Synopsis
Joanna and Samuel met fifteen years ago and now form the ideal, durable couple... One morning, Joanna helps out her janitor, a woman who has been beaten by her husband. She has a broken arm and is unable to write her farewell letter to the loutish brute. After several rough drafts, Joanna finds the harsh phrases and cutting words she needs. She then packs her bags and flies off to shoot a report in Mali, leaving one of the rough drafts on the table...
Credits
Director (1)
Actors (34)
Production and distribution (3)
- Executive Producers : Alter Films, Messine Productions
- Co-productions : France 2 Cinéma, Labbefilms
- French distribution : AMLF
Full credits (16)
- Executive Producer : Alain Terzian
- Screenwriters : Didier Kaminka, Pierre Aknine, Samuel Kaminka, Stéphane Kaminka
- Director of Photography : Alain Choquart
- Music Composer : Eric Levi
- Assistant Director : Simon Lelouch
- Editor : Nicole Saunier
- Sound recordists : Jean-Louis Ughetto, Claude Villand, Bernard Leroux
- Costume designer : Cécile Magnan
- Original idea : Claude Zidi
- Sound assistants : Viviane Gourvest, Kako Kelber, Sophie Chiabaut
- Assistant Operator : Myriam Vinocour
- Production Manager : Philippe Lievre
- Press Attaché (film) : Isabelle Sauvanon
- Sound Editor : Jean Gargonne
- Production Designers : Laurent Tesseyre, Cécile Magnan
- Still Photographer : David Koskas
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Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Comedy
- Themes : Relationships
- Production language : French
- Production country : France (100.0%)
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 1995
- French release : 24/01/1996
- Runtime : 1 h 30 min
- Current status : Released
- Visa number : 87.554
- Visa issue date : 27/12/1995
- Approval : Yes
- Production formats : 35mm
- Color type : Color
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About
"As a screenwriter, your work comes to an end on the day you hand over the final draft. Afterwards, the film is out of your control, the shooting starts and even though you may feel like changing a scene, there's not a thing you can do. I personally believe in an evoluting screenplay, so I felt dissatisfied. That's the reason why I founded my own production company and started directing. Nowadays, if anyone asks me for the original screenplay of one of my films, I tell them to copy the editing, because I keep changing things up to the last minute. Box-office hits and flops require the same energy, time and money. Then the audience decides. I've had hits and flops. Success make me happy for forty-eight hours, failure can hurt me for a week. Afterwards, I couldn't care less. That's why I carry on. The only thing that matters is the sheer pleasure of it all. "My Wife is Leaving Me" was a particularly happy shooting experience. I can't conceive of this job in any other way.
(Didier Kaminka)