Synopsis
A girl who is afraid all the time moves backwards. Even in her bedroom, she is confronted with her most intimate fears. She moves back little by little, in every new fear, until by force, terrified, in tears. In the outside world, sh is in front of practical consequences of her handicap implying a certain gymnastics, as well as in emotional consequences which prevent her from going towards the others. But she will discover the urge to try.
Credits
Director (1)
Production and distribution (2)
- Executive Producer : La Fabrique Production
- Film exports/foreign sales : L'Agence du court métrage
Full credits (9)
- Executive Producer : Xavier Julliot
- Screenwriter : Patricia Sourdes
- Director of photography : Patricia Sourdes
- Music Composer : Aidan Smith
- Editor : Élise Lobry
- Sound recordists : Charles Séguy, Florian Gérinte
- Voice-over : Jean Rochefort
- Sound editors : Charles Séguy, Florian Gérinte
- Production Designer : Bernard Sourdès
Watch this movie
Watch online
This content is for registered users only.
Are you a member? Please login to view content.
Technical details
- Type : Short film
- Genres : Animated film
- Sub-genre : Comedy, Romantic comedy, Puppets
- Themes : Adolescence, Communication, Fear, Psychology/psychoanalysis, Human nature , Childhood
- Production language : French
- Production country : France
- Original French-language productions : Unspecified
- Nationality : 100% French (France)
- Production year : 2010
- Runtime : 4 min 49 seconds
- Visa number : 119.456
- Visa issue date : 01/12/2010
- Production formats : HD - Digital Beta
- Color type : Color
- Aspect ratio : 16/9
- Audio format : Stereo
- Rating restrictions : None
News & awards
Selections (4)
Resources
Website(3)
www.patso.fr/index.php?/director/
Go to the sitewww.la-fabrique.com/sarl/fichefilm.php?v=HTML&id=130
Go to the siteMovies and programs to discover
MyFrenchShorts
Full movie to watch for free!
Changing Rooms, by Violette Gitton
César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.



































