The Night
A Short film of
Produced by
Production year2017
Runtime23 min
Synopsis
Sara, a young, foreign student, makes a date with a man she met on a dating app. But the man will not at all satisfy her sexual desires, which quickly transform into genuine urges. Sara then sets off on an anxious quest for desire.
Credits
Director (1)
Production and distribution (2)
- Executive Producer : Association Les Films de l'Aube
- Foreign production company : Jablo Productions
Full credits (15)
- Executive Producer : Victor Chambon
- Screenwriter : Lucien Burckel de Tell
- Director of photography : Valentine Lacour
- Music Composer : Ulysse Klotz
- Assistant Director : David Lévi
- Editor : Lucien Burckel de Tell
- Sound Recordist : Thibaut Demoor
- Foreign Producer : Jurek Jablonicky
- Assistant Operator : Clara Zegrodzki
- Production Manager : Victor Chambon
- Sound Editor : Pierre Laiter
- Continuity supervisor : Laura Wermelinger
- Special Effects : Marion Godineau
- Make-up Artist : Manon Barta
- Sound Mixer : Samuel Rouillard
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Psychological drama, Portrait
- Themes : Love, Désir, Eroticism, Conflict, City
- Production language : French, English, Spanish
- Coproducer countries : France, Honduras
- Original French-language productions : Unspecified
- Nationality : Majority French (France, Honduras)
- Production year : 2017
- Runtime : 23 min 50 seconds
- Visa number : 147.481
- Visa issue date : 12/12/2017
- Production formats : HD
- Color type : Color
- Aspect ratio : 1.77
- Audio format : Dolby 5.1
- Rating restrictions : Suitable for all viewers, with warnings
News & awards
Selections (1)
Resources
Website(2)
https://www.jabloproductions.com/une-nuit
Go to the sitehttps://www.facebook.com/unenuit.courtmetrage/
Go to the siteMovies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.
