Synopsis
Madame A, Madame B, Madame C, Mademoiselle D, and Madame E don't know each other, but they are from the same neighborhood and all share a common factor: they're not doing well at all.
Help! is the choral tale of their setbacks and difficulties, amusing because reality overtakes fiction.
The screenplay, a joint effort of four people, arose from workshops directed by the filmmaker and is exclusively based on real experiences.
Credits
Director (1)
Actors (21)
Production and distribution (1)
- Executive Producer : DHR
Full credits (16)
- Executive Producer : Philippe Elusse
- Screenwriters : Àlvaro Zamora, Arianna Lodeserto, Bénédicte Brunet, Dominique Fouque, Irina Pavlova, Makhlouf Aroua, Sébastien Petiot, Yanis Kafiz
- Director of Photography : Laurent Coltelloni
- Music Composer : Vladimir Kudryavtsev
- Assistant Director : Simon P.R. Bewick
- Editors : Pierre Debrouwer, Bénédicte Brunet, Paul Jegaden
- Sound Recordist : Antonin Dalmasso
- Costume designer : Juliette Autin
- Line Producer : Philippe Elusse
- Assistant Operator : Julien Grandjean
- Camera Operator : Laurent Coltelloni
- Production Manager : Enki Erraïs
- Sound Editor : Antonin Dalmasso
- Continuity supervisor : Cédriane Fossat
- Grader : Alexandre Westphal
- Sound Mixer : Guillaume Valeix
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Comedy, Black comedy
- Themes : Love, Unemployment, Communication, Economics, Emigration, News story, Immigration, Marginality, Minorities, Human nature , Politics, Healt, Solitude/loneliness, Suicide, Ageing, The neighborhood
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2017
- Runtime : 36 min 40 seconds
- Visa number : 146.265
- Visa issue date : 02/10/2017
- Production formats : HD
- Color type : Color
- Aspect ratio : 1.85
- Audio format : DTS 5.1
- Rating restrictions : None
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Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
