Editorial

Often, the return after the summer break, like the seasons, comes and goes. This year, summer and the beginning of fall in Paris, punctuated by the Olympic and Paralympic Games, unfolded in a cheerful, sporting atmosphere. At the heart of this special  period, the Venice Film Festival took place, as it does every year at the end of August, with an edition rich in French films across all sections, and a harvest of awards. Of particular note, for their performances, Vincent Lindon in The Quiet Son by Delphine and Muriel Coulin, and Paul Kircher in Their Children After Them, by Ludovic and Zoran Boukherma, received the awards for Best Actor and Best Young Actor respectively.

But post-summer period also saw a first: for their 30th edition, Unifrance's audiovisual Rendez-Vous took up residence in Le Havre. A new venue, a new horizon, a new atmosphere: nothing was how it had been before, everything was new, not only for buyers and audiovisual distributors, but also for the Unifrance team. Under fairly mild skies, we were able to discover a city and a region of character and particularly welcoming, with fine infrastructures and an exceptional cultural and gastronomic heritage! Above all, we were delighted to note the high level of satisfaction among our guests. Events included the first Deadline French TV Disruptor Award, presented to screenwriter and director Noé Debré by the American online entertainment news site; the gala evening with the screening of the first episode of Ça c'est Paris, a series created by Marc Fitoussi, Edgard F. Grima, and Jérôme Bruno, followed by an exclusive show presented by the Paradis Latin dancers. These events, alongside a hectic market with incessant meetings, contributed directly to making this edition a resounding success. Well done and thank you all for your contribution, next year we'll feel even better. Special thanks to the Mayor of Le Havre, Edouard Philippe, and the President of the Région Normandie, Hervé Morin, for welcoming us with such enthusiasm and warmth.

In collaboration with the CNC, Unifrance also announced the figures for audiovisual exports in 2023, with overall sales stabilizing at more than €200 million – the third time this level has been exceeded in 30 years – and a healthy share for French drama. We're also confident about 2024, and convinced that the business concluded in Le Havre will make a major contribution to the current year's sales!

As we all know, September is a month full of events, and our teams are extremely busy. This week, at the Festivall Off-Courts in Trouville, the figures for short films in 2023 were announced, with a spectacular increase in sales compared with 2022. And while some are returning from the Toronto Film Festival, others are already at the Festival de la Fiction in La Rochelle, or preparing to leave for San Sebastián. And with them, French films begin their journey, ready to seduce audiences the world over, as demonstrated by the success in foreign cinemas of The Count of Monte Cristo by Alexandre de La Patellière and Matthieu Delaporte, and A Little Something Extra by Artus.

Films also travel, thanks to Unifrance's online festivals, which enable titles to reach audiences all over the world. In less than a month, the second edition of MyMetaStories opens, a unique event run with the support of the Creative Europe MEDIA program. This highly inventive undertaking, which links cinema and video games to promote creativity, the circulation of works, and reinvigorating audiences' attention, will offer 20 European films – seven feature-length films and 13 shorts subtitled in six languages, through a double digital experience – via VOD platforms and in Minecraft®. This year, the Minecraft® universe specially designed for MyMetaStories will include, for the first time in its virtual cinema, a feature-length film, creating a gateway for gamers to discover European feature films. 

Films also travel, thanks to Unifrance's online festivals, which enable titles to reach audiences all over the world. In less than a month, the second edition of MyMetaStories opens, a unique event run with the support of the Creative Europe MEDIA program. This highly inventive undertaking, which links cinema and video games to promote creativity, the circulation of works and the renewal of audiences, will offer 20 European films  – seven feature-length films and 13 shorts subtitled in six languages, through a double digital experience  – via VOD platforms and in Minecraft®. This year, the Minecraft® universe specially designed for MyMetaStories will, for the first time in its virtual cinema, include a feature-length film, creating a gateway for gamers to discover European feature films.

Clearly, no post-summer season is ever quite the same in our cinema and audiovisual sphere!

Daniela Elstner
Executive Director of Unifrance

CONTENTS
Icon list In Focus 30th Unifrance audiovisual Rendez-Vous: very positive results for the first edition in Le Havre
Icon list Events roundup MyMetaStories returns for a 2nd edition! French films harvest awards at the Venice Film Festival All the French films at the 49th Toronto Film Festival French films reap awards at the Locarno Film Festival Unifrance announces the dates of the next Unifrance Rendez-Vous in Paris French cinema honored at the Telluride Film Festival 28e Tour de Cine Francés, the world's most important traveling French film festival Unifrance steps up its presence at the Festival de la Fiction de La Rochelle The complete French line-up at the 72th San Sebastián Film Festival
Icon list Interviews "Belfort & Lupin," an animated series set in the Château and gardens of Versailles
Icon list Short films French XR in the spotlight on Venice Festival's immersive island French immersive works at international festivals and export markets in 2023 - annual report French short films on the export market and at international festivals: 2023 annual report MyFrenchShorts #21: "Solarium" by Jonathan Koulavsky
Icon list Balance Sheets & Studies French audiovisual exports: sales remained high in 2023 Indicateur des programmes audiovisuels français à la télévision à l’international - Juin 2024 Indicateur des programmes audiovisuels français à la télévision à l’international - Mai 2024
Icon list International box office results French films at the international box office: July 2024 Top 20 - July 2024 French films at the international box office: June 2024
Icon list International press roundup International press round-up: July - August 2024
In Focus
30th Unifrance audiovisual Rendez-Vous: very positive results for the first edition in Le Havre

From September 2 to 6, the 30th Unifrance Rendez-Vous took place for the first time in Le Havre, on the Normandy coast. This change of scenery brought a new energy to this anniversary edition, which was conducive to meetings and professional exchanges.

The City of Le Havre and the Région Normandie extended a particularly warm welcome to participants, and showcased the region to great effect, whether during the opening evening at the Bibliothèque Oscar Niemeyer, where participants were welcomed by Édouard Philippe, Mayor of Le Havre and President of the Communauté Urbaine Le Havre Seine Métropole, or during the cocktail reception organized in Deauville at the Franciscaines, at the invitation of Hervé Morin, President of the Région Normandie. Both underlined the importance of the audiovisual sector at the local level, and its cultural and economic importance.
 

Export figures for French audiovisual programs in 2023 were announced on Tuesday, September 3, by the CNC and Unifrance, at the opening of the Rendez-Vous, reporting sales that remained at a high level of €203.4 million. This is the third time in 30 years that sales have exceeded the €200 million mark, reflecting the quality and diversity of audiovisual works in all genres, which continue to appeal to the international market. Against this buoyant backdrop, the Unifrance Rendez-Vous in Le Havre enabled 180 international buyers from some 40 countries to discover over 700 programs presented by 56 audiovisual distribution companies.

Of the 180 buyers present, 80% represented linear channels and 15% VoD services. This was a first-time participation for 17% of the companies present, and for 16% of the buyers. In terms of genres, 29% said they were looking for animation programs, 55% for fiction, and 64% for documentaries, bearing in mind that some buyers do not limit themselves to a single genre. In terms of delegations, the 10 most represented countries this year were Spain, Poland, Belgium, ItalySwitzerland, Germany, Sweden, USA, Hungary, and the Czech Republic.
 


Once again, the Rendez-Vous provided a privileged setting for exchanges between French distributors and foreign buyers, in advance of the fall international markets. A sentiment shared by several buyers, including Guillermo Sierra, buyer for the American Hispanic channel HITN (also available here) : “I think we're in an industry based on relationships. Over the years, we've met a lot of people and made real friendships. Big markets are wonderful because you get to see a lot of content from all over the world and meet a lot of people, but proximity, sharing several meals a day, and meeting in a small space make a huge difference. We're always very grateful to organizations like Unifrance that make these moments possible."

Throughout the Rendez-Vous, participants were able to discover the flagship programs featured at convivial lunches and dinners, as effective as ever in promoting the programs, as well as at screenings, which were also well attended. For the gala evening on Tuesday, September 3, showrunner and director Marc Fitoussi, actresses and dancers Nastasia Caruge, Audjyan Alcide, Océane Giustiniani, and Mia-Jade Guendjian, and producers Michel Feller (Mon Voisin ProductionsMediawan) and Stéphane Sperry (Federation Studio France) made the trip to present the exclusive first episode of the Ça, c'est Paris series, created by Fitoussi, Edgard F. Grima, and Jérôme Bruno, and distributed by Federation Studios. In the spirit of the series, guests were treated to an exclusive show presented by dancers from the legendary Paradis Latin.
 


Paradis Latin dancers and actors Nastasia Caruge, Audjyan Alcide, Océane Giustiniani, and Mia-Jade Guendjian, and showrunner Marc Fitoussi at the gala evening at the Unifrance Rendez-vous in Le Havre. © Jérémy Charbaut / Unifrance

 

As a new feature of the Rendez-Vous, Deadline presented scriptwriter, director, and showrunnerr Noé Debré with the very first Deadline French TV Disruptor Award. The award recognizes the most outstanding international television talent. Debré was present in Deauville to receive the award, and delivered a concise and powerful acceptance speech: “When I was told I was to receive the ‘Disruptor’ award for French television, I wondered what the word ‘Disruptor’ meant. I saw that it was a term used mainly in tech. Thinking about it, I realized that for the series that won me this award today, Parliament and Zorro, the first partners had always been public television. So, if we want more 'Disruption', we need more public television.”
 

Hervé Morin (President of the Région Normandie), Daniela Elstner (Executive Director of Unifrance), Noé Debré (screenwriter and director), Gilles Pélisson (President of Unifrance), and Stewart Clarke (journalist at Deadline) at the presentation of the first Deadline French TV Disruptor Award at Les Franciscaines in Deauville
© Jérémy Charbaut / Unifrance

 

The top 5 screenings on the Rendez-Vous Screening Room

Top dramatic fictions

  • The Eclipse, series written by Cécile Lorne, Hélène Duchateau, and Baptiste Filleul, and directed by Franck Brett, distributed by About Premium Content
  • Tom and Lola, series written by Camille Couasse and Sarah Farkas. and directed by Jason Roffé, distributed by Mediawan Rights
  • The Black Widow, series written by Franck Ollivier, and directed by Philippe Dajoux, distributed by Film & Picture
  • Ça, c'est Paris, series written by Marc Fitoussi, Edgard F. Grima, and Jérôme Bruno, and directed by Marc Fitoussi, distributed by Federation Studios
  • Sea Shadows, series written by Jonathan Rio and Monica Rattazzi, and directed by David Hourrègue, distributed by France tv distribution; ex-aequo with Carpe Diem, series written by Julien Guérif and Pierre Isoard, and directed by Pierre Isoard, distributed by Newen Connect

 

Top documentaries

  • The Legends of Paris: A Tale of the 19th century Artistic Scene, series written by Amélie Harrault, Valérie Loiseleux, and Céline Ronté, and directed by Amélie Harrault, distributed by ARTE Distribution
  • De l’assiette à l’océan, written and directed by Julien Challandes and Malaury Morin, distributed by Only Distrib
  • Une pastorale américaine, directed by Auberi Edler, distributed by Mediawan Rights
  • Humans Before Neanderthals, directed by Emma Baus, distributed by ZED; ex-aequo with Le rêve de Léonard: les secrets du vol dans la nature, written and directed by Clément Champiat, distributed by Java Films; and with Decoding Animal Culture, directed by Alexandra Ternant and Hervé Glabeck, distributed by Terranoa


Top animations

  • Lana Longbeard, series written by Baljeet Rai and Alice Prodanou, and directed by Franz Kirchner, distributed by APC Kids
  • The Tinies, series directed by Wassim Boutaleb Jutai, distributed by MIAM! distribution
  • Samuel, series written and directed by Émilie Tronche, distributed by Folivari
  • No-No, series directed by Mathieu Auvray, Jean-Sébastien Vernerie, and Martin Granica, distributed by Autour de Minuit; ex-aequo with La Vie de château, series written by Clémence Madeleine-Perdrillat, directed by Clémence Madeleine-Perdrillat and Nathaniel H'Limi, distributed by Xilam Animation; ex-aequo with Where's Chicky?, series directed by William Hoareau, distributed by Xilam Animation; and Woolly Woolly, written and directed by Emmanuel Linderer, distributed by Festivaal Distribution

 


Check out the video content produced during the Unifrance Rendez-Vous in Le Havre on the Unifrance YouTube channel:

  • Recording of the 2023 audiovisual export figures press conference
  • Interviews with buyer/seller duos
  • Interview with Noé Debré by Deadline journalist Stewart Clarke, as part of the Deadline French TV Disruptor Award ceremony

Click here to get news and information about the Unifrance Rendez-Vous in Le Havre

 

Events roundup
MyMetaStories returns for a 2nd edition!

MyMetaStories, the innovative festival of European cinema online and in Minecraft®,* is back for its second year from October 11 to November 3, 2024!

Explore the vitality of new generation European cinema from the comfort of your own home, with an eclectic selection of seven features and 13 shorts from 14 European countries, available in six subtitled languages: English, French, German, Italian, Portuguese, and Spanish.

 

Comedies, dramas, fantasy films, road movies, initiation stories, or immersions in the Second Life video game, discover the seven feature films of the selection:

  • After the Fire by Mehdi Friki – France
  • Grand Paris by Martin Jauvat – France
  • The Invisible Fight by Rainer Sarnet – Estonia, Latvia, Greece, Finland
  • Kiddo by Zara Dwinger – The Netherlands
  • The Lost Children by Michèle Jacob – Belgium
  • R U There by David Verbeek – The Netherlands, France, Taiwan
  • Sun by Kurdwin Ayub – Austria

 

Whether live-action or animated, discover the 13 short films on this year's program:

  • The Ballad by Christofer Nilsson – Sweden, France
  • Boom by Gabriel Augerai, Romain Augier, Laurie Pereira de Figueiredo, Charles Di Cicco & Yannick Jacquin – France
  • Criss Cross by Nina Rybárová & Tomáš Rybár – Slovakia, Czech Republic
  • Goodbye Jerome by Chloé Farr, Gabrielle Selnet & Adam Sillard – France
  • Herve's Case by Luna Filippini – Belgium
  • Little Fan de Sveta Yuferova & Shad Lee Bradbury – Germany
  • Loop by Pablo Polledri – France, Argentina
  • Marlon Brando by Vincent Tilanus – The Netherlands
  • Miisufy by Liisi Grünberg – Estonia
  • Mondo Domino by Suki  – France
  • Piece by Piece by Reza Rasouli – Austria
  • The Real Truth about the Fight by Andrea Slaviček – Croatia, Spain
  • Two Girls and a Boat by Aleksi Delikouras – Finland

🇪🇺🌟🎬🌎🍿👾

 

How to take part in the festival

Online (October 11 – November 3, 2024) 

  • By creating an account now on MyMetaStories.eu
  • And on more than 20 partner VOD platforms 

 

    In Minecraft®* (October 18 21, 2024)

  • Explore MyMetaStories World
  • Attend original screenings in a virtual cinema
  • Take part in mini-games and interactive encounters

 

Viewing rates from MyMetaStories.eu

Features:**

  • €1.99 per title or €7.99 for the complete pack
  • Free in Spanish-speaking Latin America, Africa, and the Middle East

Short films:** 

  • Free worldwide

 

📅 And don't miss the screening of a feature film in Minecraft®:* R U There by David Verbeek — a world premiere! 

🇪🇺🌟🎬🌎🍿👾

The catalogs for this edition (English and French) can be downloaded below

To make sure you don't miss any news, visit MyMetaStories.eu and subscribe to the festival's social networks and newsletter

Instagram | TikTok | Facebook | X | YouTube | Discord | Newsletter

 


MyMetaStories is a project supported by the European Commission's Creative Europe MEDIA program.

*MyMetaStories is not an official Minecraft® event, and is neither endorsed by nor associated with Mojang or Microsoft.

**Excluding possible geoblocking of films according to territories.

French films harvest awards at the Venice Film Festival

While the Golden Lion went to Pedro Almodóvar for The Room Next Door, his first American film, the Silver Lion was awarded to Vermiglio, a highly acclaimed second feature by filmmaker Maura Delpero, co-produced by France by Charades, and due for release in March 2025 under the Paname Distribution banner.

The Special Jury Prize went to April by Dea Kulumbegashvili (produced by First Picture and sold internationally by Goodfellas), and Best Screenplay was awarded to I'm Still Here by Walter Salles, a minority-French co-production (MACT Productions).

The 2024 awards also marked the endorsement of French VR production, present in the three films awarded this year, Ito Meikyu (Grand Prix), Oto's Planet, and Impulse : Playing With Reality. France was omnipresent in the Venice Immersive selection, with 10 works produced or co-produced. Unifrance congratulates all the artistic teams, production, and distribution companies honored in this list (Sacrebleu Productions, Floréal, Small Creative, Parangon, Unframed Collection), proving once again the excellence of French production in the field of VR and XR.

 

French films awarded at the 81st Venice Film Festival

  • Volpi Cup for Best Actor: Vincent Lindon for The Quiet Son by Delphine Coulin and Muriel Coulin
  • Marcello Mastroianni for Best Young Actor: Paul Kircher for And Their Children After Them by Ludovic Boukherma & Zoran Boukherma
  • Silver Lion: Vermiglio by Maura Delpero (minority-French co-production)
  • Special Jury Prize: April by Dea Kulumbegashvili
  • Best Screenplay Award: I'm Still Here by Walter Salles (minority-French co-production)
     
  • Best Screenplay Award - Orizzonti: Happy Holidays by Scandar Copti (minority-French co-production)
     
  • Grand Prix - Venice Immersive: Ito Meikyu by Boris Labbé
  • Special Jury Prize - Venice Immersive: Oto's Planet by Gwenaël François
  • Venice Immersive Achievement Prize - Venice Immersive: Impulse : Playing With Reality by Barry Gene Murphy & May Abdalla

 

Click here for our general 81st Venice Film Festival news

All the French films at the 49th Toronto Film Festival

For its 49th edition, TIFF, a major international cinema event, will present the world premieres of several French titles: Meet The Barbarians by Julie Delpy (in her presence, accompanied by Sandrine Kiberlain) presented in the prestigious Gala selection, A Missing Part by Guillaume Senez (in his presence), Jane Austen Wrecked My Life by Laura Piani (both in the Centrepiece section), Winter in Sokcho by Koya Kamura (in Platform, the festival's only competitive strand) and Else by Thibault Emin in Midnight Madness.

Meet The BarbariansMeet The Barbarians

 

And like every year, TIFF will also be the occasion for the North American premiere of many films discovered in Cannes (Emilia Pérez, Misericordia, All We Imagine as Light, Ernest Cole, Lost and Found, The Story of Souleymane) or Venice a few days earlier (Little Jaffna, Youth (Homecoming))

Little JaffnaLittle Jaffna

The artistic delegation

For the French films or majority-French co-productions, the filmmakers Lawrence Valin, Laura Piani, Thibault Emin and Raoul Peck will travel to Toronto, and Juliette Binoche will present the minority-French co-production The Return.
Two French filmmakers will be presenting American films: Coralie Fargeat, the recipient of the Best Screenplay award at this year's Cannes Film Festival for The Substance, and Fleur Fortuné for The Assessment, her debut feature, while Reda Kateb will also attend for the Danish film The Quiet Ones.

A large number of French professionals will also be attending the film market, as part of TIFF Industry.



Unifrance at TIFF

This year, Unifrance returns to the Fifth Social Club on the evening of Saturday September 7 for its traditional French Night, an evening bringing together the teams of selected French films, producers, exporters, distributors, and international professionals, and organized in partnership with BNP Paribas.

Unifrance will also be hosting a dinner with French artists to encourage networking with North American professionals and journalists.

Finally, a masterclass with directors Julie Delpy and Louise Archambault will be held on September 8. This masterclass is organised by the Consulate General of France in Toronto, the Directors Guild of Canada and Unifrance, in collaboration with OCAD University.

 

Unifrance's presence at TIFF is supported by the French Government, CNC, PROCIREP, and BNP Paribas.

 



All the French films presented at the 49th TIFF


Gala

  • Meet The Barbarians by Julie Delpy
  • The Shrouds by David Cronenberg
  • The Return by Uberto Pasolini (minority-French co-production)
     

Special Presentations

  • Emilia Pérez by Jacques Audiard
  • Misericordia by Alain Guiraudie
  • Dahomey by Mati Diop
  • All We Imagine as Light by Payal Kapadia
  • Shepherds by Sophie Deraspe (minority-French co-production)
  • Bird by Andrea Arnold (minority-French co-production)
  • Vermiglio by Maura Delpero (minority-French co-production)
  • I'm Still Here by Walter Salles (minority-French co-production)
     

Discovery

  • Little Jaffna by Lawrence Valin
  • Horizonte by César Augusto Acevedo (minority-French co-production)
  • The Quiet Ones by Frederik Louis Hviid (minority-French co-production)
     

Documentary

  • Sudan, Remember Us by Hind Meddeb
  • Russians at War by Anastasia Trofimova
  • Ernest Cole, Lost and Found by Raoul Peck
  • A Sisters' Tale by Leila Amini (French co-production share not specified)

Midnight Madness

  • Else by Thibault Emin
     

Wavelengths

  • Youth (Homecoming) by Wang Bing
  • Youth (Hard Times) by Wang Bing
  • Viet and Nam by Minh Quý Trương (French co-production share not specified)
  • Grand Tour by Miguel Gomes (minority-French co-production)
  • Perfumed with Mint by Muhammed Hamdy (minority-French co-production)
     

Platform

  • Winter in Sokcho by Koya Kamura
     

Centrepiece

  • A Missing Part by Guillaume Senez
  • Jane Austen Wrecked My Life by Laura Piani
  • The Story of Souleymane by Boris Lojkine
  • April by Dea Kulumbegashvili (French co-production share not specified)
  • Front Row by Merzak Allouache (French co-production share not specified)
  • Crocodile Tears by Tumpal Tampubolon (French co-production share not specified)
  • Flow by Gints Zilbalodis (minority-French co-production)
  • Happy Holidays by Scandar Copti (minority-French co-production)
  • The Seed of the Sacred Fig by Mohammad Rasoulof (minority-French co-production)
  • My Sunshine by Hiroshi Okuyama (French co-production share not specified)
  • Santosh by Sandhya Suri (French co-production share not specified)
  • The Village Next to Paradise by Mo Harawe (French co-production share not specified)
  • To a Land Unknown by Mahdi Fleifel (French co-production share not specified)
  • When the Light Breaks by Rúnar Rúnarsson (minority-French co-production)

Short films - Short Cuts

  • A Son & a Father by Andrés Ramírez Pulido
  • Alazar by Beza Hailu Lemma
  • Percebes by Alexandra Ramires, Laura Gonçalves
  • La Voix des sirènes by Gianluigi Toccafondo
  • Marion by Joe Wieland and Finn Constantine
  • The Man Who Couldn't Remain Silent by Nebojša Slijepčević
  • Aïda Neither by Élisa Gilmour

Short films - Strange Cuts

  • Never Have I Ever by Joyce A. Nashawati
French films reap awards at the Locarno Film Festival

Awards received by French films

Official Selection

  • Special Mention: Youth (Hard Times) by Wang Bing
  • Junior Jury  "L’ambiente è qualità di vita” Award : Youth (Hard Times) by Wang Bing
  • FIPRESCI Prize: Youth (Hard Times) by Wang Bing
  • MUBI Award Debut Feature: Green Line by Sylvie Ballyot

Green LineGreen Line

Other sections

  • Special Mention Debut Feature: Kouté Vwa (Listen to the Voices) by Maxime Jean-Baptiste
  • Pardo Verde: Agora by Ala Eddine Slim
  • Junior Jury First Prize: Green Line by Sylvie Ballyot
  • Critics' Week Marco Zucchi Award: The Deposition by Claudia Marschal
     

Short films

  • Golden Leopard ConcorsoCorti d'autore: Upshot by Maha Haj
  • Junior Jury Concorso Corti d’Autore: Upshot by Maha Haj
  • Locarno Film Festival Short Film Candidate – European Film Awards: The Exploding Girl by Caroline Poggi and Jonathan Vinel

UpshotUpshot

Unifrance announces the dates of the next Unifrance Rendez-Vous in Paris

For the record and in a few figures, the 2024 Unifrance Rendez-Vous in Paris brought together:

  • 489 film buyers
  • 111 audiovisual buyers
  • 41 film sales agents
  • 51 audiovisual distribution companies
  • 117 French film and audiovisual artists in attendance
  • 123 foreign journalists from 30 countries

During the market, 83 films were presented, including 52 market previews, and 8 new audiovisual contents during the French TV Screenings (fiction and documentary).
 

During the international press junket, 824 interviews were conducted, for a total of 501 international releases in 2024, covering 61 films and 15 audiovisual programs.

French cinema honored at the Telluride Film Festival

Six French films were presented this year in the main selection, The Show, which features the best of world cinema.

  • Emilia Pérez by Jacques Audiard
  • Misericordia by Alain Guiraudie
  • All We Imagine as Light by Payal Kapadia
  • The Seed of the Sacred Fig by Mohammad Rasoulof (minority-French co-production)
  • Bird by Andrea Arnold (minority-French co-production)
  • Santosh by Sandhya Suri (minority-French co-production)

The Beauty and The Beast by Jean Cocteau was shown in Special Presentations, accompanying the American documentary Jean Cocteau, by Lisa Immordino Vreeland, devoted to the artist.

The presence of Jacques Audiard (accompanied by Karla Sofía Gascón, Selena Gomez, Zoé Saldaña, and Adriana Paz, the four actresses of Emilia Pérez) was the occasion for the filmmaker to receive the 2024 Silver Medallion Award for lifetime achievement.

 

The Special Medallion Award was presented to the legendary French production company Les Films du Losange, in the presence of its president Charles Gillibert, who will accompany Alain Guiraudie for the presentation of Misericordia - a film also presented at the TIFF and New York Film Festival and soon to be distributed by Sideshow in the USA.

 

This is the first time a French company has been honored in this way in Telluride. Production, international sales, distribution: for over 60 years, Les Films du Losange, founded by Barbet Schroeder and Éric Rohmer and still independent, has accompanied the greatest French and European auteurs, particularly in North America. Losange has collaborated with Sony Pictures Classics on the films of Michael Haneke (Oscar for Best International Feature Film Love), or with Criterion on the catalog of Éric Rohmer, Jean Eustache, and this year with MUBI for the release of Mati Diop's Dahomey.

28e Tour de Cine Francés, the world's most important traveling French film festival

Co-organized by Mexican French film distribution company Nueva Era Films, the Cinépolis exhibition chain, the country's Alliances Françaises network, and the Ambassade de France in Mexico, the Tour de Cine Francés attracted 253,000 spectators in 2023 - the absolute record remaining the 420,000 admissions recorded in 2018.

This year, the selection will once again visit, in addition to 73 cities in Mexico, fifteen cities in Central America (Costa Rica, El Salvador, Guatemala, Honduras, Nicaragua) for a total of nearly 200 cinemas.

Several artists are supporting the Tour by taking part in a virtual press-junket organized at Unifrance on the eve of its launch: Pascal Bonitzer, Guillaume Nicloux, Léa Domenach, Olivier Nakache, Eric Toledano, Nathan Ambrosioni.

 

The selection

  • A Difficult Year by Éric Toledano and Olivier Nakache
  • Toni by Nathan Ambrosioni
  • Auction by Pascal Bonitzer
  • The Good Teacher by Teddy Lussi-Modeste
  • The President's Wife by Léa Domenach
  • The Baby by Guillaume Nicloux
  • Mr. Blake at Your Service! by Gilles Legardinier

 

 

 

Unifrance steps up its presence at the Festival de la Fiction de La Rochelle

On Thursday, September 12, Unifrance joins forces with TV5MONDE, lUSPA, TRANSPERFECT MEDIA, the Sodec, and Wallonie-Bruxelles Images (WBI) to propose a Grand Déjeuner de la Fiction Francophone that will take place at La Yole de Chris.

For the first time, Unifrance and the Festival de la Fiction have brought together a foreign press jury of three international journalists: 

  • João Antunes, Portugal
  • Noémie Jadoulle, Belgium
  • Stefania Carini, Italy

The jury will award the first Foreign Press x Unifrance Prize to a selected French drama.

The winners will be announced on Saturday September 14 at La Coursive, with comedian Antonia De Rendinger, as Master of Ceremonies, who will also officiate at the Festival opening.
 

All the French works selected

French Competition — Television Films

  • The Test, written by Fanny Chesnel and Noémie de Lapparent, directed by Akim Isker
  • Les Ailes Collées, written by Alexis Bayet and Alain Layrac, directed by Thierry Binisti
  • Bénie soit Sixtine, screenplay by Zoé Galeron and Dominique Garnier, adaptation and dialog by Zoé Galeron, directed by Sophie Reine
  • Alice's Journey, written by Mikaël Ollivier, directed by Thierry Binisti
  • Enough Is Enough, written and directed by Gustave Kervern
  • La maman du bourreau, written by Stéphanie Kalfon and Gabriel Aghion, directed by Gabriel Aghion
  • Olympe, une femme dans la Révolution, written by Sébastien Mounier, Marine Ninaud-Bromberg, and Mathieu Busson, directed by Julie Gayet and Mathieu Busson
  • Père Noël à domicile, written and directed by Manu Joucla
  • Reporting, written by Catherine Ramberg and Clément Michel, directed by Eric Metayer
     

French Competition — 52’ Series

  • No Time For Goodbye, created by Laurent Burtin and Agathe Robilliard, written by Laurent Burtin, directed by Myriam Vinocour
  • Flashback, written by Clélia Constantine, Charlotte Robb, Louise Bezombes, Vinciane Mokry, and Julie Anna Grignon, directed by Vincent Jamain and Stephen Cafiero
  • The Huguenots, created and directed by Christopher Thompson, written by Christopher Thompson, Fabrice Roger-Lacan, and Baptiste Roger-Lacan, after the book by Robert Merle
  • Frotter Frotter, created by Hélène Le Gal, Laure Mentzel, Melusine Laura Raynaud, written by Hélène Le Gal, Laure Mentzel, Agathe Robilliard, Sandrine Gregor, and Marion Vernoux, directed by Marion Vernoux
  • Nismet, written by Philippe Faucon and Nismet Hrehorchuk, directed by Philippe Faucon
  • Day One – Escaping Ukraine, created by Thibault Valetoux and Frédéric Krivine, written by Frédéric Krivine and Thibault Valetoux (Episode 1), Frédéric Krivine (Episode 2), and directed by Jean-Philippe Amar
     

French Competition — 26’ Series

  • Enjoy !, created and written by Benoit Marchisio and Katell Guillou, directed by Lionel Meta
  • Iris, written by Doria Tillier and Constance Verluca, directed by Doria Tillier and Jean-Baptiste Pouilloux
  • A Night to Live, created by Tatiana-Margaux Bonhomme, written by Tatiana-Margaux Bonhomme and Victor Lockwood, directed by Jonathan Cohen-Berry and Anthony Jorge
  • Sex (re)Education (Season 2), created by Clémence Azincourt and Alice Vial, written by Clémence Azincourt, Alice Vial, Clément Marchand, and Louis Aubert, directed by Sarah Heitz De Chabaneix
     

French Competition — 20’ Series

  • The Tide, created by Kim Massee and Guillaume Miquel, written and directed by Guillaume Miquel, Kim Massee, Cécile Clémenceau, and Johanna Menuteau
  • En vers et contre tout, created and written by Guillaume Ducreux, directed by Guillaume Ducreux and Johann Dionnet
  • Générations Carbone, written and directed by Laura Ghazal
  • A Very Ordinary World - Chapter 2, created, written, and directed by Ovidie
     

Fiction Events

  • The Disappearance of Kimmy Diore, created and written by Judith Havas and Victor Rodenbach, co-written by Benjamin Adam, directed by Sébastien Marnier
  • Cimetière indien, created and written by Thibault Vanhulle and Thomas Bidegain, directed by Stéphane Demoustier (Episodes 1 to 4), Farid Bentoumi (Episodes 5 to 8)
  • Serial Hunter, created by Nathalie Hug, Jérôme Camut, written by Ami Cohen and Hélène Lombard, directed by Renaud Bertrand
  • The Confidante, created and written by Fanny Burdino, Samuel Doux, Alexandre Kauffman, and Jean-Baptiste Delafon, directed by Just Philippot
  • Cat's Eyes, created by Michel Catz, based on the original work by Tsukasa Hojo, written by Michel Catz, Antonin Martin-Hilbert, Justin Kim Gautier, Anne-Charlotte Kassab, Coline Dussaud, Audrey Gagneux, Sophie Maurer, Mari Mouazan, and Mohamed Benyekhlef, directed by Alexandre Laurent
  • The World Does Not Exist, written by Erwan Le Duc and Mariette Désert, based on the novel by Fabrice Humbert, directed by Erwan Le Duc
  • Ça, c'est Paris, created and written by Marc Fitoussi, Edgard F. Grima, and Jérôme Bruno, directed by Marc Fitoussi


Special Screenings

  • Carpe Diem, written by Julien Guérif, Pierre Isoard, directed by Pierre Isoard
  • Sea Shadows, written by Jonathan Rio and Monica Rattazzi, directed by David Hourrègue
  • Abracada Bar by Pauline Clément
  • Capharnaumia by Sarah Stern
  • Les Noyaux sans cerises by Vanessa Guide
  • Délibérations by Nina Meurisse
The complete French line-up at the 72th San Sebastián Film Festival

French cinema will open this 72nd edition, with the opening film – and in Competition – Emmanuelle, revisited by Audrey Diwan, in competition for the first time at the SSIFF, who will be present in the company of her lead actress Noémie Merlant.
Six years after Adults in the Room (presented at San Sebastián, but in a sidebar section), Costa Gavras will attend the festival to present Last Breath, set in the world of hospitals.
Rounding off this trio of French filmmakers in Competition, François Ozon will present his autumnal thriller When Fall Is Coming, starring Josiane Balasko, Hélène Vincent, and Ludivine Sagnier, who will also attend.

Three other French co-productions complete the French presence in Competition: Kiyoshi Kurosawa's Serpent's Path, a remake of a film the Japanese master had already made in 1998,  The Wailing by Pedro Martín-Calero, and the documentary Afternoons of Solitude by Albert Serra, about the torero Andrés Roca Rey.

Out of Competition, Thierry Frémaux will come to present Lumière ! The Adventure Continues, the second part of his documentary dedicated to early cinema.

When Fall Is ComingWhen Fall Is Coming

The Perlak section, which brings together films from the year's major international festivals, will feature films discovered at Cannes: Payal Kapadia's Grand Prix winner All We Imagine as Light, and the Jury Prize and Best Performance by an Actress (jointly awarded to the cast) recipient Emilia Pérez by Jacques Audiard, along with Emmanuel Courcol's The Marching Band, discovered at Cannes Première.

The Zabaltegi-Tabakalera section, more oriented towards “research” cinema, will see the presentation of films by such great auteurs as Leos Carax  (It's Not Me), Arnaud Desplechin (Filmlovers!), also presented at Cannes, and the Berlinale for Mati Diop's Dahomey, where it won the Golden Bear, the top award.

And in the Nuev@s Director@s section, the world premiere of Akaki Popkhadze's In the Name of Blood, and Koya Kamura's Winter in Sokcho, recently seen at TIFF.

Winter in SokchoWinter in Sokcho

French cinema is also present, as usual, in international co-productions, with some twenty films presented across all sections.

Finally, French producer Carole Scotta (Haut et Court) is part of the competition jury.

A delegation of French artists and professionals will attend (to be confirmed): Audrey Diwan, Noémie Merlant, François Ozon, Hélène Vincent, Josiane Balasko, Ludivine Sagnier, Costa Gavras, Agathe Bonitzer, Charlotte Rampling, Hiam Abbass, Kad Merad, Akaki Popkhadze, Nicolas Duvauchelle, Finnegan Oldfield, Florent Hill-Chouaki, Ia Shugliashvili, Koya Kamura, Bella Kim, Roschdy Zem, Mati Diop, Arnaud Desplechin, Leos Carax, Emmanuel Courcol, Pierre Lottin, Jacques Audiard, Damien Bonnard.

Isabelle Huppert will also be present for the South Korean film by Hong Sang Soo, A Traveler's Need.

Unifrance will also host a cocktail reception on Sunday, September 22 at the Hotel Maria Cristina for all the French talent present in San Sebastián, as well as Spanish distributors.


 

All the French films at the 72nd San Sebastián International Film Festival

Official Competition

  • Emmanuelle by Audrey Diwan (opening film)
  • Last Breath by Costa Gavras
  • When Fall Is Coming by François Ozon
  • Serpent's Path by Kiyoshi Kurosawa (French co-productions shares not specified)
  • The Wailing by Pedro Martín-Calero (minority-French co-production)
  • Afternoons of Solitude by Albert Serra (minority-French co-production)

Out of Competition

  • Lumière ! The Adventure Continues by Thierry Frémaux
     

Perlak

  • All We Imagine as Light by Payal Kapadia
  • Emilia Pérez by Jacques Audiard
  • The Marching Band by Emmanuel Courcol
  • Maria Callas : Letters and Memoirs by Tom Volf & Yannis Dimolitsas (French co-production shares not specified)
  • Bird by Andrea Arnold (minority-French co-production)
  • I'm Still Here by Walter Salles (minority-French co-production)
  • The Seed of the Sacred Fig by Mohammad Rasoulof (minority-French co-production)
  • Parthenope by Paolo Sorrentino (minority-French co-production)

 

Zabaltegi-Tabakalera

  • Filmlovers! by Arnaud Desplechin
  • April by Dea Kulumbegashvili
  • Dahomey by Mati Diop
  • It's Not Me by Leos Carax
  • My Sunshine by Hiroshi Okuyama (minority-French co-production)
  • To a Land Unknown by Mahdi Fleifel (minority-French co-production)
  • Pepe by Nelson Carlos de los Santos Arias (minority-French co-production)
  • Soundtrack to a Coup d'Etat by Johan Grimonprez (minority-French co-production)
  • Super Happy Forever by Kohei Igarashi (minority-French co-production)
     

Nuev@s Director@s

  • In the Name of Blood by Akaki Popkhadze
  • Winter in Sokcho by Koya Kamura
     

Horizontes Latinos

  • Zafari by Mariana Rondón (minority-French co-production)
  • Cidade ; Campo by Juliana Rojas (minority-French co-production)
  • Sujo by Astrid Rondero & Fernanda Valadez (minority-French co-production)
     

Made in Spain

  • Los pequeños amores by Celia Rico Clavellino (minority-French co-production)
  • Saturn Returns de Isaki Lacuesta, Pol Rodriguez (minority-French co-production)

Zinemira

  • Charlie Chaplin: The Spirit of the Tramp by Dolores Chaplin

Klasikoak (Classics)

  • Un rêve plus long que la nuit by Niki De Saint Phalle

Retrospective

  • Illustrious Corpses by Francesco Rosi
  • Mafia/The Day of the Owl by Damiano Damiani

RTVE Galas

  • Escape by Rodrigo Cortés (minority-French co-production)
Interviews
"Belfort & Lupin," an animated series set in the Château and gardens of Versailles

The animated children's series Belfort & Lupin, created by T.J. Stehly, produced by Ellipse Animation, and distributed by Mediatoon Distribution, features the humorous adventures of a dog and a wolf in the heart of the court of Versailles.

Morgann Favennec, Deputy Managing Director of Mediatoon Distribution, tells us more about the artistic team behind the project, and the international appeal of this new series launched at the Unifrance Rendez-Vous in Le Havre. She also discusses the challenges of digital distribution in bringing the programs to the widest possible range of audiences.

Unifrance: Belfort & Lupin is an original creation, how did this animated children's series set in the court of Versailles come about?

Morgann FavennecMorgann Favennec Morgann Favennec: Belfort & Lupin is a series brought to life by the formidable T.J. Stehly, screenwriter and writing director of such successful series as Calimero and Barbapapa. Teddy spent his entire childhood near the Château and gardens of Versailles, which he visited almost every week! His imagination soon led him to imagine the history of the royal palace from the animals' point of view. Combined with the artistic direction of Justine Cunha (Dans les yeux de Lya) and the direction of Philippe Vidal (Garfield), the three artists developed this extraordinary universe, abundant with fascinating characters, which we were delighted to present at the Unifrance Rendez-Vous in Le Havre.


What's the pitch for the series, in a few lines?

MF: Belfort & Lupin (26x22’) follows the comic adventures of the duo of an aristocratic dog who's lost his sense of smell and a wolf as casual as he is instinctive, both surrounded by the exotic animals of the 17th-century royal court. Each episode is packed with true-life details and surprisingly authentic anecdotes!

The series will start being delivered at the end of the year.


What are its unique features that will appeal to international audiences?

MF: Cunha's inventive art direction and original storytelling, combined with Vidal's sense of humor, give the project a very international comedic ambition.

Belfort & Lupin also embodies values that resonate with the expectations of audiences worldwide. The series conveys notions of diversity, difference, and inclusion, while tackling themes of identity and belonging, viscerally anchored in the hearts and minds of all children.

Last but not least, for history buffs, each episode is accompanied by a one-minute video clip focusing on an anecdote mentioned in the episode. We discover, for example, that a little mouse took up residence in Marie-Antoinette's wig, or that a chef was given the sole task of cooking for the king's dogs.


You've already convinced several international broadcasters. Can you tell us about them?

MF: Commissioned by France Télévisions, the series will be broadcast in several territories in Europe and beyond, with long-standing partners such as Germany (SWR), Belgium (VRT, RTBF), Switzerland (RTS), Hungary (MTVA), as well as Canada (Radio-Canada), and TV5Monde. We're very confident that the Le Havre Rendez-Vous will be an excellent platform for raising awareness among partners in other territories.
 

The series is produced by Ellipse Animation and distributed by Mediatoon Distribution, part of the same group. What synergies does this allow you to achieve?

MF: Production and distribution in animation are almost symbiotic. We are fortunate to have these two activities within the same group, Média Participations, which enables us to combine the strength of agile production with international expertise. On a day-to-day basis, working from the same premises enables us to collaborate exceptionally well, with regular and effective exchanges.

Média Participations has become one of Europe's entertainment giants. From its origins in publishing, the group now offers a comprehensive ecosystem ranging from video games and webtoons to the SVOD platform ADN and Parc Spirou! It's a unique opportunity to benefit from so much expertise and cross-functionality within a single group.
 

Mediatoon is also involved in digital distribution activities. Can you tell us more about these?

MF: We're proud to have been one of the first French players to see digital as a means of developing not only revenues, but also brands, in total complementarity with traditional operations. Today, Mediatoon generates over a billion views a year! The team, fully involved in a program's multiplatform and multi-territory strategy, now manages over 200 channels across all media.
 

What are your ambitions and objectives for this digital distribution activity?

MF: We have a number of objectives. First of all, we intend to consolidate our links with long-standing partners such as Bayard, and open the door to new collaborations. In fact, although our catalog is already very extensive, we're always ready to listen and support any project that complements our existing range. Discussions can cover global or purely digital distribution.

Our ambition remains to pursue our diversification and multiply our modes of distribution in order to address the widest possible range of audiences.

As for Ellipse Animation, in addition to the series currently in pre-production or production (Les Schtroumpfs - Season 3, Trotro & Zaza, Dreamland), we have a dozen projects in development. At the same time, with our South Korean partner KENAZ, we are launching a Webtoon Academy at our Angoulême studio to continue our breakthrough in this field.

Short films
French XR in the spotlight on Venice Festival's immersive island

Highly represented, with no fewer than 10 selections in international competition, French immersive works can be experienced until September 7 on the immersive island at the Venice International Film Festival . But that's just the tip of the VR iceberg!

Alongside the installations, magnificently staged in a space totally reinvented for the event, the Immersive Market is also in full swing. Around the Unifrance stand, French XR producers and distributors are holding one meeting after another, and conferences and professional encounters proliferate. The public, press, professionals, and institutions from all over the world come to discover new works.


In this context, Unifrance organized a panel on Friday August 30, bringing together all the teams selected in Competition, for a presentation of their works to the public.
Organized in three parts, the panel was also an opportunity to reveal the first trends and some key figures from the annual report on the export of French immersive works in 2023.

This report is now available to all on our website.

Last but not least, the Ambassadeur de France in Italy Martin Briens, accompanied by audiovisual attaché Rémi Guittet,  announced the winner of the 3rd edition of the XR Farnese-Medicis Residency: Jonathan Pêpe. More information can be found on the Villa Medicis website.

 

French immersive works at international festivals and export markets in 2023 - annual report

2023 was quite simply the strongest in terms of sales recorded since the start of the study in 2017: €1,257,239 in revenues and 229 sales. What's more, two titles accounted for more than €100,000 in revenues each – seven others more than €50,000 each – while six titles totalled more than 10 sales each. With both the number of sales and the number of works on the rise, we can see that the French range of immersive works has been characterized by steady growth since 2017.

These very positive indicators are correlated with the good development of the XR sector in France: TV channels are financing works, the CNC  is supporting the industry, foreign equipment manufacturers are looking for varied content, and cultural institutions are also increasingly entering into co-production.

The multiplication of distribution venues, the explosion of LBEs, the ever-growing interest of festivals, galleries, museums, etc., and the sharp increase in the number of works exported explain the strong growth in overall sales and signalled the structural health of the sector in 2023. But we can't forget the work done by the three main distributors who structure the French immersive market: Astrea, Lucid Realities (renamed Unframed Collection in early 2024 for its distribution activity), and Diversion .

Like the growing international export sales of XR works in 2023, the presence of these works at festivals has only increased year on year. With numerous film festivals opening up spaces dedicated to immersive works, and festivals that are entirely devoted to them, these are the kind of events that give works a great deal of recognition, and media coverage. Some festivals, such as Venice and SXSW, have even become key venues for the industry as a whole. French works are presented at these festivals every year, and the length of time they are shown is a strong feature of the sector: works produced before 2020 are just as present as new ones, and the recognition acquired over time means that the biggest successes can last more than five years.

 

KEY MARKET INDICATORS IN 2023

On the export front

  • €1,257,239 in revenues, 229 sales, and 75 titles sold.
  • 124 buyers, with Sandmand Studios (China) the leading buyer.
  • Animation and documentaries represented more than 90 % of total exports.
  • Far Reach, France's top immersive work by revenues.
  • Ayahuasca (Kosmik Journey), top French immersive film by sales.
  • Asia and the USA confirmed as the leading geographic zone and the leading country by sales respectively.

In festivals

  • 40 French immersive works selected and 101 presentations at 36 foreign festivals attended.
  • 22 awards won.
  • Flow VR, top French immersive work by number of selections.

Since 2017, Unifrance has been analyzing the commercial distribution of French immersive works internationally. The annual study focuses exclusively on objective sales results, title by title, reported by production and distribution companies. In 2024, 27 companies responded to our request to participate in this report covering 2023. We have also decided to devote an ad hoc report to immersive works, separating them from short films.

 

The 2023 report can be downloaded below (in French only)

French short films on the export market and at international festivals: 2023 annual report

Since 2018, the French short film market has been on a steady upward trend, with sales and revenues in 2023 reaching their highest levels since this study was first carried out (2009): €911,253 and €3,386 respectively. Nine films grossed more than €20,000 each, and together they accounted for a quarter of total revenues in 2023. The number of transactions remained more or less stable compared with 2022, which implies an increase in the average sale price. It should be underlined that, since 2020, more than 1,000 French short films have been exported internationally each year.

It's interesting to note the increasingly important role covered by VOD platforms among buyers: in 2023, their contribution in terms of sales exceeded 35%, the highest level on record. Although following different evolutions, historical buyers remained loyal, including Base Court, BeTV, Movistar+, and Pacific Voice.

Festivals, providing showcases for short films, and a setting for professional meetings and exchanges, are an essential springboard for the distribution of short films. At the same time, they encourage the emergence of young talent, whose artistic gestures and creative audacity contribute to the diversification of the cinematographic landscape.

 

KEY MARKET INDICATORS IN 2023

On the export front

  • €911,253 in revenues, 3,386 sales, and 21,372 titles sold. 877 buyers, with Disney+ (United States) the lead buyer.
  • Animation and fiction accounted for over 90% of total exports.
  • Keep, top French short film by revenues.
  • To Be Sisters, top French short film by sales.
  • Western Europe and the USA confirmed as the leading geographic zone and the leading country by sales respectively.

In festivals

  • 564 French short films selected and 1,115 screenings at 68 foreign festivals attended..
  • 131 awards won.
  • Ice Merchants, top French short film by number of selections.

Since 2009, Unifrance has been analyzing the commercial distribution of French short films abroad. The annual study focuses exclusively on objective sales results, title by title, reported by production and distribution companies. In 2024, 70 companies responded to our request to participate in this report covering 2023.

 

The 2023 report can be downloaded below (in French only)

 

MyFrenchShorts #21: "Solarium" by Jonathan Koulavsky

Solarium tells the story of sixteen-year-old Johnny, a young apprentice trotting driver, who alternates between lessons and weeks of apprenticeship in a stable, where Jean teaches him the trade. The realization that Coquelicot, a newly-arrived horse struggling to prove himself, is in danger will make Johnny doubt his vocation.

This short film won the Grand Prix at the Unifrance Short Film Awards in 2021.

We thank the production company Marianne Productions.

 

To watch the film, click on the image below
(English subtitles available)

 

 

 

 

Balance Sheets & Studies
French audiovisual exports: sales remained high in 2023

As part of the 30th Unifrance Rendez-Vous held this year for the first time in Le Havre, the Centre National du Cinéma et l’Image Animée (CNC) and Unifrance release their annual report about the export of French audiovisual programs.

In 2023, sales of French audiovisual programs remained at a high level, reaching €203.4 million (-5.3% compared to 2022). This is the third time in 30 years that they exceeded the €200 million threshold (previously in 2017 with €205.2 million and in 2022, a record year with €214.8 million). The export performance of French programs has held up well in a difficult international environment: lower acquisition budgets and a contraction of the North American market in particular, less risk-taking on the part of buyers, and longer negotiations between partners.

Total exports of French audiovisual programs, including sales, pre-sales, and co-production contributions, were down slightly by 3.3%, to €309.2 million, compared to 2022, in line with the average for the last ten years (-1.7%).

The strong performance of French program exports reflects the quality and diversity of audiovisual works in all genres, which continue to appeal to the international market. France is the second best-represented European nation in international VOD and in foreign TV channels’ programs. Sales from the exhibition of French programs on foreign platforms continued to be a major source of revenue: 31.3% of export revenues in 2023 (43.1% in 2022 and 8.9% in 2014). Linear broadcasters (TV channels) remained the main buyers of French audiovisual programs: TV rights (including all-media rights) accounted for 54.2% of all program sales in 2023, up on 2022 (49.1%).


Dramatic fiction and documentary at high levels

The success of French dramatic was confirmed in 2023, with sales of €74.5 million, the genre’s second-best year after 2022 (-7.7%) and well above the average for the last ten years (€54.9 million). It remained the leading export genre, for the second year running, with 36.6% of total sales. A range of ambitious, innovative series with strong intellectual properties, such as HIP, Marie Antoinette, Bardot, and B.R.I; and French expertise in procedural series, such as Deadly Tropics and Bright Minds, explain the success of French dramatic fiction on the international scene.
Documentaries continued their excellent international sales momentum, reaching €47.2 million (-3.0% compared to 2022, a record year). 2023 was marked by the success of programs echoing current events, as well as hybrid works combining several genres, such as science and history. These included the success of Oligarques russes : la grande traque, Iznik: les mystères de la basilique engloutie and La Bataille du Cobalt.
Animation sales were down again, to €51.2 million in 2023 (-11.2% compared to 2022). While French animation programs with a very high profile continued to circulate around the world, the genre suffered from the rationalization of buyers’ investments. This was due in particular to a fall in sales in North America (-69.7%, to €4.3 million) and a drop in worldwide rights to €12.9 million (-6.6%). However, animation remained the #2 export genre, with a 25.2% market share.


Sales rebounded in Western Europe, historically the leading market for French works

The geographical breakdown of sales of French programs was more or less the same as in 2022. Western Europe regained market share to account for 46.8% of worldwide revenues (+6.1 points year-on-year) and remained the leading region for the acquisition of these programs, at €95.1 million. North America came in second with €22.3 million and a market share of 10.9%, followed by Asia/Oceania at €14.0 million (a 6.9% market share). Lastly, acquisitions from Central and Eastern Europe amounted to €13.1 million (being a 6.9% market share).

Belgium became the leading buyer of French audiovisual programs, with sales of €17.1 million, thanks to dramatic fiction, the territory’s leading genre (38.5% of sales), ahead of documentaries (34.0%). The United Kingdom/Ireland region was the second-largest buyer of French programs, with sales totalling €12.9 million, ahead of Germany/Austria (€12.14 million). The USA, the leading country in 2022, dropped to fifth place among buyers of French programs in 2023, at €9.5 million (€19.2 million in 2022).

After reaching a record high in 2022, world rights sales came to €46.3 million, down 20.1% year-on-year, returning to a level close to that of 2021. The main genre to benefit was dramatic fiction, with 29.6% of these sales, ahead of animation with 27.9%. This slowdown can be explained by acquisitions that were more focused on one or more territories, and global services that favored windows for France and French-speaking territories.


Stable foreign pre-financing

At €105.8 million, foreign pre-financing was stable compared to 2022.
In detail, co-production contributions were up sharply to €73.2 million (+34.5%), while foreign pre-sales were down 35.6% on 2022 to €32.6 million. This decline in foreign pre-sales concerned all genres: dramatic fiction (-68.9%), animation (-5.4%), and documentaries (-36.4%). This trend should be treated with caution, however: the opening of the automatic support fund to delegated production works intended for global subscription video-on-demand (VOD) services in 2023 may have led to some foreign pre-sales being reallocated to French broadcasters’ contributions, as they are brought in by these services. Animation still accounted for the bulk of pre-sales (59.8% of the total). Foreign pre-sales mainly came from Western Europe: 70.6% of the total, stable compared to 2022 (+0.6 points).
Co-production investment rose by 54.0% to €36.3 million in animation, and by 50.8% to €20.2m in dramatic fiction. However, it was down for documentaries (-8.4%) to €14.3 million. Western Europe also remained by far the leading co-production partner, accounting for 84.3% of total contributions.



--> Consult the study “French audiovisual program exports in 2023” report  (in French)
 

Indicateur des programmes audiovisuels français à la télévision à l’international - Juin 2024

For each territory, the market shares by broadcast time give an overview of the market configuration and the penetration of French titles. In addition, the top three positions and the distribution of French broadcasts by genre allow us to identify the titles that received the highest broadcast ratio over the period.

In the next market indicator, which will be published in September, Unifrance will focus its analysis on broadcasts in Australia, Brazil, Canada, and Mexico in July 2024.

Unifrance members can download the monthly market indicator of French audiovisual programs on international television below (in French only).

 

Indicateur des programmes audiovisuels français à la télévision à l’international - Mai 2024

Pour chaque territoire, les parts de marché par temps de diffusion donnent un aperçu de la configuration du marché et de la pénétration des titres français. De plus, des tops 3 et la répartition des diffusions françaises par genre permettent d’identifier les titres les plus diffusés sur la période.

Dans le prochain indicateur qui sera envoyé en août, Unifrance vous proposera une étude sur les diffusions au Danemark, aux Pays-Bas, en Pologne, en République tchèque et en Suède en juin 2024.


Les adhérents d'Unifrance peuvent télécharger l’indicateur mensuel des programmes audiovisuels français à la télévision à l'international ci-dessous (en français).

International box office results
French films at the international box office: July 2024

In July 2024, French films were represented in international theaters by over 270 titles already in distribution and over 140 new releases, registering a total of 1.5 million admissions and generating €11.8 million in ticket sales.

The Count of Monte Cristo claimed the lead as the French film the most seen abroad in July. The Soul Eater and Jeanne du Barry took second and third position.

# Title No. of Admissions Box Office Revenues (€) No. of Prints No. of Countries Total Admissions Total Revenues
1 The Count of Monte Cristo 229,493 2,482,841 394 8 293,593 3,055,093
2 The Soul Eater 119,701 444,957 539 1 191,539 723,132
3 Jeanne du Barry 90,898 395,312 110 5 1,953,294 10,075,454
4 A Little Something Extra 67,894 695,379 77 3 517,903 5,396 512
5 Out of Season 56,015 449,531 157 5 155,798 1,327,272
6 Around the World in 80 Days 35,512 164,912 0 1 1,774,388 10,656,843
7 Marguerite's Theorem 31,506 283,189 216 5 108,078 830,178
8 The Taste of Things 29,726 219,979 136 10 1,408,256 11,549,367
9 Sidonie in Japan 29,673 274,863 144 5 91,630 709,402
10 Oh La La 28,471 235,745 114 7 711,743 6,251,342
11 Zak & Wowo, la légende de Lendarys 23,855 114,570 218 3 60,912 242,522
12 Juliette in Spring 19,977 189,389 111 3 21,906 215,322
13 Maria Montessori 19,500 182,450 100 7 422,483 3 620 436
14 Mars Express 17,423 82,258 133 3 58,291 372 129
15 Sweet Little Things 16,634 141,896 111 2 159,295 1 433 155
16 And the Party Goes on 16,551 99,064 71 4 80,950 536 578
17 Mayhem! 15,864 42,552 150 1 103,659 552 757
18 Anatomy of a Fall 13,798 87,956 40 7 4,911,096 35 572 786
19 The Second Act 13,131 71,127 12 4 39,599 314 111
20 Last Summer 11,100 104,112 33 5 79,894 574 015

Box office results for French films abroad remain fragile

 French films registered 1.5 million admissions and generated 11.8 million in ticket sales in foreign theaters in July. Although one film sold more than 100,000 tickets (three in total), only almost 20,000 more tickets were sold than in June, the month with the lowest monthly attendance since September 2022. The comparison with the levels of July 2023 – 3.5 million tickets sold, including 1.9 million for Ladybug & Cat Noir Awakening and 0.5 million for Jeanne du Barry – and July 2022 – 2.1 million, including 0.5 million for Serial (Bad) Weddings 3 – is even more jarring.
As for the number of films in theaters and new releases, they were in line with those recorded in July 2023 and July 2022.

France retained its position on the world stage, but July witnessed a slowdown in the renewal of the films on offer, particularly in the area of powerhouse titles. The Count of Monte Cristo and A Little Something Extra, among others, both have what it takes to achieve strong international careers, but the timing of their key launches tends towards the fall; hence the releases are not concentrated around the French release date and are more spread out over time. And the gap since the success of Anatomy of a Fall and Autumn and the Black Jaguar, which characterised the start of the year, is widening. Since April, the biggest monthly French success has been a minority-French animated production: Robot Dreams has topped the rankings three times, with the exception of May (Panda Bear in Africa).

 As far as films with majority-French financing are concerned, the podium looks completely different. A Little Something Extra, which led the way last month, exited from the top three but broke the 500,000 admissions barrier outside France. For the past three months, the comedy has shone in the top 10 in Belgium, Luxembourg, and Switzerland, where it is also the biggest French success of the current year, with sales of 317,000 (Vertigo, €2.94 million in box office revenues) and 164,000 (Praesens, €2.18 million) tickets respectively. The crown was taken by the aforementioned Count of Monte Cristo, which made its first appearance in the June top 5. 300,000 foreign moviegoers have already discovered it on the big screen, including 150,000 Belgian & Luxembourg moviegoers (Alternative, €1.63 million), 60,000 Swiss (Pathé, €0.89 million), and 23,000 Bulgarians (Pro, €0.16 million). The film is well established in the weekly top 5 in all three markets. By chance of the release calendar, Jeanne du Barry returned to the top 3, buoyed by fine performances in Mexico (Canibal, 74,000 admissions and €0.33 million) and Colombia (Babilla, 16,000 and €0.06 million): it thus exceeded 2 million tickets sold internationally. Chosen by almost 200,000 Russians (Global, €0.72 million), a newcomer even took second place in July's top 10: The Soul Eater. Other notable titles include Oh La La (10th), Out of Season (5th), and Marguerite's Theorem (7th), which respectively racked up over 700,000, 150,000, and 100,000 admissions outside France, a threshold soon to be reached by Sidonie in Japan (9th). The Taste of Things is the only film in the top ten to be released in 10 markets.
 

Belgium, Germany, and Russia: the top three territories in July 2024

Europe remained the leading geographic zone for French cinema (69.9% of monthly admissions), with the Central and Eastern region offering twice as many admissions as in June thanks to The Soul Eater and Monte Cristo. The other dynamic zone was Latin America (+71%), with Jeanne du Barry accounting for half the score. As for North America and Asia, while their market indicators were green the previous month, they shifted to red in July. Once again, the minority-French film Robot Dreams was the only French title to attract more than 100,000 moviegoers outside Europe. The top trio of territories by admissions changed, with Belgium & Luxembourg, Germany, and Russia joining the list. 4 foreign territories (4 in June, 8 in May, 7 in April, 14 in March, 13 in February and 6 in January) offered more than 100,000 admissions each to French productions in July 2024 (the top trio, plus Mexico).

 

Comedy, adventure, and drama took center stage

In July, comedy/drama retained its crown as the favorite genre internationally (0.4 million viewers, 27.1% of the monthly total), but lost a quarter of its June audience. Whereas, the two genres that took second and third place in the rankings attracted more viewers: action/adventure/police/thriller (24.6%) and drama (23.0%), as did biopic/war/history (8.2%). Majority-French productions (72.4% of total admissions) and French-language productions (82.0%) continued to account for the lion's share of the month's admissions. On the other hand, it was minority-French financed and foreign-language productions that saw a drop in attendance (-35.8% and -4.6% respectively). Concluding this report, over 0.3 million admissions went to arthouse films (21.4% of the monthly total), led by Jeanne du Barry, Marguerite's Theorem, and The Taste of Things.


> This report can be downloaded in PDF format below (French version only).

> This report is based on results recorded on August 7, 2024. Since our statistics for film releases are continuously being updated, the graphics generated automatically on our website will differ from the chart featured in this article.

 

French films at the international box office: July 2024
International box-office for French films (outside France)
- From July 1st, 2024 to July 30th, 2024
# Title Admissions BO revenues (€) No. of prints No. of countries Total admissions Total BO (€)
1 The Count of Monte Cristo 229 493 2 482 841 394 8 293 593 3 055 093
2 The Soul Eater 119 701 444 957 539 1 191 539 723 132
3 Jeanne du Barry 90 898 395 312 110 5 1 953 294 10 075 454
4 A Little Something Extra 67 894 695 379 77 3 517 903 5 396 512
5 Out of Season 56 015 449 531 157 5 155 798 1 327 272
6 Around the World in 80 Days 35 512 164 912 0 1 1 774 388 10 656 843
7 Marguerite's Theorem 31 506 283 189 216 5 108 078 830 178
8 The Taste of Things 29 726 219 979 136 10 1 408 256 11 549 367
9 Sidonie in Japan 29 673 274 863 144 5 91 630 709 402
10 Oh La La 28 471 235 745 114 7 711 743 6 251 342
11 Zak & Wowo, la légende de Lendarys 23 855 114 570 218 3 60 912 242 522
12 Juliette in Spring 19 977 189 389 111 3 21 906 215 322
13 Maria Montessori 19 500 182 450 100 7 422 483 3 620 436
14 Mars Express 17 423 82 258 133 3 58 291 372 129
15 Sweet Little Things 16 634 141 896 111 2 159 295 1 433 155
16 And the Party Goes on 16 551 99 064 71 4 80 950 536 578
17 Mayhem! 15 864 42 552 150 1 103 659 552 757
18 Anatomy of a Fall 13 798 87 956 40 7 4 911 096 35 572 786
19 The Second Act 13 131 71 127 125 4 39 599 314 111
20 Last Summer 11 100 104 112 33 5 79 894 574 015

 

French films at the international box office: June 2024

A Little Something Extra claimed first place as the French film the most seen abroad in June. The Taste of Things and The Animal Kingdom took second and third place respectively.

# Title No. of Admissions Box Office Revenues (€) No. of Prints No. of Countries Total Admissions Total Revenues
1 A Little Something Extra 177,319 1,823,856 124 3 450,009 4,701,133
2 The Taste of Things 89,647 630,166 482 16 1,349,866 11,159,867
3 The Animal Kingdom 70,541 333,672 670 4 1,1,384 1,002,431
4 Maria Montessori 47,012 427,427 180 9 402,984 3,437,995
5 The Count of Monte Cristo 37,366 415,640 67 2 37,366 415,640
6 Marguerite's Theorem 25,965 205,717 177 4 76,548 546,829
7 Sweet Little Things 21,484 174,086 179 2 142,661 1,291,259
8 The Jungle Bunch: World Tour 21,061 105,759 441 17 1,440,868 8,536,038
9 The Beast 19,284 174,089 138 12 153,526 1,138,945
10 Just the Two of Us 15,236 98,048 120 4 81,373 549,519
11 Oh La La 15,050 99,415 140 7 682,896 6,013,532
12 Autumn and the Black Jaguar 14,646 90,790 274 11 2,365,620 16,613,047
13 Only 3 Days Left 11,758 88,531 225 2 241,741 1,684,306
14 Les Indésirables 11,440 66,748 61 2 16,592 116,484
15 Love Boat 10,542 114,532 45 2 10,542 114,532
16 The Three Musketeers - Milady 10,427 113,937 30 2 700,240 3,998,271
17 Bonnard, Pierre and Marthe 9,090 43,080 47 5 64,842 448,190
18 Deserts 8,697 66,611 60 1 8,697 66,611
19 The Braid 8,564 52,172 126 5 219,489 2,109,301
20 Rosalie 8,429 69,800 100 4 22,242 164,502

 

Box office results for French films abroad drop

French films registered nearly 1.5 million admissions and generated 11.4 million in ticket sales in foreign theaters in June. This is the lowest monthly admissions tally of the current year, and the lowest level recorded since September 2022. Like admissions, revenues, the number of films in release, the number of new releases, and the number of titles attracting more than 100,000 spectators (2) are at their lowest level of 2024. In the May report, attention focused on the exhibition sector, which was alerted to the state of ticket sales: very strong at the start of the year, and still following a steady upward trajectory since the reopening of theatres, they began to show signs of slowing, and even fell below the 2023 level in the spring. According to Gower Street, worldwide box-office in the first half of 2024 is estimated to be 10% lower than in 2023. Nevertheless, the month of June reversed this trend, with the best performance since August 2023. Two titles alone accounted for 50% of this performance: Inside Out 2 and Bad Boys: Ride or Die. Given that summer is the time of year for the launch of eagerly-awaited Hollywood blockbusters, other film genres' access to the screens will become harder, and the concentration of ticket sales on a limited number of films will intensify. Ladybug & Cat Noir Awakening and Jeanne du Barry each attracted millions of viewers outside France last summer: which French productions will pick up the torch this year? As in April and May, the biggest French success in June was a minority-French animated production: overtaken by Panda Bear in Africa in May, Robot Dreams moved back to head the charts for the second time.
 

 As far as films with majority-French financing are concerned, the podium remained almost unchanged. A Little Something Extra continued its phenomenal ascent, attracting a further 167,000 moviegoers, closing in on 300,000 admissions in Belgium & Luxembourg (Vertigo) and 150,000 in French-speaking Switzerland (Praesens). The comedy was once again trailed by Cannes-selected The Taste of Things, chosen by 32,000 South Koreans (Green Narae, €0.21 million in box office revenues) and 18,000 New Zealanders (Rialto, €0.17 million). In the latter market, it already stands out as the second biggest post-Covid-19 French hit! As for The Animal Kingdom, it has climbed the rankings for the first time and is now in the top three, thanks in particular to the interest of 32,000 Italians (I Wonder, €0.19 million) and 27,000 Mexicans (Gussi, €0.10 million). One of the newcomers to the monthly top 5 is The Count of Monte Cristo. The eagerly-awaited new film adaptation of Alexandre Dumas' novel opened on screens in neighboring French-speaking territories at the same time as in France, greeted respectively by 20,000 Belgian & Luxembourg moviegoers (Alternative, €0.18 million) and 18,000 French-speakers (Pathé, €0.24 million). The Count of Monte Cristo has already claimed the title of best French-language opening of the current year in the French-speaking region of Switzerland.

The Count of Monte CristoThe Count of Monte Cristo

 

China, Belgium, and the United States: the top three territories in June 2024

Europe remained the leading geographic zone for the theatrical releases of French films (55.4% of monthly admissions), but it saw the monthly number of spectators of French films halved compared to May, as did Latin America. While Oceania remained stable, it was Asia and North America that offered more admissions to French films (respectively: +196.3% and +33.8%), in both cases mainly thanks to the minority-French Robot Dreams, the only French title to attract more than 100,000 moviegoers outside Europe. The top trio of territories by admissions changed, with China, Belgium (& Luxembourg), and the USA (& English-speaking Canada). 4 foreign territories (8 in May, 7 in April, 14 in March, 13 in February and 6 in January) offered more than 100,000 admissions each to French productions in June 2024 (the top trio, plus Italy).

 

Comedy and genre films at the forefront as the most popular genres

 In June, comedy/drama retained the crown as the preferred genre abroad (0.6 million spectators, 36.5% of the monthly total), thanks to the success of A Little Something Extra (1 in 3 admissions for the genre). While drama and animation completed the top 3, fantasy/horror/science fiction and documentaries were the only genres to attract more moviegoers than in May, the former benefiting from the latest launches of The Animal Kingdom. Majority-French productions (56% of total admissions) and French-language productions (80%) still accounted for the lion's share of admissions in June. The latter, along with minority-French productions, were the least affected by the drop in admissions (-15.5% and -23.8% respectively). Almost 0.3 million admissions went to arthouse films (18% of the monthly total), led by The Taste of Things.

 

French films at international film festivals in June 2024

In addition to three events organized by Unifrance – the French Film Festival in Poland, Francia está en pantalla in Spain, and the French Film Panorama in China – the month of June was also rich in festivals of all kinds, featuring numerous French films. In Mexico, the Guadalajara International Film Festival (FICG) welcolmed Meanwhile on Earth by Jérémy Clapin, while the FICUNAM presented Dahomey by Mati Diop and All We Imagine as Light by Payal Kapadia, which took home the Audience Award. The FICUNAM also organized a tribute to Mathieu Amalric, in his presence (photo). Australian audiences at the Sydney Film Festival discovered Marcello Mio by Christophe Honoré, Suspended Time by Olivier Assayas, City of Wind by Lkhagvadulam Purev-Ochir, and The Flats by Alessandra Celesia. In Asia, the eclectic programe of the Shanghai International Film Festival, where Trần Anh Hùng was president of the jury, gave pride of place to French films, with a selection of some thirty works, including The Goldman Case and Making of by Cédric Kahn.


> This report can be downloaded in PDF format below (French version only).

> This report is based on results recorded on July 11, 2024. Since our statistics for film releases are continuously being updated, the graphics generated automatically on our website will differ from the chart featured in this article.

International press roundup
International press round-up: July - August 2024

During the summer months, our audiovisual and film productions continued to be distributed, released, and selected internationally. The foreign press gives us an overview.

On the audiovisual front

In Italy, Panda became "the new series of Rai2."
➡️ Read the article online
 

Academia TV announced the broadcast of Bonus Family on Sundance TV in Spain.
➡️ Read the article online

Marilyn Lima spoke on Drama Quarterly about her role in Vigilantes.
➡️ Read the article online

WorldScreen announced the broadcast of the six-part series À l’ombre des forêts on Apple TV.
➡️ Read the article online

The Aerobics Project toplined American channel MHzChoice's August slate, The Euro TV Place reported.
➡️ Read the article online

Prensario focused on Freedom, Mélanie Laurent's latest film about the life of the notorious robber Bruno Sulak, greenlit by Prime Vidéo.
➡️ Read the article online
 


On the animation front

Molang will arrive in the movie theaters of five European countries during September, Señal News announced.
➡️ Read the article online

The same media mentioned the partnership between Air France and Médiawan regarding Miraculous: Tales of Ladybug & Cat Noir and a special episode destined uniquely to be broadcast on board long-haul flights.
➡️ Read the article online

Mondo Tv and France Télévisions are preparing the adaptation of the Wonder Pony comic book, Animation Magazine reported.
➡️ Read the article online
 


On the theatrical releases front

The Wild Mice is the German title for Argonuts, which has registered more than 35,000 admissions in the country. Kino-Zeit dedicated a glowing article to the film.
➡️ Read the article online

 The President's Wife hit Spanish screens: "a humorous political satire," claimed El País.
➡️ Read the article online

In Japan, Eiga.com described Bolero as a "A meticulously crafted biography."
➡️ Read the article online

The Count of Monte Cristo racked up more than 65,000 admissions. Film Web stated: "The film that French cinema needed."
➡️ Read the article online
 

 

In the Americas

In Argentina, Clarín published a long article about Smoking Causes Coughing.
➡️ Read the article online

"An educational film," Colombian media outlet Tiempo de Cine wrote about Orlando, My Political Biography.
➡️ Read the article online

And in Peru, the daily La República referred to Acid as a "major work."
➡️ Read the article online

We finish with an interview with Isabelle Huppert published in The New York Times.
➡️ Read the article online