The Trial of Joan of Arc
Synopsis
A reconstruction of the trial of Joan of Arc (based entirely on the transcripts of the real-life trial), concerning Joan's imprisonment, interrogation and final execution at the hands of the English, filmed in a spare, low-key fashion.
Source : IMDb
Credits
Director (1)
Actors (12)
Production and distribution (3)
- Executive Producer : Agnes Delahaie Productions
- Film exports/foreign sales : mk2 films
- French distribution : Pathé Consortium Cinéma
Full credits (12)
- Director of Photography : Léonce-Henri Burel
- Music Composer : Francis Seyrig
- Assistant directors : Serge Roullet, Alain Ferrari, Hugo Santiago
- Editor : Germaine Artus
- Sound Recordist : Antoine Archimbaud
- Costume designer : Lucilla Mussini
- Producer : Agnès Delahaie
- Sound Assistant : Georges Girard
- Assistant Operator : Robert Caristan
- Continuity supervisor : Françoise Collin
- Art Director : Pierre Guffroy
- Production Designer : Pierre Charbonnier
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Media Gallery
Technical details
- Type : Feature film
- Genres : Fiction
- Sub-genre : Historical, Drama
- Production language : French
- Production country : France
- Original French-language productions : Yes
- Nationality : 100% French (France)
- Production year : 1962
- French release : 11/10/1962
- Runtime : 1 h 5 min
- Current status : Released
- Visa number : 25049
- Visa issue date : 04/10/1962
- Approval : Yes
- Production formats : 35mm
- Color type : Black & White
- Aspect ratio : 1.66
- Audio format : Mono
Box-office & releases
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News & awards
Selections (2)
Awards (1)
About
The Trial of Joan of Arc (French: Procès de Jeanne d'Arc) is a 1962 historical film by the French director Robert Bresson. Joan of Arc is played by Florence Delay.
As usual in Bresson's mature films, The Trial of Joan of Arc stars non-professional performers and is filmed in an extremely spare, restrained style. Bresson's screenplay is drawn from the transcriptions of Joan's trial and rehabilitation.
Bresson's Joan of Arc is often compared with The Passion of Joan of Arc (1928) by Carl Theodor Dreyer. Bresson compared that film unfavorably with his own, expressing his dislike of the actors' "grotesque buffooneries" in Dreyer's film.
The film won the Special Jury Prize at the 1962 Cannes Film Festival.
Source : Wikipedia
