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I Prefer the Sound of Sea

I Prefer the Sound of Sea

One Feature film more
Production year1999
I Prefer the Sound of Sea

    Synopsis

    While on a visit to his native seaside region in southern Italy, wealthy Turin businessman Luigi is moved by the recent tragedy of a distant relative. Teenaged Rosario's mother has been murdered and his father is in prison. Through the good intentions of Luigi, Rosario is unenthusiastically brought north to Turin in a home for troubled teens run by charismatic priest Don Lorenzo. When Luigi awkwardly pushes Rosario onto his sullen teenaged son Matteo, a friendship between the boys reluctantly, but poignantly, takes shape. When Rosario's strong presence begins to inspire the confused Matteo to rebel against his father's authority, Luigi's deep-rooted complexes about his origins resurface. The fragile trust between the three of them is threatened as the emotional barriers between cultures, classes and generations become more evident…

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    Director (1)

    Production and distribution (4)

    Full credits (9)

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    Technical details

    • Type : Feature film
    • Genres : Fiction
    • Sub-genre : Drama
    • Production language : Italian
    • Coproducer countries : Italy, France
    • Original French-language productions : Unspecified
    • Nationality : Minority French (Italy, France)
    • Production year : 1999
    • French release : 17/05/2000
    • Runtime : 1 h 24 min
    • Current status : Released
    • Visa number : 97.923
    • Visa issue date : 25/05/2000
    • Approval : Yes
    • Production formats : 35mm
    • Color type : Color
    • Aspect ratio : 1.85
    • Audio format : Dolby SR

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    About

    Director Mimmo Calopresti, with two successful films behind him (“La Seconda Volta” and “Notes of Love”), has now confirmed the hopes placed in him. He has emerged as a major figure on the Italian film scene. His great quality is his trust in the audience’s intelligence. He deals with human weaknesses without being heavy-handed or moralizing. A hesitant gesture or glance are often enough to spark emotion, to express the difficult relationship between father and son, or to delicately convey the turmoil of adolescence. This is a subtle, accurate, poignant film.”

    Laurent Djian, “L’Evénement du Jeudi,” May 18, 2000

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