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Editorial
Gilles PélissonOn June 18, elections will be held for all of Unifrance’s governing bodies, which will shape the organization’s leadership for the next three years. As we prepare to renew all of our committees, I would like to reiterate, with deep conviction, just how invaluable the involvement of professionals and artists alongside Unifrance is. A big thanks to all of you—both long-standing and new members—for your active participation in our organization’s activities. As you know, Unifrance’s calendar throughout the year is packed with committee meetings, executive committee meetings, board meetings, and, of course, the general assembly. The team tackles both this important work—ensuring the smooth functioning of governance—and all the initiatives designed to serve our members, all at your disposal. I would like to take this opportunity to thank all Unifrance employees for their daily energy and commitment to promoting French creativity. Encouraging exchange and encounters, fostering cultural openness and dialogue, and refreshing our narratives, our depictions of living together, and our cultural icons: these ambitions form the very foundation of France's cultural model and, by extension, of Unifrance’s mission. Bringing the two sectors together was an essential way to showcase the diversity of creators, works, and perspectives on the world to an international audience, thereby strengthening France’s soft power. In an increasingly polarized and fractured environment, Unifrance must strive to present a united front by pooling resources and organizing joint events. The organization must also continually adapt its specific initiatives to support the position of the film and audiovisual industries in fragile international markets, drawing on enhanced market intelligence and research capabilities. In this tense period marked by a profound reconfiguration of the audiovisual landscape—with the rise and even dominance of streaming platforms—Unifrance must navigate these changes in close collaboration with its members. And precisely because we firmly believe in our mission, our values, and the strength of our unity—and to give our teams the resources they need to carry out their work to the best of their ability—Unifrance launched a project in 2025 that will come to fruition in early 2027: bringing everyone together under one roof at Unifrance’s headquarters, whose building the organization has just acquired, thanks in particular to the support of the CNC. This initiative is a commitment to the long-term sustainability of Unifrance and a reaffirmation of its crucial role in promoting French works; a consolidation in the truest sense to prepare for and safeguard the future of the organization to which we—and all of you—are so deeply committed. We would like to thank the CNC for its unwavering commitment, and in particular its President, who spares no effort—both in France and internationally—to defend our system of support for creative production, which has been called into question by some. We also extend our gratitude to the Ministry for Europe and Foreign Affairs, as well as to Procirep, the organization’s key partners, and finally to our patrons and partners in the private sector. Together with all the organization’s employees, and alongside Daniela Elstner and the entire management team, I am determined to continue our noble mission of supporting the arts around the world for the next three years. Our collective commitment is vital for democracy, in the cultural debates unfolding in France and across Europe. There is no doubt that, in this period of uncertainty, we will need, more than ever, to continue joining forces—all of our forces. Thank you for supporting Unifrance! Gilles Pélisson, President of Unifrance
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French animation and Unifrance at the 50th Annecy Animation Film Festival
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Unifrance is proud to bring together all French professionals under one banner at the 50th Annecy International Animation Film Festival, taking place June 21–27—whether they come from the worlds of feature films, television, short films, or immersive media. Discover the organization’s initiatives at this must-attend event, as well as the full scope of French participation across all the festival's strands.
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Unifrance's presence at the Annecy International Animation Film Festival This year, Unifrance’s activities will be expanded thanks to its participation in the Anima Mundi project, an initiative supported by the European Commission under the Horizon program (the European Union’s research and innovation program). Through the Anima Mundi initiative, the goal is to connect and actively promote the animation ecosystem around three major pillars: aligning political and industrial strategies, mapping audience discoverability and engagement, and stimulating creativity and competitiveness. - Unifrance x Anima Mundi panel: Exporting European Co-productions
Moderated by Daniela Elstner (Executive Director of Unifrance), this roundtable will bring together Katarzyna Siniarska (Head of Sales at New Europe Film Sales) and Sarah Colvin (SVP Acquisitions at Neon) to analyze the major trends in the European animation market. This panel begins with a presentation of the Anima Mundi project and Unifrance’s involvement. Prior to this panel discussion, a Unifrance x Anima Mundi luncheon will be held to bring together, for the first time in Annecy, French and European industry professionals and institutional representatives. This special event will give researchers from the Anima Mundi consortium the opportunity to meet with industry stakeholders, discuss key challenges, and forge new partnerships. Unifrance's booth at the MIFA is located at stand number G.09. The booth is available free of charge to Unifrance members for their meetings. This year, the booth space has been expanded to accommodate members of the Anima Mundi project. - Interviews "Voices of French Animation"
The Unifrance team will conduct several interviews with the teams behind the French films in Competition. These videos aim to introduce viewers to the leading figures in French animation today. This content will be supplemented by interviews with their European peers. A new meeting organized by Unifrance and TAICCA (Taiwan Creative Content Agency) will bring together French and Taiwanese producers to explore future co-production opportunities.
All the French animation at the Annecy Animation Film Festival Feature films - Competition - We Are Aliens by Kohei Kadowaki
- Lucy Lost by Olivier Clert
- Le Dossier de l'aube by Emilie Hitier-Phuong and Rupert Wyatt
- Viva Carmen by Sébastien Laudenbach
- Iron Boy by Louis Clichy
- In Waves by Phuong Mai Nguyen
Feature films - Special Events - Children of Liberty by Rémy Schaepman and Léahn Vivier-Chapas
Feature films - Contrechamp - Mu Yi and the Handsome General by Julien Chheng
- Blaise by Dimitri Planchon and Jean-Paul Guigue
- A New Dawn by Yoshitoshi Shinomiya
Long-métrage - Annecy présente - Yugly by Jérémie Degruson and Yanis Belaid
- Dudley & the Invasion of the Space Slugs by Cherifa Bakhti
- La Fille dans les nuages by Philippe Riche
Feature films - Midnight Specials - Zsazsa Zaturnnah by Avid Liongoren
- Gregor by Manuel Gomez
Short films - Official Competition - Adgwa-Ata by Zsuzsanna Kreif
- Balconada by Iva Tokmakchieva
- Cartoon Physics by Ru Kuwahata and Max Porter
- Danse macabre by Hisko Hulsing
- God is Shy by Jocelyn Charles
- Water Girl by Sandra Desmazières
- La Petite Reine blanche by Mathieu Georis and Théo Hanosset
- My Bellyaching Skin by Etienne Bonnet
- Motherhood by Anca Damian
- Penguin by Kaspar Jancis
- Please by Anna Mantzaris
- To the Woods by Agnès Patron
- Winter in March by Natalia Mirzoyan
Short films - Perspectives Competition - Sundruð by Fan Sissoko
- Because Today Is Saturday by Alice Eça Guimarães
Short films - Young Audiences Competition - Cloud Fish by Noé Garcia
- Piccolo Piccolo by Marta Gennari
Short films - Graduation Films Competition - Mauruura Roa by Ysoline Despierre
- Free Food Race by Swan Brocher
- Les Dernières Braises by Léa Pulini
- The Day I Licked a Pebble by Flavie Eliézer, Chloé Bernuchon, Goli Atefi, Maud Kolasa, Nathan Jauze, and Marie Pijollet
- The Rossini Garden by William Burger, Siméon Jacob, Odelia Laine, Garance Mondamert, Tara Rewal, Mathilde Vergereau, and Arthur Wong
- L'Oeuf noir by Ousmane Cissé
- Gauze by Noran Fikri Alezabi, Nicholas Arujah, Xinyue Ma, Yulin Yue, and Xiaonan Zhou
- Aïcha Kandicha by Fayrouz Harmatallah
- Agathe must go by Dylan Hall and Maya Matar
TV Films - The Doomies by Andrés Fernández
- Woolly Woolly by Emmanuel Linderer
- Puissances noires by Cécile Bonneau
- The Great Dreamscape by Rémi Durin
- Ewilan's Quest by Eve Ceccarelli-Moing, Fabien Daphy, and Justine Mettler
- Le Chant des orages by Caroline Attia Larrivière
- The Broos by David Mirailles
- Max & Bunny
- Blooming Wonders by Clémentine Campos, Mélody Boulissière, and Inès Bernard-Espina
Short films - Midnight Shorts - My Name is Lilith by Leo Luna Robert-Tourneur
- The Flesh Dress by Joachim Hérissé
Short films - WTF - Skin Flick by Louise Bailly, Daniela Del Castello, Alice Levy, Bruno De Mendonça, Elifsu Meric, and Joey Quoc Tran
Immersive Works - International Competition - Insider - Outsider by Philippe Cohen-Solal
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Unifrance in Warsaw for the 17th French Film Festival in Poland and a new industry day
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The 17th French Film Festival in Poland (Przegląd Nowego Kina Francuskiego) will take place from June 10 to 17 at the Kino Muranów movie theater in Warsaw, and then through June 30 in twelve cities across Poland (Białystok, Kraków, Katowice, Łódź, Lublin, Poznań, Rzeszów, Szczecin, Toruń, Wrocław, Zamość, and Gdańsk). For the third consecutive year, Unifrance is co-organizing the festival, with the Institut Français and the Kino Muranów. The 3rd industry meetings will take place on June 11, with French and Polish film industry professionals in attendance.
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After The Marching Band in 2025, The Stranger by François Ozon will open the festival this year, on June 10 at the Kino Muranow.  Actor Guillaume Marbeck (who will present Nouvelle Vague on June 11) will be attending the festival, and director Guillaume Nicloux will interact with the audience following the screening of Mi amor, on June 12. The selection - The Stranger by François Ozon (opening film)
- Elevator To The Gallows by Louis Malle
- The Money Maker by Jean-Paul Salomé
- The Great Arch by Stéphane Demoustier
- Nouvelle Vague by Richard Linklater
- Guess Who Is Calling? by Fabienne Godet
- Nino by Pauline Loquès
- Guru by Yann Gozlan
- Just an Illusion by Olivier Nakache and Éric Toledano
- The Piano Accident by Quentin Dupieux
- The Little Sister by Hafsia Herzi
- Mi amor by Guillaume Nicloux
Film industry professional meetings In conjunction with the festival and for the third year running, Unifrance and the Institut Français have organized a day of professional meetings on June 11, bringing together French exporters and Polish distributors, institutions, and festivals. On the morning of June 11, everyone will gather at the Ambassade de France for a morning of discussions on various topics related to Polish cinema and the audiovisual sector, including an overview of the Polish film market, a comparison of recent experiences, and a case study on the distribution of French films in Poland… Representatives from the following French companies are expected to attend (subject to change): - Paradise City Sales
- SND – Groupe M6
- Celluloid Dreams
- Loco Films
- France tv distribution
- mk2 films
- Ginger & Fed
- Le Pacte
- Kinology
- Best Friend Forever (BFF)
- The Pool Films
Representatives from the following Polish companies are expected to attend (subject to change): - Against Gravity
- Aurora Films
- BestFilm
- Galapagos Films
- Gutek Film
- Kinoteka
- DI Factory
- Monolith
- So Films
- PISF
- Storwazyszenie Kin Studyjnyc
- New Horizons Festival
- Warsaw IFF
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The Institut Français and Unifrance present the 5th Francia está en pantalla in Madrid
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This event aims to showcase the full diversity of contemporary French audiovisual production by featuring films across various genres (comedy, drama, thriller, documentary) that address a wide range of social issues and are suitable for all audiences. The event also expanded its professional component through a program of meetings and roundtables organized in partnership with ECAM FORUM at the Institut Français in Madrid. Producers, distributors, streaming platforms, theater operators, and audiovisual professionals discussed the major changes taking place in the film industry in France and Spain. Topics covered included the relationship between cinema and its audience, the distribution of Spanish films in France, Franco-Spanish co-productions, and literary adaptations for film and television. Alongside the fifth edition of Francia está en pantalla, Unifrance organized the Unifrance Rendez-Vous in Madrid for the first time, an audiovisual market that gave Spanish professionals the opportunity to meet with distributors of French audiovisual content. Roundtable discussion schedule Tuesday, June 9 10.00 am: Finding your audience and bringing audiences together Featuring Lara Pérez Camiña (BTeam), Thomas Hakim (Cinéma La Clef), and Javier Pachón (CineCiutat) 11.00 am: Distributing Spanish films in France: a booming relationship Featuring Éric Lagesse (Pyramide Distribution), Alice Labadie (Le Pacte Distribution), and Andrea Queralt (4a4 Productions), moderated by Javier Pachón 12.30 pm: Co-producing for growth: Spain and France, a cinematic alliance Featuring Eduardo Villanueva (Caballo Films), Marisa Fernández Armenteros (Buena Pinta Media), Guillermo Farre (Movistar Plus), Alice Labadie (Le Pacte), and Rémi Burah (ARTE Kino Fondation, Arte France Cinéma), moderated by Brais Romero Suárez (La Machina) 3.30 pm – Literary adaptations: from text to image Featuring Arthur Derrouaz (Steinkis) and Celia Rico Clavellino (film director), moderated by Luis Ángel Ramírez (producer) Screening schedule -
Monday, June 8 – 8.30 pm – Institut Français in Madrid Il était une fois... As Bestas by Pierre-Olivier François In the presence of Pierre-Olivier François and Rodrigo Sorogoyen (director of The Beasts) -
Tuesday, June 9 – 6.00 pm – Institut Français in Madrid Case 137 by Dominik Moll In the presence of Dominik Moll and actress Guslagie Malanda -
Wednesday, June 10 – 8.00 pm – Institut Français in Madrid The American Dream by Anthony Marciano In the presence of Anthony Marciano -
Thursday, June 11 – 8.00 pm – Institut Français in Madrid Love Letters by Alice Douard In the presence of Ella Rumpf, the film's lead actress, who was also one of the Unifrance 10 to Watch - 2026 The full program can be found on the Institut Français website
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Unifrance organised the Rendez-vous d’Unifrance – Madrid
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This audiovisual market took place alongside the 5th edition of Francia está en pantalla, organised in Madrid from 8 to 11 June by the Institut français in Spain and Unifrance. All info here. A cocktail party was held on Monday 8 June, in partnership with the French Embassy in Spain, to facilitate networking among industry professionals.  French companies attending the Unifrance Rendez-Vous - Madrid - About Premium Content
- Ampersand
- Beliane
- Canal+ Distribution
- La Chouette Compagnie
- Cinétévé Sales
- Federation Studios
- Film & Picture
- Folivari International
- France tv distribution
- Gaumont
- Incognita distribution
- Lukarn
- Mediawan Rights
- Only Distrib
- Prime Entertainment Group
- Script Line
- Seventine
- StudioFact Rights
- The Bureau Sales
- The Party Film Sales
- Xilam Animation
- ZED
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Enquête participative : le projet Anima Mundi sollicite les professionnels de l'animation
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L’implication d’Unifrance dans ce projet s'inscrit au cœur de ses missions et des spécificités de notre industrie. L'animation étant un secteur structurellement marqué par les coproductions, la France s'impose aujourd'hui comme un territoire majeur, tant pour les coproductions majoritaires que minoritaires. Pour accompagner cet écosystème, Unifrance s'appuie sur son service Études, unique en son genre au sein du paysage des agences de promotion internationales. Cette force française permet de valoriser des décennies de données accumulées. Grâce à cette expertise, notre participation au consortium vise à affiner l'analyse de la circulation mondiale des œuvres, et à identifier de nouvelles opportunités de distribution et de coproduction, notamment vers les marchés asiatiques, afin de dessiner la stratégie européenne du secteur à l'horizon 2030. Cette première recherche multidisciplinaire de grande ampleur est dédiée à l'Industrie Européenne de l'Animation (EAI), qui navigue aujourd'hui dans un paysage complexe, marqué par l'essor de l'IA générative et la plateformisation des médias. L'enquête vise à recueillir les retours des professionnels afin d'identifier les défis communs, d'anticiper les besoins du secteur et de combler le manque de données actuelles sur la création de valeur et la propriété intellectuelle. Pourquoi participer ? - Rapide : Le questionnaire se remplit en 10 à 12 minutes environ.
- Accessible : Disponible en plusieurs langues, dont le français, l'anglais, l'allemand, l'espagnol et l'italien.
- Impactant : Vos contributions alimenteront directement les recommandations politiques aux niveaux européen et nationaux, et participeront au développement d'outils dédiés à la PI et aux partenariats.
- Une chance de gagner : Pour vous remercier de votre temps, les participants ayant validé le questionnaire pourront s'inscrire à un tirage au sort pour tenter de gagner l'une des cinq accréditations gratuites pour le MIFA 2027, offrant un accès complet aux événements du Marché du Film d'Animation d'Annecy.
Vous avez jusqu'au 30 juin pour participer à l'enquête en cliquant ici. • N'hésitez pas à partager cette enquête auprès de votre réseau professionnel. • Respect de la vie privée : Vos données personnelles seront traitées de manière sécurisée, anonyme et confidentielle, conformément au RGPD. La collecte de données sert exclusivement à la recherche dans le cadre du projet ANIMA MUNDI et ne sera ni partagée ni réutilisée au-delà de cette initiative.
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Cédric Klapisch and Laura Samani win the 2026 Palatine Prize
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The two films that scooped the 2026 Palatine Prize are both coming-of-age stories, both marked by memories and a longing for freedom: Colours Of Time by Cédric Klapisch, distributed in Italy by Teodora Film, was voted Best French Film by the Italian jury. On the French front, Un anno di scuola - A Year of School by Laura Samani, was awarded Best Italian Film by the student jury. Colours Of Time made a lasting impression on the students with its ability to tell the story of the future through the past. Cédric Klapisch accompanied the film to Italy, traveling between Rome and Naples to meet with the Palatine Prize jury and discuss with the students the relationship between memory and family heritage. The film follows four heirs who, gathered around a family home in Normandy, piece together the forgotten story of Adèle and discover how the choices of a young woman who lived over a century ago can still resonate today. Also in competition for the Palatine Prize were Dominik Moll's Case 137, distributed by Teodora Film, and Amélie Bonnin's Leave One Day, distributed by Fandango, the latter film was selected from the lineup of the Rendez-vous – Nuovo cinema francese festival through a partnership between the Institut Français - Italy, Unifrance, and the Palatine Prize. With more than 3,000 students involved, over 60 screenings organized in France and Italy, and a growing network of schools, cinemas, and cultural institutions, the fourth edition of the Palatine Prize reaffirms its role as a bridge between the two countries and as a premier platform for film education, intercultural dialogue, and language learning through cinema. The young jurors watched the films in their original versions with subtitles, participated in meetings and discussions with the filmmakers, compared their critical analyses, and voted for their favorite films. The Palatine Prize's official site. Colours Of Time
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The first Unifrance x TITRAFILM Producer Award was presented on June 9
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An award recognizing the international circulation of French films For this inaugural edition, ten festivals were considered over the period from June 2025 to April 2026, spanning four continents: the French Film Festival in Poland, Tour de Cine Francés in Mexico, French Film Festival in the Czech Republic, German French Film Week, Alliance Française French Film Festival in Australia, Rendez-Vous with French Cinema in New York, French Film Festival in Japan, Francophone Film Festival in Greece, French Film Panorama in China, and the Rendez-vous – Nuovo cinema francese in Rome. The award thus honors the production company whose film has received the most selections across all of these events. An award that highlights the boldness of French female producers in 2026 This year, two production companies, both led by female producers, have been honored: - Haut et Court (Carole Scotta, Caroline Benjo, and Barbara Letellier), for the film Case 137 by Dominik Moll
- June Films (Julie Billy and Naomi Denamur), for the film The Little Sister by Hafsia Herzi
Carole Scotta and Caroline Benjo said they were “delighted to have been working with Dominik Moll for three films now, and to share the award with June Films, as these two award-winning films are international hits that convey a certain message about France. We must bear this in mind over the next ten months.” For her part, Julie Billy highlighted the excellent support provided by actress Nadia Melliti, who has travelled extensively around the world with The Little Sister. The producer also made a point of thanking, in addition to TITRAFILM and Unifrance, all her female colleagues: “This film was made with a great deal of sisterhood, as it was a film that was difficult to finance, produce and make.” An award sponsored by TITRAFILM À La Plage The award offered by TITRAFILM À La Plage, an image and sound post-production studio with three locations in Paris’s 9th arrondissement, will consist of in-kind services for rush processing and color grading, valued at €10,000, to be divided equally between the two winning companies.
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French cinema honored at the 79th Cannes Film Festival
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Unifrance warmly congratulates Cristian Mungiu, his French producer Pascal Caucheteux (Why Not Productions), and international sales agents Goodfellas for the Palme d'or awarded to the film Fjord, a Romania/France/Norway/Denmark/Sweden co-production. This award secures the 58-year-old Romanian filmmaker’s place among the world’s greatest filmmakers, following his first Palme d’Or in 2007 for his film 4 Months, 3 Weeks, 2 Days. Unifrance is also delighted with the double wins for Best Actor and Best Actress. The former were awarded to Japanese actress Tao Okamoto and Virginie Efira for Ryûsuke Hamaguchi's All of a Sudden, a film majority produced by the French company Cinéfrance Studios, with sales handled by Cinefrance International; the latter went to Emmanuel Macchia and Valentin Campagne, young actors starring in Lukas Dhont's Coward, co-produced for France by Lumen.  Congratulations also on the Grand Prix, awarded to Russian filmmaker Andreï Zviaguintsev, whose film Minotaur was co-produced in France by CG Cinéma and MK Productions, and is sold internationally by mk2 films, as well as on the Best Screenplay Award presented to Emmanuel Marre for his second feature A Man of His Time, a Kidam production, sold internationally by Charades.  French cinema was also honored with the Jury Prize awarded to The Dreamed Adventure by Valeska Grisebach (co-produced by Kazak Productions) as well as two joint Best Director awards: Fatherland by Pawel Pawlikowski, a Chapter 2 co-production, and La bola negra, co-produced by Le Pacte (with Goodfellas handling international sales). In conclusion, Unifrance would like to extend its congratulations and thanks to all the artists and professionals who have contributed to the success of the many French films presented this year at the festival, across all sections of the Official Selection (including Un Certain Regard, Cannes Classics, Cannes Première, Special Screenings, and Midnight Screenings) and the sidebar strands (Critics' Week, Directors' Fortnight, and ACID - Cannes): writers, directors, actors, as well as producers, distributors, and international sales agents. Through their talent and dedication, they enable French cinema to continue its singular and globally recognized journey. Each work, through its unique perspective on our era and our societies, nourishes the artistic and cultural dialogue that unites us with other film traditions, while promoting universal values of freedom, openness, and fraternity.
French films in the Official Selection awards list - Palme d’or: Fjord by Cristian Mungiu
- Grand Prix: Minotaur by Andreï Zviaguintsev
- Best Director: Javier Ambrossi and Javier Calvo for La bola negra, and Pawel Pawlikowski for Fatherland
- Best Screenplay: Emmanuel Marre for A Man of His Time
- Jury Prize: The Dreamed Adventure by Valeska Grisebach
- Best Actress: Tao Okamoto and Virginie Efira for All of a Sudden by Ryûsuke Hamaguchi
- Best Actor: Valentin Campagne and Emmanuel Macchia for Coward by Lukas Dhont
- Palme d'or for a short film: For The Opponents by Federico Luis
- Caméra d'or for Best First Feature: Ben'Imana by Marie-Clémentine Dusabejambo
- Oeil d'or for Best Documentary: Tin Castle by Alexander Murphy
- Un Certain Regard - Jury Prize: Elephants in the Fog by Abinash Bikram Shah
- Un Certain Regard - Special Jury Prize: Iron Boy by Louis Clichy
- Un Certain Regard - FIPRESCI Award: Ben'Imana by Marie-Clémentine Dusabejambo
- Un Certain Regard - Best Actress Award: Mariangel Villegas, Daniela Marín Navarro, and Marina de Tavira for Forever You Maternal Animal by Valentina Maurel
- Un Certain Regard - Best Actor Award: Bradley Fiomona Dembeasset for Congo Boy by Rafiki Fariala
- Immersive Competition - Best Immersive Work: Katabasis by Ugo Arsac
- Immersive Competition - Jury Special Mention: The Black Mirror Experience by Damià Ferràndiz and David Bardos
- FIPRESCI Award: Fjord by Cristian Mungiu
- Ecumenical Jury Prize: Fjord by Cristian Mungiu
- Citoyenneté Award: Fjord by Cristian Mungiu
- Citoyenneté Award - Special Mention: A Man of His Time by Emmanuel Marre
- Cinémas Art et Essai Award: A Man of His Time by Emmanuel Marre
- Cannes Soundtrack Award: Minotaur by Andreï Zviaguintsev
- CST for Artist-technician Award: Nicolas Rumpl for A Man of His Time by Emmanuel Marre
- CST for a Young Female Film technician Award: Esther Mysius for The Birthday Party by Léa Mysius
- Positif Cinema Award: Coward by Lukas Dhont
- Best Sound Creation Award: Elephants in the Fog
French films in the Critics' Week award list - Grand Prix: La Gradiva by Marine Atlan
- SACD Award: Nicole Borgeat and Blerta Basholli for Dua by Blerta Basholli
- Fondation GAN Distribution Prize: A Girl Unknown by Jing Zou
- FIPRESCI/Critics' Week Award: A Girl Unknown by Jing Zou
- Queer Palm Revelation: Flesh and Fuel by Pierre Le Gall
French films in the Directors' Fortnight awards list - Label Europa Cinéma: Too Many Beasts by Sarah Arnold
- SACD Coup de coeur: Shana by Lila Pinell
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The 24th Unifrance Short Film Awards announced in Cannes
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The Unifrance Short Film Awards ceremony took place on Tuesday, May 19, in Cannes, on the Unifrance Terrace. The 2026 selection (more than 170 films were received for the preliminary selection) included 18 titles. The selected films can be found here.
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The 2026 jury members: - Lucie Canistro – Sooner
- Delphine Jeanneret – Locarno Film Festival, Winterthur International Short Film Festival
- Julia Kowalski – film director
- Gilles Reunis – Be TV (Belgium)
- Dian Weys – film director, recipient of the 2025 Unifrance Short Film Award
🏆 And the winner is... 🏆 Swapper, directed by Louis-Barthélemy Rousseau, produced by Aurora Films (Charlotte Vincent, Katia Khazak) was awarded the 2026 Unifrance Grand Prix. The film A credit card thief roams the streets of Paris in search of her victims. With each encounter, she charms them by assuming new identities. Over the course of a tumultuous night, she will test her limits. The director Louis-Barthélemy Rousseau is a French director and screenwriter born in Paris in 1993. His first documentary short film, Early Winter, received the Première Fenêtre Award at the Cinéma du Réel in Paris. His next two short films, How Many Will Dance on Your Tongue and Mannequin Zéro, were screened at the Amiens International Film Festival, Queer Lisboa, and Bogoshorts. Louis-Barthélemy Rousseau
All the awards Grand Prix: Swapper by Louis-Barthélemy Rousseau Jury statement: The jury commends this portrait of a modern-day vampire whose mysterious journey holds up a mirror to our consumer society. Thanks to the actress’s performance, the sharp dialogue, and the direction, the film unsettles the viewer and leaves much to the imagination. Production co.: Aurora Films Swapper Special Jury Prize: Chambre 206 by Laurie Bisceglia Jury statement: The jury praises this debut film, a powerful and joyful portrait that delicately breaks free from stereotypes. There is a genuine sense of a long-established bond between Laurie and Clair, which shines through right up to the final shot. Production co.: PADEL Productions • Distributor: Manifest  Be TV Award: Breath by Luis Letailleur Juror statement: I chose to honor Luis Letailleur’s film Breathe for Paul Kirsher’s performance, but also for the directorial choices—particularly the decision to shoot many scenes with a handheld camera to stay as close as possible to the characters. This gives the film a unique dynamic. I also really liked the theme of the teenager finding his way, particularly through a former passion of his father’s, which sets off a chain reaction and potentially allows this dysfunctional family to find balance again. Production co.: La Petite Prod • Distributor: Manifest  SOONER Award: Sea Sun and Burn by Pauline Cancel SOONER applauds this body horror film, which is as unsettling as it is delightful, and which explores the trials of adolescence and the transition to adulthood with humor and tenderness. The changing body is examined in minute detail, transforming the initial unease into a sensual and unsettling fascination. Production co.: Mondina Films Sea Sun and Burn
The 8th Short Film Distributor Award The Unifrance Short Film Awards ceremony also serves as an opportunity to recognize a distributor’s international distribution efforts and approach. In their shared commitment to promoting French creativity internationally, championing the short film format, and spotlighting emerging talent, Unifrance and La Fête du court métrage join forces for the eighth consecutive year to highlight, guide, and support the artistic vision of a distribution company, both through its efforts to promote films at international festivals and through its approach to increasing their visibility in commercial distribution channels. Following a call for submissions to which seven distribution companies responded, the jury—composed of Melen Bouëtard-Peltier, TV and Inflight Sales at The Party Film Sales, Cécile Cadoux, Head of Programming at the Entrevues Belfort Film Festival, and Marine Gaillard, Distribution Manager at the Film and Series Division at the Institut Français, decided to give the 2026 Distributor Award to Shortcuts (Élise Notseck and Lucie Goujon). Jury statement: "The jury congratulates the Shortcuts team on an exceptional year, marked by bold choices that have succeeded in winning over both audiences and industry professionals, in France and internationally. We hope this award will encourage them to remain confident in the uniqueness of their vision and in their ability to take risks that allow them to create distribution strategies that are both inventive and well-informed for each of their films.” A Special Mention was awarded to La Kourmétragerie. “The jury would like to congratulate and commend the work of Kourmétragerie, an organization whose expertise has become indispensable to the promotion of Reunionese cinema at the local, national, and international levels. The sincerity and consistency of the distribution project, led by a tremendously dynamic organization, seem to us to be a guarantee of a bright future.” This award comprises subtitling funding provided by the Institut français for one film from the company's catalog. 
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Unifrance organise une projection spéciale des films lauréats des 24es Prix Unifrance du court-métrage
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Les films récompensés et présentés lors de cette soirée exceptionnelle : Swapper, de Louis-Barthélemy Rousseau (Grand Prix), produit par Aurora Films  Découvrez l'interview vidéo du réalisateur Louis-Barthélemy Rousseau et de la comédienne Angèle Metzger Chambre 206, de Laurie Bisceglia (Prix spécial du Jury), produit par PADEL Productions Chambre 206 Breath, de Luis Letailleur (Prix Be TV) produit par La Petite Prod Breath Sea Sun and Burn, de Pauline Cancel (Prix SOONER), produit par Mondina Films Sea Sun and Burn
👏 Unifrance félicite une nouvelle foix chaleureusement toutes les équipes des films lauréats, ainsi que toutes les équipes des films en lice dans cette 24e édition, et bien sûr nos partenaires TITRAFILM, Shortfilmdepot, Le Grand Action, Brefcinéma, SOONER et Be TV.  © Loïc Thébaud / Unifrance
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MyFrenchShorts #40: "Tender Age"
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Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult. Production company: Melocoton Films To watch the film (with English subtitles), click on the image below 
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French short films tour the world: May 2026
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🏆 Awards for French short films 🏆 ➡️ At Cannes, French short films took center stage. - The Palme d’or for a short film was awarded to For The Opponents, directed by Federico Luis, a French-Mexican-Chilean co-production, notably produced by Les films du Worso.
For The Opponents ➡️ At the end of the San Francisco International Film Festival, in the United States, two awards were given to French short films. - Duet by Léo Brunel received the Family Films Award.
- Little Things by Noam Rignault Clement received an Honorable Mention in the Yourh Works strand.
➡️ In Portugal, IndieLisboa awarded two French shorts. - The Audience Award went to Intersecting Memory by Shayma' Awawdeh
- The IndieJúnior Audience Award was given to Duet by Léo Brunel
➡️ In Germany, the Internationales Trickfilm-Festival Stuttgart honored a French short with two awards. - With Tapes and Toasts in the Car by Kiana Naghshineh was crowned with the International Competition Grand Prix and with the Audience Award.
With Tapes and Toasts in the Car ➡️ While still in Germany, the International Short Film Festival Oberhausen awarded three French shorts. - The EFA nomination for Best European Film went to The Day I Licked a Pebble by Flavie Eliézer, Chloé Bernuchon, Goli Atefi, Maud Kolasa, Nathan Jauze, and Marie Pijollet.
- The Jury Prize of the Ministry of Culture of North Rhine-Westphalia was awarded to Trajectories by Simon Rittmeier.
- Jésus Marie Joseph by Patxi Meerman received a Special Mention from the ecumenical jury of the Children’s and Youth Competition. .
➡️ Three awards were presented at the Chilean festival Chilemonos, dedicated to animation. - With Tapes and Toasts in the Car by Kiana Naghshineh triumphed with the top prize of the International Competition.
- Dog Alone by Marta Reis Andrade received the second prize of the International Competition.
- Please by Anna Mantzaris received an Honorable Mention.
➡️ French short films were widely acclaimed at the Mecal festival in Spain, with five awards. - No Skate! by Guil Sela received the International Grand Prix.
- God is Shy by Jocelyn Charles received the Animation Grand Prix.
- Strange Teen Spirit by Frank Ternier received the 2nd Prize in the Animation strand.
- The Audience Award (Animation) went to Carcassonne-Acapulco by Marjorie Caup and Olivier Héraud.
- Réunion de famille by Jean Forest received the 3rd Prize in the Documentary strand.
Strange Teen Spirit ➡️ In Austria, Vienna Shorts awarded two prizes to French short films. - “The resolutely experimental visual approach” of cinematographer Mauricio Reyes Serrano earned him the Jury Prize for Best Cinematography in the Fiction & Documentary section for Pacífico.
- God is Shy by Jocelyn Charles received special recognition, winning the Audience Award for Avant-garde Animation and an Honorable Mention for its artistic achievement.
Pacífico
✈️ The following people received travel funding ✈️ Raphaëlle Petit-Gille traveled to Lisbon to present her film Fanny at the Beach at IndieLisboa. Here are her impressions: "The overall organization of the festival was flawless. The selection was of very high quality. The screening conditions were ideal, with translators available for the filmmakers during the Q&As. Every evening, a networking reception for industry professionals was held in the festival garden. I was able to meet the Portuguese audience, other filmmakers, and passionate organizers, and I saw films that inspired me. I left Lisbon feeling euphoric from the sea air and excited by the packed theaters." Christine Rebet, for her part, traveled to Barcelona to promote her film The Fall at Mecal. She shared her experience with us: “I was able to watch a lot of animated films and learn a bit more about the animation market. The selection was of high quality. The festival was very well organized. I met two members of the jury and learned a lot from their insights and experiences.”
🔹 All the selections 🔹 In May, French short films received significant exposure abroad at the seven festivals supported by Unifrance. 🇺🇸 In the United States, the San Francisco International Film Festival, screened seven French short films in four strands. International Competition Golden Gate Award - A South Facing Window by Lkhagvadulam Purev-Ochir
- Because Today Is Saturday by Alice Eça Guimarães
- Tamashi by Ashima Shiraishi and Jess X. Snow
Mid-length Competition - Still Playing by Mohamed Mesbah
Youth Works - Little Things by Noam Rignault Clement
Family Films - Little Things by Noam Rignault Clement
- Duet by Léo Brunel
🇵🇹 Indielisboa in Portugal gave prominent coverage to French cinema, featuring 28 French short films across various sections. International Competition - Death of the Fish by Éva Lusbaronian
- Kontrewers by Zuza Banasińska
- Loynes by Dorian Jespers
- Intersecting Memory by Shayma' Awawdeh
- Home Is Where the Heart Is by Timothée Engasser
- Fanny at the Beach by Raphaëlle Petit-Gille
- Détective Smiley & the lost friends by Antoine du Jeu
National Competition Silvestre - Normal Planet by Ekiem Barbier
- As Night Falls by Marion Desseigne-Ravel
- In Real Life by Ekiem Barbier and Guilhem Causse
- Merrimundi by Niles Atallah
- Our Land of enchantment by Annabelle Amoros
- Taxi Moto by Gaël Kamilindi
- A South Facing Window by Lkhagvadulam Purev-Ochir
IndieJúnior - The Carnival of the animals by Emily Barbelin
- Baião d'intérieurs by Héloïse Dorsan Rachet
- Duet by Léo Brunel
- Sketches on Ice by Marion Auvin
- I Am Not Here Anymore by Nawojka Wierzbowska
- Nutissimo by Nicolas Bianco-Levrin
- Piccolo Piccolo by Marta Gennari
- Cloud Fish by Noé Garcia
- Dog Alone by Marta Reis Andrade
- Found! by Juliette Baily
Mouth of Madness - Um by Nieto
- Weird to Be Human by Jan Grabowski
Rhizome - Slet 1988 by Marta Popivoda
🇩🇪 French short film also featured prominently at the Internationales Trickfilm-Festival Stuttgart, which presented 25 French titles. - Biting The Hand That Feeds You by Chantal Peten
- Atomik Tour by Bruno Collet
- Carcassonne-Acapulco by Marjorie Caup and Olivier Héraud
- God is Shy by Jocelyn Charles
- With Tapes and Toasts in the Car by Kiana Naghshineh
- Kosmogonia by Karolina Chabier
- Like a Fairy Tale by Kirill Khachaturov
- Mise en culture, récolte et dispersion des épines by Jeanne Girard
- My Brother, My Brother by Abdelrahman Dnewar and Saad Dnewar
Film Schools Competition - The Day I Licked a Pebble by Flavie Eliézer, Chloé Bernuchon, Goli Atefi, Maud Kolasa, Nathan Jauze, and Marie Pijollet
- In the shade of the sheets by Lina Saïdani
- Avant de rentrer... by Arthur Bonneau
- Dear End, by Khéma Cousin, Lien Franckel, Laora Le Boursicot, Alissende Masson, Joséphine Mounier, and Clément Saden
- Pebble to Pebble by Charlotte Annereau
- Du monde au balcon by Elya Ehni
- Hôtel les pieds dans l'eau by Maya Vriens
- Jeanne & Jean Jean by Thanys Martin
- Niccolò by Clémentine Di Prizio, David Florian, Axelle Granet, Sirui Liu, Hugo Michalet, and Njolai Pachomius
- Winter in March by Natalia Mirzoyan
Tricks for Kids Competition - Polo sans bobo by Sophie Castaignede
- Once Upon a Time in Dragonville by Marika Herz
- The Empty Panel by Thibault Chollet
Trickstar Nature Competition - Cloud Fish by Noé Garcia
- Strange Teen Spirit by Frank Ternier
- La Petite Reine blanche by Mathieu Georis and Théo Hanosset
🇩🇪 Also in Germany, the International Short Film Festival Oberhausen selected 16 French short films. International Competition - Who Killed Narin G****? by Ayce Kartal
- Women in Fire by Alina Titorenko
- Em Busca de S by Gustavo De Mattos Jahn
- Autobiography of my Diabetes by Matthew Lancit
- Hulum by Miguel Miceli
- An Open Field by Teboho Edkins
National Competition - Dressing Up Together by Célia Caroubi, Elly Jarvis, and Lilli Strakerjahn
Children and Youth Competition - Jésus Marie Joseph by Patxi Meerman
- To the rythm of the sea by Léa Deprez, Pierre-Luis Bordes, Eliott Desmarets, and Jeanne Finet
- Kosmogonia by Karolina Chabier
- Death of the Fish by Éva Lusbaronian
- The Day I Licked a Pebble by Flavie Eliézer, Chloé Bernuchon, Goli Atefi, Maud Kolasa, Nathan Jauze, and Marie Pijollet
- Piccolo Piccolo by Marta Gennari
- Cloud Fish by Noé Garcia
- Precious Fantasy by Nino Bouhnik
North Rhine-Westphalia Competition - Trajectories by Simon Rittmeier
🇦🇹 In Austria, Vienna Shorts highlighted 15 French shorts across a variety of genres. Fiction and Documentary Competition - To the Woods by Agnès Patron
- Cairo Streets by Abdellah Taïa
- Daria's Night Flowers by Maryam Tafakory
- Pacífico by Daniel Duque
- Taxi Moto by Gaël Kamilindi
- Guided Tour by Alba Jaramillo
Animation Avantgarde Competition - God is Shy by Jocelyn Charles
- Strange Teen Spirit by Frank Ternier
- Um by Nieto
Focus - Dog Alone by Marta Reis Andrade
- Winter in March by Natalia Mirzoyan
- Long Distance by Iulia Voitova
- Between Yawns by Alma Rajot
Cinema for the Youngest - A Lynx in the Town by Nina Bisiarina
- Filante by Marion Jamault
🇨🇱 At Chilemonos, 18 French short titles were presented to audiences. International Competition - With Tapes and Toasts in the Car by Kiana Naghshineh
- Atomik Tour by Bruno Collet
- I Am Not Here Anymore by Nawojka Wierzbowska
- Brown Morning by Carlo Vogele
- Please by Anna Mantzaris
- Dog Alone by Marta Reis Andrade
- Signal by Mathilde Parquet and Emma Carré
Graduation Films Competition - Vengeance by Laure Lasserre, Romain Perrier, Justine Prat, and Lara Scesa
- Al Battar by Julien Lanzi, Lilou Planchais, and Tom Wang
- Doudou caillou by Mayly Houlgard, Carlos Rouaud, Isaure Sivel, and José Razafindrazaka
- Fleur Bot by Celio Dubus, Margaux Hallot, Tiphaine Houdeau, Loïs Pastor, Marie Piazza, Clémence Thomire, Ludovic Vasse, and Aurélia Zerhouni
- Free Food Race by Swan Brocher
- Kénopsia by Camille Redon, Sélène Lê, Alice Hegymegi-Kiss, Grégoire Pezzulo, Fanny Belougne, Quentin Szczygiel, and Abel Tebib
- The Rossini Garden by William Burger, Siméon Jacob, Odelia Laine, Garance Mondamert, Tara Rewal, Mathilde Vergereau, and Arthur Wong
- Les Funérailles de la princesse insecte by Hippolyte Thomas
- Where love lied by Georges Chalmet, Evan Guinet-Elmi, Sizi Hatef, Joel Kidangan, Saksham Kumar, Olivia Leriche, Léo Maestracci, Viet Ha Nguyen, and Marcel Vanderweyen
- Orchid Square by Benacer-Gaud Inès, Chernichenko Tania, Léa Giraud, Eléonore Hattenberger, Sacha Landais, Andrew Mainetti, Maeva Metivier, Abishek Padmanaban, and Huey Wong
- Tumbleweed by Johanna Bouaouiche, Louis Creuzet, Marie Hareux, Wilson Hinh, Arthus Mariet, and Masha Moran
🇪🇸 The Mecal festival, in Spain, screened a record number of French short films in May: 53 across the various strands! Animation Competition - Yo Yo by Mohammadreza Mayghani
- Because of (U) by Tohé Commaret
- Ordinary Life by Yoriko Mizushiri
- Death of the Fish by Éva Lusbaronian
- Ambush by Xi Chengzhuo
- Azimuth by Thomas Teissière
- Carcassonne-Acapulco by Marjorie Caup and Olivier Héraud
- God is Shy by Jocelyn Charles
- Water Girl by Sandra Desmazières
- Strange Teen Spirit by Frank Ternier
- Life With an Idiot by Theodore Ushev
- Layla by Oscar Baron and Emma Ferréol
- The Rossini Garden by William Burger, Siméon Jacob, Odelia Laine, Garance Mondamert, Tara Rewal, Mathilde Vergereau, and Arthur Wong
- Dog Alone by Marta Reis Andrade
- The Fall by Christine Rebet
- The Famous Last Show by Celia Alcina Matesanz, Pontheera Nimmanakiat, Fuxuan Deng, Ané Quintana, and Hongru Su
- The Shyness of Trees by Sofiia Chuikovska, Loïck du Plessis D'Agentré, Lina Han, Simin He, Jiaxin Huang, Maud Le Bras, and Bingqing Shu
- Wormwood by Matthieu Dupille, Chenhe Liu, Philémon Martin, Ninon Quéméner, Alexander Vanderplank, and Binlin Xie
Animated Documentaries - Žarko, You Will Spoil the Child! by Veljko Popović and Milivoj Popović
- As the Crow Flies by Clara Lacombe
Animation trash - Hurle ! Ça pousse ! by Anna Murie
Children - The Blind Man by Rémy Xu
- Acrobats by Éloïse Alluyn, Hugo Danet, Anna Despinoy, Antonin Guerci, Alexandre Marzin, and Shali Reddy
International Fiction Competition - Dancing Pigeons by Christofer Nilsson
- Grandma Nai Who Played Favorites by Chheangkea
- No Skate! by Guil Sela
Horror - The Last Snow by Rodolphe Bouquet-Populus
- Gone Wrong by Anne-Linh Jérôme, Ambre Butel, Roman Saunier, Maxime Arnould, Juliette Houël, Adrian Villeda, Alisson Colombe, and Ylan Dinguidar
- Birth of a Fire by Archibald Martin
Sci-Fi - Brown MorningBrown MorningBrown Morning by Carlo Vogele
Comedy - The Seniors by Axelle Fuset, Boris Boidron, Fanny Ghesquiere, Lucile Brunet, Jérémy La, Lauren Félines, Maëlys Guillemoteau, and Manuel Mabayog
- Forever by Théo Djekou, Pierre Ferrari, Cyrine Jouini, Pauline Philippart, and Anissa Terrier
- Mémé by Anne-Sophie Diego
- Amen by Orphée Coutier, Bettina Demarty, Kimié Maingonnat, Laurène Perego, and Avril Zundel
- The Rize and Fall of Zara Zilverstein by Brian Kazez
- Jeanne & Jean Jean by Thanys Martin
- A Princess’ Guide to Fairytale Love by Violette Avouac, Ramya Hegde, Tshegofatso Tracy Pitseng, Polina Saratova, Ashil Shaji, and Kelvin Shani
- Lady Attila by Apolline Andreys
Talents Catalans Womart - As if the Earth Had Swallowed Them Up by Natalia León
LGTBIQ+ - Dare to Be Fabulous by João Buosi, Yangjia Chen, Adam Meziane Philipps, Carla Sampaio Da Silva, Xinxin Qin, and Zhen Zhou
- Big Boys Don't Cry by Arnaud Delmarle
Very Short Shorts - Niccolò by Clémentine Di Prizio, David Florian, Axelle Granet, Sirui Liu, Hugo Michalet, and Njolai Pachomius
Young Audiences - Sunset Valentine by Rémi Sogadji
- Signal by Mathilde Parquet and Emma Carré
- The Urge by Julien Aveque
- Atomik Tour by Bruno Collet
Documentary Competition - Réunion de famille by Jean Forest
- +10K by Gala Hernández López
- In The Night, We Will Dazzle Them by Ophélie Demurger
- No God no Father by Paul Kermarec
- As It All Burns by Tessa de Baudinière and Anna Ostasenko Bogdanoff
- Few More Centuries by Raphaël Martin-Dumazer
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International box office results
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Veille économique internationale - n°1 (07/05/2026)
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Bonjour, Nous sommes heureux de vous envoyer notre veille économique internationale, nouvelle source d’informations que nous faisions circuler jusqu’à présent en interne et que nous souhaitons dorénavant partager avec vous. Margaux Artis, chargée d’études plateformes et audiovisuel, collecte quotidiennement les articles les plus pertinents de la presse professionnelle et généraliste concernant l’actualité internationale du cinéma, des plateformes, de la télévision, de l’exploitation. Elle rassemble ceux qui sont le plus susceptibles de vous et de nous intéresser, en dehors des sujets les plus traités qui n’ont échappé à personne. Nous espérons que cette veille vous apportera des informations nouvelles, mais aussi des sources de réflexions stimulantes. Cordialement, Gilles Renouard
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