Synopsis
1816. Captain Anghjulu Mambrini, a demobilized officer of the disbanded Imperial Guard, returns home to Corsica after being taken prisoner by the Prussians at Waterloo, only to be released after a few months' detention. Along the way, he meets a young doctor, Lurenzu Dominici, who tells him about a strange near-death love affair between a sick woman and her doctor, and then makes an even more surprising request.
Credits
Director (1)
Production and distribution (2)
- Executive Producer : CourtsSudMedProd
- Co-production : Omnicube Production
Full credits (20)
- Executive Producer : Frédéric Pieretti
- Screenwriter : Frédéric Pieretti
- Director of Photography : Yves Agostini
- Music Composer : Béatrice Thiriet
- Assistant director : Anaïs Versini
- Editor : Tara Mollet
- Sound Recordist : Laurent Blahay
- Costume designer : Frédéric Pieretti
- Author of original work : Ivan Tourgueniev
- Line Producer : Frédéric Pieretti
- Co-producer : Pierre Gambini
- Assistant Operator : Bastien Zunino
- Camera Operator : Jean-François Celli
- Production manager : Anaïs Versini
- Sound Editor : Lenny Moreau
- Continuity supervisor : Chjara Fabiani
- Production Designer : Frédéric Pieretti
- Grader : Éric Goron
- Make-up Artist : Claudine Bartoli
- Sound Mixer : Lenny Moreau
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Drama, Historical, Literary adaptation
- Themes : Love, History, Illness
- Production language : Corse
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2022
- Runtime : 25 min 20 seconds
- Visa number : 157.716
- Visa issue date : 01/12/2022
- Production formats : HD
- Color type : Color
- Aspect ratio : 1.85
- Audio format : DTS 5.1
- Rating restrictions : None
Resources
Festivals Listing(1)
Download A Malata
(pdf - 145 Ko)
Movies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.
