaar."
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Variety profiled Have A Good One (HAGO)'s boarding the series Split at Series Mania.
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What’s on Netflix announced the April arrival of Thicker Than Water, a new thriller created by Nawell Madani and Simon Jablonka.
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On SeñalNews we learnt that Prime Entertainment Group had recently acquired the French series La Conspiration du silence.
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In Spain, RTVE's 1 channel launched Le Bazar de la Charité series on March 27, Los Lunes Seriéfilos reported.
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WorldScreen announced that Canal+ is preparing a second season of Marie Antoinette.
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Screen took a look at Cédric Klapisch's new series Greek Salad: "How [the director] juggled making a feature and Covid challenges with shooting [the] series."
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And Drama Quarterly published a long interview with Danièle and Christopher Thompson, directors of the Bardot series: "Birth of an icon."
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Theatrical releases
In Germany, the press highlighted the success of Heart of Oak, with more than 45,000 admissions to date! Kino-zeit.de wrote: "It's much more than just cute squirrels."
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Also in Germany, Film Dienst published an interview with Patrice Leconte, whose film Maigret had just released in cinemas.
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In Italy, Cinematografo featured an article on Tristan Séguéla's latest film A Happy Man, which had racked up 30,000 admissions to date.
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In Spain, the daily El Mundo wrote: "The latest revelation of French cinema: making love and talking about love are the same thing," about Diary of a Fleeting Affair by Emmanuel Mouret.
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In Latvia, the daily Diena published an interview with Isabelle Huppert, who, on the eve of her 70th birthday, déclared: "I still love my work."
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Sur le continent américain
The Mexican site Quadratin profiled The Kitchen Brigade, released on the country's screens mid-March.
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Bastien Bouillon traveled to Buenos Aires, in Argentina, to promote The Night of the 12th. Noticias de Bariloche published an interview with the actor.
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In the USA, The New York Times wrote about The Innocent, out on theatrical release since March 17: “A heist with a French accent.”
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And The Washington Post took a look at Rodeo: “Lola Quivoron's kinetic, intimate and immersive feature debut.”
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Media Gallery
