Synopsis
One evening, a group of young people find themselves in a rest area beside a highway so as to participate in a film. But all too quickly, the shoot and the film go out of control. Some of the people hang about, others disappear or take out their frustration directly on the film by destroying it from the inside and refuse to act in their scenes, preferring to say whatever comes into their heads.
Credits
Director (1)
Production and distribution (3)
- Executive Producer : Hirvi
- Co-production : Première Heure
- Film exports/foreign sales : L'Agence du court métrage
Full credits (16)
- Executive producers : Nérimen Hadrami, Pauline Attal, Juliette Valsamidis
- Screenwriter : Baptiste Penetticobra
- Director of Photography : Alexandre Bricas
- Music Composer : Myth Syzer
- Assistant Director : Théo Jollet
- Editors : Baptiste Penetticobra, Naia Lassus, William Laboury
- Sound recordists : Yohann Henry, Paul Kusnierek
- Line producers : Nérimen Hadrami, Pauline Attal, Juliette Valsamidis
- Co-producer : Patrice Haddad
- Assistant Operators : Théo Jollet, Nils Maisonneuve
- Camera Operator : Alexandre Bricas
- Production manager : Pauline Attal
- Sound editors : Yohann Henry, Paul Kusnierek
- Continuity supervisor : Théo Jollet
- Production Designers : Margaux Remaury, Barnabé D'Hauteville
- Sound mixers : Yohann Henry, Paul Kusnierek
Media Gallery
Technical details
- Type : Short film
- Genres : Fiction
- Sub-genre : Video art
- Themes : Adolescence, Communication, Freedom
- Production language : English
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2015
- Runtime : 13 min 44 seconds
- Visa number : 145.177
- Visa issue date : 01/02/2017
- Production formats : Digital creation
- Color type : Color
- Aspect ratio : 16/9
- Audio format : Stereo
- Rating restrictions : None
News & awards
Selections (3)
Awards (2)
Resources
Festivals Listing(1)
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Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
