Synopsis
1957, the town of Mostaganem, Algeria: the country is still under French occupation, and repression of the National Liberation Front is at its height. The authorities indulge in torture, intimidation and public executions. Two policemen, one local (Iklef) and the other of Italian origin (Rubio), have woven a tight professional relationship in the preceding two decades but it unravels in the face of events and the missions they are assigned.
Credits
Director (1)
Actors (11)
Production and distribution (3)
- Executive Producer : Les Films du Phoenix
- Co-productions : World Films Company, Entreprise Nationale de Production Audiovisuelle (ENPA)
- French distribution : Les Films du Phoenix
Full credits (11)
- Executive Producers : Kamel Hassen-Khodja, Franc Marre, Mohamed Saim
- Screenwriters : Okacha Touita, Mohamed Bouchibi
- Directors of Photography : Allal Yahyaoui, Allel Yahiaoui
- Music Composer : Rachid Bahri
- Editor : Mina Chouikh
- Sound recordists : Jean-Jacques Ferran, Camille Mestre-Mel
- Costume designers : Nadia Danielle Mesmoudi, Abdelhalim Rahmouni
- Sound Assistant : Laurent Zeilig
- Press Attaché (film) : Akinhola Wazi
- Production Designer : Mohamed Oulhaci
- Sound Mixer : Bruno Lecoeur
Technical details
- Type : Feature film
- Genres : Fiction
- Production language : Arabic
- Coproducer countries : Algeria, France
- Original French-language productions : Unspecified
- Nationality : Minority French (Algeria, France)
- Production year : 1999
- French release : 01/12/1999
- Runtime : 1 h 40 min
- Current status : Released
- Visa number : 70.984
- Visa issue date : 26/08/1999
- Approval : Yes
- Production formats : 35mm
- Color type : Color
News & awards
About
The Algerian War has inspired so few films that we must be magnanimous toward Okacha Touita's film. The film-maker raises a case of conscience in a society confronted with the tragic imminence of its own chaos. "Le Cri des hommes" projects a strong sense of conviction due to the fact that it was made in precarious circumstances, begun in 1990 and censured until now. It is a militant film, with all the passion and combativeness that implies. This tortured work should be seen both as a civic duty and a public record.
Jean-Philippe Guerand – "Le Nouveau Cinéma," December 1999