Highlights

• The 5th Export Day, at the CNC, with a dozen speakers and the presence of Jérémie Kessler (Director of European and International Affairs at the CNC), and Laurent Saint-Martin, Minister Delegate for Foreign Trade and French living abroad.

• The world premiere of The Musicians, to open the Market, in the presence of a large part of the artistic and technical team (director Grégory Magne, actors and actresseses Valérie Donzelli, Frédéric Pierrot, Daniel Garlitzky, Marie Vialle, François Ettori, and Valentin Pradier, composer Grégoire Hetzel, producers Frédéric Jouve and Pierre-Louis Garnon, sales agents Agathe Mauruc and Marine Dorville), and foreign buyers accredited to the Rendez-Vous.
  
  The premiere was followed by a cocktail reception to celebrate the opening of the  Rendez-Vous 2025.
   

• A French Cinema Award presented to Rebecca Zlotowski in recognition of her exceptional contribution to promoting French cinema worldwide, under the aegis of the French Minister of Culture, and in the presence of the International Jury and MyFrenchFilmFestival film teams, and the entire 10 to Watch 2025.

• The presentation of the first Distribution Prize to the South Korean distribution company Green Narae for their release strategy and campaign for The Taste of Things.

• The presentation of the 10 to Watch d'Unifrance 2025

• The launch of the 15th MyFrenchfilmFestival

• Participation in the Lumières Awards ceremony, followed by a cocktail reception at Paris City Hall co-organized by Unifrance, attended by a large number of foreign journalists present in Paris at the invitation of Unifrance and many of the Lumières 2025 prizewinners.

A few figures

Eight days of markets, screenings, and meetings between international professionals, artists, and journalists around French film and audiovisual productions.
 

Film and audiovisual market

• 453 film buyers
• 100 audiovisual buyers
• 45 film sales companies
• 50 audiovisual distribution companies
• 9 short film companies
• 85 film screenings (including 41 market premieres) and 8 presentations of new audiovisual content at the Paris Screenings
• 40 countries represented in terms of film and 30 in terms of audiovisual works

International press junket

• 129 French film and audiovisual artists present
• 119 foreign journalists from 30 countries
• 92 films and 13 audiovisual programs promoted
• 856 interviews conducted for a total of 609 international releases in 2025
• 10 young French talents to follow as part of the 2025 edition of the 10 to Watch,

Two French women directors will be flying the flag for France in the Competition at the 75th edition: Léonor Serraille will be presenting her third feature, Ari, which traces the chaotic journey of a young man (played by Andranic Manet) who is plagued by strange visions, while Lucile Hadzihalilovic's The Ice Tower offers another character adrift, a young orphan who falls under the spell of a film star, played by Marion Cotillard, in a fairytale world. Two highly personal worlds from two filmmakers selected in the Berlinale lineup for the first time

Ari

French productions will also be represented by three other minority-French films in Competition, including the Cattet/Forzani duo and Swiss filmmaker Lionel Baier, who, with La Cache, offered Michel Blanc one of his final roles.

Sébastien Betbeder's latest film The Incredible Snow Woman, shot in Greenland and starring Blanche Gardin in the title role, will be presented in the Panorama section, while the Berlinale Special section will feature Guillaume Ribot's documentary All I Had Was Nothingness, a look back at the making of Shoah, Claude Lanzmann's seminal film, which will be shown in the same strand.

Last but not least, two other majority-French films will be presented: Michel Gondry's Maya, donne-moi un titre in Generation Kplus, and Valentine Cadic's debut feature That Summer in Paris, starring India Hair, in the new Perspectives strand.

The Ice Tower
 

On the short film front, four French shorts feature in International Competition, including the new film by Jonathan Vinel and Caroline Poggi, the animated How Are You?. The duo made a name for themselves at the Berlinale in 2014, winning the Golden Bear for Short Film with As Long as Shotguns Remain, which will be reprogrammed this year in the Special Program, which also includes Justine Triet's short Two Ships, from 2012.

Delegation and events

Numerous filmmakers and artists will travel to the event, including (subject to change): Léonor Serraille, Andranic Manet, Théo Delezenne, Éva Lallier-Juan, Clyde Yeguete (Ari), Lucile Hadzihalilovic, Marion Cotillard, Clara Pacini, August Diehl, Gaspar Noé, Mikaël-Don Giancarli, Ryad Ferrad et Dounia Sichov (The Ice Tower), Hélène Cattet, Bruno Forzani, Fabio Testi, Yannick Renier et Thi-Mai Nguyen (Reflection in a Dead Diamond), Dominique Reymond et William Lebghil (La Cache), Çagla Zencirci, Guillaume Giovanetti et Saadet Isil Aksoy (Confidante), Sébastien Betbeder, Blanche Gardin, Philippe Katerine (The Incredible Snow Woman), Guillaume Ribot (All I Had Was Nothingness), Vincent Macaigne (Cicadas), Dominique Lanzmann (Shoah), Michel Gondry, Maya Gondry (Maya, donne-moi un titre), Valentine Cadic, Blandine Madec, India Hair, Arcadi Radeff (That Summer in Paris), Vasilis Kekatos, Daphné Patakia (Our Wildest Days), Siphiwe Nzima, Lemohang Mosese (Ancestral Visions Of The Future).

On the evening of February 14, Unifrance will host its traditional festival and market opening cocktail reception for distributors, sales agents, and French delegations.

On February 17, the Soirée Française du Cinéma will take place at the Ambassade de France in Germany. During this event, François Delattre, Ambassadeur de France in Germany, will present the insignia of Commandeur des Arts et des Lettres to Peter Dinges, Managing Director of Filmförderungsanstalt (FFA).
On the afternoon of Friday 14 February, the Académie Franco-Allemande du Cinéma is also organizing a reception with the Saarland representatives in Berlin, at the latter's headquarters.
 

Launching Club Unifrance

For the first time, Unifrance will launch at the Berlinale the Club Unifrance, a space dedicated to welcoming the teams of selected French films to meet the international press and record interviews. This scheme, designed to boost media coverage of French films, has been made possible thanks to increased support from the CNC for 2025 and the Unifrance Endowment Fund, and may be replicated at other leading festivals over the coming year.
 

Unifrance at the EFM

Numerous French sales agents will also be attending the EFM. A total of 15 French international sales companies, as well as the CNC and the Institut Français - Germany, will be hosted at the Unifrance stand:

• Alfama Films
• Artedis
• Celluloid Dreams
• Coproduction Office
• France tv distribution
• Le Pacte
• Les Films du Losange
• Loco Films
• Luxbox
• Mediawan Rights
• Octopolis
• Pyramide International
• The Bureau Sales
• Urban Sales
• WTFilms

Gen Z Audience Award

Unifrance has partnered with the EFM, OFAJ (Office Franco-Allemand pour la Jeunesse), and the Université Paris 8 Vincennes – Saint-Denis, for the first Gen Z Audience Award.

Two students from Paris 8, selected by Unifrance in collaboration with the University and OFAJ, will take part in a Franco-German jury (made up of five students in total) which will award, from the Berlinale Co-Production Market, a feature film project in the development or financing phase which is particularly aimed at young people, and which promises to reach and move a large audience in this sector.
The Gen Z Audience Award is accompanied by a €5,000 grant from the OFAJ.

From short to feature

As part of its strategy to support producers and emerging talents, Unifrance is once again a partner of EFM Toolbox, which has selected producer and director Johanna Makabi, lwho will participate in the program's activities with Unifrance's support. Unifrance is also a partner of Berlinale Talents, supporting member producers taking part.

Press screenings

In the run-up to the festival, Unifrance will, as it does every year, organize press screenings of some of the French titles presented at this year's festival, for international journalists based in Paris.

The talents of the Unifrance 10 to Watch 2025 will be showcased at the Unifrance stand at the EFM via a dedicated display. This operation will also be the subject of a focus by Screen International as part of its Berlinale dailies.

All the French films at the 75th Berlinale

Competition

• Ari by Léonor Serraille
• The Ice Tower by Lucile Hadzihalilovic
• Timestamp by Kateryna Gornostai (minority-French co-production)
• La Cache by Lionel Baier (minority-French co-production)
• Reflection in a Dead Diamond by Hélène Cattet and Bruno Forzani (minority-French co-production)

Panorama

• The Incredible Snow Woman by Sébastien Betbeder
• Cicadas by Ina Weisse (French co-production shares not specified)
• Confidante by Çagla Zencirci and Guillaume Giovanetti (French co-production shares not specified)

Panorama Dokumente

• Bajo las banderas, el sol, by Juanjo Pereira

Berlinale Special

• All I Had Was Nothingness by Guillaume Ribot
• Shoah by Claude Lanzmann
• No Beast. So Fierce by Burhan Qurbani (French co-production shares not specified)
• Ancestral Visions Of The Future by Lemohang Mosese (French co-production shares not specified)
• La Lumière by Tom Tykwer (minority-French co-production)

Generation Kplus

• Tales From the Mag­ic Garden by Patrik Pašš, David Súkup, Leon Vidmar, and  Jean-Claude Rozec
• Maya, donne-moi un titre by Michel Gondry

Forum Special

• Nudity by Sabina Bakaeva (French co-production shares not specified)
• Mes fantômes arméniens by Tamara Stepanyan (French co-production shares not specified)

Perspectives

• That Summer in Paris by Valentine Cadic
• The Settlement by Mohamed Rashad (French co-production shares not specified)
• Shadowbox by Tanushree Das and Saumyananda Sahi (French co-production shares not specified)

Short Film - International Competition

• Their Eyes by Nicolas Gourault
• Because of (U) by Tohé Commaret
• How Are You? by Caroline Poggi and Jonathan Vinel
• Ordinary Life by Yoriko Mizushiri

Short Film - Forum Expanded

• Rapture II - Portal by Alisa Berger
   

Short Film - Special Program

• Two Ships by Justine Triet
• As Long as Shotguns Remain by Jonathan Vinel and Caroline Poggi
   

Generation 14Plus

• Our Wildest Days by Vasilis Kekatos (minority-French co-production)

With over 1,800 participants from more than 50 countries, the Kidscreen Summit is one of the most important events in the children's entertainment industry, bringing together creators, producers, distributors, and buyers.
This year, Unifrance was present to support some twenty audiovisual production companies specializing in animation, most of which will benefitted from a dedicated space under the Unifrance umbrella.

The companies present with Unifrance:

• APC Kids
• Blue Spirit
• Caribara Animation
• Ellipse Animation
• Federation Studios
• Folivari International
• Gaumont
• Gaumont Animation
• Glance
• Mediawan Kids & Family
• MIAM! distribution
• Millimages
• Moon-Keys International Content
• Newen Studios
• PGS Entertainment
• Normaal
• Samka Group
• Superights
• Xilam

Another record: the French film industry was involved in the production of four of the five films nominated for the Best International Feature Film Oscar. In addition to Emilia Pérez, The Seed of the Sacred Fig (competing for Germany), Flow (for Latvia), and I'm Still Here (for Brazil) were all co-produced by French companies.

Last but not least, on the short film front, French productions racked up a total of four nominations in two categories.

French films nominated for the Oscars 2025

Best Picture

• Emilia Pérez by Jacques Audiard
• I'm Still Here by Walter Salles (minority-French co-production)

International Feature Film

• Emilia Pérez by Jacques Audiard
• I'm Still Here by Walter Salles (minority-French co-production)
• Flow by Gints Zilbalodis (minority-French co-production)
• The Seed of the Sacred Fig by Mohammad Rasoulof (minority-French co-production)

Best Director

• Jacques Audiard for Emilia Pérez

Actress in a Leading Role

• Karla Sofía Gascón for Emilia Pérez by Jacques Audiard
• Fernanda Torres for I'm Still Here by Walter Salles (minority-French co-production)

Actress in a Supporting Role

• Zoé Saldaña for  Emilia Pérez by Jacques Audiard

Original Score

• Clément Ducol & Camille for Emilia Pérez by Jacques Audiard

Cinematography

• Paul Guilhaume for Emilia Pérez by Jacques Audiard

Animated Feature Film

• Flow by Gints Zilbalodis (minority-French co-production)

Adapted Screenplay

• Emilia Pérez by Jacques Audiard

Makeup and Hairstyling

• Emilia Pérez by Jacques Audiard

Documentary Feature Film

• Soundtrack to a Coup d'Etat by Johan Grimonprez
   

Original Song

• "El mal" by Zoé Saldaña (Emilia Pérez)
• "Mi camino" by Selena Gomez (Emilia Pérez)
   

Film Editing

• Juliette Welfling for Emilia Pérez by Jacques Audiard
   

Sound

• Emilia Pérez by Jacques Audiard
   

Live-Action Short Film

• The Man Who Couldn't Remain Silent by Nebojša Slijepčević (minority-French co-production)

Animated Short Film

• Yuck! by Loïc Espuche
• Wander to Wonder by Nina Gantz (minority-French co-production)
• Beautiful Men by Nicolas Keppens (minority-French co-production)

For this first edition, Unifrance will be present with a stand hosting several French export companies for all their business meetings.

The companies present at the Unifrance stand:

• Dandelooo
• Kwanza
• L'Agence du court métrage
• The Bureau Sales
• The Party Film Sales
• Zen Distribution

On behalf of the entire Commission, Tesson praised two other outstanding campaigns: that of German company Neue Visionen for the release of Léa Todorov's Maria Montessori, and that of Japanese company Gaga for the release of Anne Fontaine's Bolero  However, it was the relevance and originality of Green Narae's social networking campaign, as well as its targeting of a young audience, that distinguished the roll out for The Taste of Things.

Daniela Elstner underlined that with this prize, "Unifrance, with the support of the CNC, wanted to highlight the work of Green Narae and their innovative marketing campaign."

Chris Yu warmly thanked Unifrance and the CNC for this distinction, which he looks forward to winning again next year!

The Taste of Things

MyFrenchAnimationDays took place in three stages: 

Discovery Workshops: A bridge to young people

The Discovery Workshops, aimed at children aged three to 10, were devised to stimulate creativity and imagination in the youngest, and to encourage learning while having fun. These workshops were organized around four animation series: Edmond and Lucy (MIAM! Animation), Gigantosaurus (Cyber Group Studios), Simon Super Rabbit (GO-N Productions), and Zig & Sharko (Xilam Animation).

Educational kits created with the help of the producers and an educationalist were distributed to 52 French-speaking classes and schools around the world. These kits included instructional videos on how to create an animated work and a teaching pack to guide classroom activities, with a complete episode of each series available to pupils. Thanks to these kits, children were able to discover the essentials of animation. 

Feedback from schools taking part in the Discovery Workshops program was particularly positive, testifying to the success of this initiative with pupils and teachers alike. Pupils were fascinated by the steps involved in creating a cartoon, realizing the extent of the work involved. Teachers praised the teaching kit for its simplicity and adaptability, particularly appreciated in times of busy school curricula.
 

In addition, as part of the workshops, an optional drawing competition allowed students to present their vision of animated characters and their environment. The jury comprised three international audiovisual buyers, Vicky Schröderus (YLE), Franck Dietz (Super RTL), and Telidja Klai (VRT), as well as the Director of the Annecy International Animation Film Festival, Mickaël Marin, and the Managing Director of the AFCA, Isabelle Vanini.

The jury met on January 16 and selected four classes:

• Fourth grade class, Lycée Français International of Canton, China, for a captivating drawing combining collage and traditional drawing, and incorporating elements from the Vendée Globe.

• Fifth grade class, International School of San Antonio, Texas, USA, recognized for its attention to detail and graphic mastery.

• Fifth grade class, Lycée Français International of Canton, China, for a work combining humor and graphic innovation.

•  Pre-K class from the same school, praised for its originality and creativity.

MyFAD Online Talks: A bridge between animation creators and animation industry students

The MyFAD Online Talks offered a dynamic platform for students and professionals from the world of animation. Moderated by Daniela Elstner, these online encounters provided an opportunity for dialogue with emblematic figures from the industry.     

The first talk, "With Jérémy Zag and Aton Soumache: Discover the world of animation", brought together Jérémy Zag, founder and CEO of ZAG, and Aton Soumache, president of The Magical Society. The discussion focused on the worldwide success, both on the big and small screen, of Miraculous: Tales of Ladybug & Cat Noir, exploring the creation of a unique and international universe. The duo immersed participants in the fascinating world of animation, sharing valuable insights into the conceptualization and production of animated series that resonate on a global scale.

The second talk, "With John Coven and Briana Yarhouse: How to become an animator?", brought together John Coven, director of the animation film department at Gobelins - L'École de l'Image, and Briana Yarhouse, director of ASIFA's International Animation Day and director of the animation program at the Interlochen Center for the Arts. Animation was approached as a universal language. The two speakers discussed the various possibilities open to young people to embark on a career as an animator, from specialized schools to career opportunities, offering practical advice and personal anecdotes to inspire future animators.

These talks were recorded and are freely available on Unifrance's YouTube channel.  

Special screenings in cinemas: Animation meets its audience

In Norway and Poland, Sirocco and the Kingdom of the Winds captivated audiences. In Norway, the screening was enhanced by the presence of Nordubb's dubbing manager and Josfine, who lends her voice to the main character, in collaboration with Another World Entertainment. In Poland, the film was introduced by its director Benoît Chieux at a special event that also included an art workshop and afternoon snack, attended by 150 children from five bilingual schools in Warsaw.

In the United Kingdom, two screenings were organized, in collaboration with the local Institut Français: Mars Express, which attracted an audience with a passion for science fiction, and The Siren, introduced by an interview with director Sepideh Farsi, adding value to the cinematic experience.

In Italy, premieres of Flow in Rome and Milan, organized by distributor Teodora Film, were sold out. The calendar closed with a festive end-of-year screening of Animal Tales of Christmas Magic, in collaboration with distributor Satine Film.

Towards an even more expansive second edition to promote the richness and diversity of French animation!

Building on the success of the first edition, Unifrance will focus on staging a second edition of MyFAD, with these highlights enriched by other initiatives in partnership with French and international institutions and professionals.

Created in 2016 by Unifrance, the French Cinema Award (designed in 2018 by Maison Daum) is intended to celebrate a personality from the international film industry who carries the banner of French cinema across the globe.

During a ceremony at the Ministry of Culture and launched by Gaëtan Bruel, Director of Cabinet for French Minister of Culture Rachida Dati, Gilles Pélisson, President of Unifrance, gave an overview of French cinema and audiovisual figures for 2024, and spoke about the cinema and audiovisual markets taking place at the same time in Paris as part of the Unifrance Rendez-Vous in Paris, with over 1,000 people accredited. He also offered his congratulations and thanks to the young directors, actresses, and actors of the Unifrance 10 to Watch 2025 (all present for the occasion) and to the international MyFrenchFilmFestival jury, gathered in Paris for the January 17 launch of this entirely online event organized by Unifrance.

Daniela Elstner, for her part, looked back on Rebecca Zlotowski's brilliant 15-year career in cinema and on the small screen, underlining, beyond her talent as a filmmaker and her international recognition, the filmmaker's ability to speak out loud and clear for women, "for cultural diversity, for our universal political values of freedom, respect for otherness, solidarity, and democracy." Elstner also emphasized the director's “constant determination to uplift the work of [her] fellow filmmakers, with [her] natural and sincere sense of sisterhood.”
Referring to the forthcoming release of the director's next film, Vie privée, starring Jodie Foster, Daniela Elstner concluded: “Unifrance is very happy to reward you for your loyalty, your experienced commitment here and elsewhere. And, of course, this award recognizes your prodigious creative freedom, which honors our cinema beyond our borders and underpins so well the noble ambition we accord, in France and in Europe, to arts and culture. You're very sensitive to voices, so thank you, dear Rebecca, for your own inimitable voice.”

In her humorous and emotional acceptance speech, Rebecca Zlotowski, surrounded by friends and family (including Roschdy Zem, Sofiane Zermani, Dali Benssalah, her producer Frédéric Jouve, her cinematographer George Lechaptois, her co-screenwriter Gaëlle Macé, her first assistant Jean-Baptiste Pouilloux, and her distributor Alexandra Henochsberg) first thanked Unifrance for enabling her to travel the world with her films, from London to Auckland, from Sydney to New York.

“Every day, we have to bring a film before the audience, and wait with bated breath for their judgment. And I have a trick to avoid trembling, which is to film actors that everyone dreams of. I don't like to invent them, but the opposite: I like them to invent me. I cling to the idea that if I were to disappear into the graveyard so full of women filmmakers – from Jacqueline Audry to Joan Micklin Silver and Claudia Weil, who remembers? – I'd have a better chance of staying alive thanks to them. Pure magical thinking allows me to imagine that I've been lucky enough to take with me those I dreamt of: Léa, Tahar, Natalie, Zahia, Virginie, Jodie, Roschdy, Marina, Sofiane, Dali, Lyna, Daniel, Vincent, Mathieu, I thank you."

Then, in a very moving moment, she recalled her family, who have always encouraged her and instilled her with her confidence, and the cultural melting pot which was a structural support. Quoting Romain Gary, she mentioned a phrase she first heard as a child in The Party / La Boum, and which had a profound effect on her: “Patriotism is love for one's own people; nationalism is hatred for the others.”

“My patriotism goes beyond France. My people are Los Angeles, burning with along with a part of our cinephile imagination. My people are everywhere in the world where filmmakers are less fortunate than I am to try, fail, and begin again. My people are those who believe in the spells of cinema, who don't need to inflict on actors in real life what they ask them to experience in faked life (...) My people are those who still believe in the movie theater, in the collective dimension of our art. My people are also those with whom I disagree, but who have an open table at my place, so that we can talk... and so that I can convince them that I'm right, of course! In this sense, even more than the patriotism of French culture, I have the patriotism of cinema. I'm its brave little soldier.”

Introducing the 10 to Watch 2025 and launching the 25th  MyFrenchFilmFestival

The ceremony also highlighted the Unifrance 10 to Watch of 2025 (10 talents to follow – 11 in fact, due to the presence of a sibling! – selected by trade press journalists and whom Unifrance will promote internationally over the coming year), in their presence: Adam Bessa, Ludovic Boukherma, Zoran Boukherma, Julien Colonna, Louise Courvoisier, Sayyid El Alami, India Hair, Lou Lampros, Jonathan Millet, Megan Northam, and Agathe Riedinger.

Last but not least, on the occasion of the opening of the 15th MyFrenchFilmFestival on January 17, several filmmakers and performers whose films are part of the selection were also present at the ceremony:

• Erwan Le Duc and Maud Wyler for No Love Lost
• Hakim Atoui and producers Stéphane Marchal and Nelson Ghrénassia for Blood Ties
• Nicolas Panay and producer Philippe Wendling for Alarms
• Cédric Kahn for Making of
• Thomas Lilti for A Real Job
• Loïc Hobi, Pierre Gommé, and producer Flavien Giorda for Alexx196 & the Pink Sand Beach
• Cynthia Calvi and co-screenwriter Pierre Grillère for GiGi
• Anaïs Tellenne, Raphaël Thiéry, and producer Céline Chapdaniel for The Dreamer
• Guil Sela and Martin Jauvat for Montsouris Park
• Marie-Lola Terver and producer Dorothée Levesque for The Mysterious Adventures of Claude Conseil
• Violette Gitton and producer Jules Reinartz for Changing Rooms
• Sonia Kronlund and producer Élisabeth Perez for The Man with a Thousand Faces
• Delphine Girard, Selma Alaoui, and Guillaume Duhesme for Through the Night
• Joséphine Darcy Hopkins for Sweet Tooth
• Jérémie Périn and producers Marc Jousset and Joé Baudot for Mars Express

The jury for this year's edition were also present: Zar Amir, Noémie Merlant, Viggo Mortensen, Tarik Saleh, and Andreï Zviaguintsev.

Below is a portfolio of the evening's highlights.

As his class prepares for the end-of-year show, ten-year-old Daniel wanders the school corridors. He surprises Marthe in the locker room. A new bond develops between the two children.

Marine Atlan's Daniel was selected in the Generation section of the 2019 Berlinale, where it received a special mention from the Generation Kplus Jury.

Special thanks to production company bathysphere

To see the film, click on the image below

Entre 20 et 30 films seront sélectionnés cette année pour concourir aux prix décernés par un jury international, au nom d’Unifrance et de ses partenaires français et étrangers.
Les prix seront remis à l’occasion du festival de Cannes.

Critères appel à films

Genres : tous
Année : film produit entre le 1er mars 2024 et le 28 février 2025
Durée : 45’ maximum
Conditions :

• Film de production déléguée française avec RCA ou VISA en cours d’obtention
• Films inédits dans les festivals étrangers partenaires d’Unifrance en 2024 - Liste de référence ici
• Films n’ayant reçu aucun prix dans un festival majeur en France
• Maximum 1 film soumis par société de production

Date limite d’inscription : 30 mars 2025

Modalités : envoyer un lien vimeo, une fiche technique et artistique à : christine.gendre@unifrance.org
 

Format :

• Sous-titrage anglais obligatoire
• Format requis projection : DCP (Digital Cinema Package), MPEG-4

Attention : les autoproductions et films d’écoles sont inéligibles