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A Short film of
Produced by
Production year2011
Runtime3 min
Synopsis
Appearances can become misleading when the loving glance deforms.
Credits
Director (1)
Production and distribution (2)
- Executive Producer : La Poudrière - École du Film d'Animation
- Film exports/foreign sales : L'Agence du court métrage
Full credits (6)
- Executive Producer : Annick Teninge
- Screenwriter : Cécile Milazzo
- Director of Photography : Christian Eydoux
- Music Composer : Fabrice Faltraue
- Editor : Myriam Copier
- Animation : Cécile Milazzo
Media Gallery
Technical details
- Type : Short film
- Genres : Animated film
- Sub-genre : Animation of objects, Drama
- Themes : Relationships
- Production language : No dialogue
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2011
- Runtime : 3 min 16 seconds
- Production formats : Beta SP
- Color type : Color
- Aspect ratio : 16/9
- Audio format : Stereo
- Rating restrictions : None
News & awards
Selections (5)
About
Festivals and Screenings :
- Animateka Festival, Slovenia
- Animafest, Zagreb, Croatia
- Melbourne International Animation Festival, Australia
- Hiroshima International Animation Festival, Japan
- Krok Festival, Russia
- LIAF, London International Animation Festival
- Monstra Lisbon Animated Film Festival, Portugal
- HAFF, Holland Animation Film Festival
- Fête de l'animation à Lille, programme écoles françaises
- Primanima, Hongrie
- Les Sommets du cinéma d'animation de Montréal, Cinémathèque québécoise
- Festival international du film d'animation, Bruz
- Festival international de Stop Motion, Brasil
- Etiuda&Anima, Krakow, Poland
- Festival On Cartoon, dans un programme de la Poudrière, Toulouse
- Musée National du Cinéma, Turin, programme de la Poudrière
Prizes :
Prix spécial pour un film de fin d’études, Université de Pernambuco, Festival international BRASIL Sop Motion, 2012
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MyFrenchShorts
Full movie to watch for free!
Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
