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Editorial
I join the President, Gilles Pélisson, and the entire Unifrance team in wishing you all the best for 2024. It's a very busy time for Unifrance, with events such as the Unifrance Rendez-Vous in Paris, the New York Rendez-Vous in February and, in March, the French Film Festival in Japan – which has shifted its dates – as well as all the international festivals and markets that open the year, such as FIPADOC, the International Film Festival Rotterdam, the Berlinale, and KIDSCREEN. And let's not forget the announcement of the 10 to Watch 2024 on January 18, and the launch of MyFrenchFilmFestival 2024 on the 19th, an event eagerly awaited by the festival's fans around the world. Next Tuesday, January 16, at the Export Day morning session, we'll be revealing the worldwide box office figures for French cinema in 2023. Your films did better than in 2022, across all genres: dramas, comedies, documentaries, animation, and genre films. Last year's success is a testament to the excellence of French cinema, based on the incredible range of its artistic range across all genres, a plurality that has no equal elsewhere! At Unifrance, we are committed to accompanying French cinema and audiovisual productions, in all their diversity, as they travel beyond our borders. Over the past month, we have increased our communication channels and strengthened our editorial policy, to amplify our ability to speak, on behalf of the professions brought together in our organization – artists, scriptwriters, composers, directors, to name but a few – to our international audience and broaden the reach of French productions. Each film, each audiovisual work has its own path, its own history. These peculiarities make our day-to-day work rich and infinitely varied. I'd like to take this opportunity to thank the Unifrance teams for their hard work and dedication on a daily basis, enabling the organization to remain agile, adapting to change while preserving our values, and guaranteeing the necessary internal and external stability. It can be a little tiring, but above all it's exciting. Let's all continue to work together to the best of our ability for this fine company. And as nothing would be possible without our members, I would like to thank in particular those who are particularly committed to our commissions and the executive and management committees. At the start of this new year, I must remind you that membership fees are essential to the smooth running of our organization, so we're counting on you! Now it's time for the films and works presented at the Rendez-Vous 2024. We'll be seeing and listening to many of the creators and artists who will be making their mark over the coming months. They'll be the international stars of the year to come! Happy New Year to you all! Daniela Elstner, Executive Director of Unifrance
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The 26th Unifrance Rendez-Vous in Paris program
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Unifrance presents the 26th Unifrance Rendez-Vous in Paris, the world's largest market and press junket dedicated to French cinema and audiovisual works. The Rendez-Vous will take place from January 16 to 23. On the cinema front, over 420 international buyers from nearly 50 countries and 47 export companies are expected to attend. On the audiovisual front, over 100 buyers and 51 export companies will be present. In all, nearly 1,000 people have been accredited for the event. The press junket will welcome some 130 foreign journalists and as many French artists, who will meet for interviews to accompany the release and broadcast of 68 French films and 15 audiovisual programs in 2024.
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The Unifrance Rendez-Vous in Paris 2024 will take place in Paris, in several sites and across various dates, launching officially on January 16 with the 4th Export Day. Export Day The 4th Export Day will bring together distributors, broadcasters, producers, exporters, and institutions at the CNC, on the morning of January 16. These personalities will come together to analyze and compare their points of view on the challenges facing French film and audiovisual exports in the coming years. 
Opening night gala The evening of January 16 will be dedicated to the screening of the Rendez-Vous opening night film, Auction by Pascal Bonitzer (produced by SBS Productions and sold by Pyramide International), at the UGC Ciné Cité Bercy movie theater, followed by a cocktail reception bringing together exporters and buyers (cinema and audiovisual), producers, artists, and institutional representatives. Auction
Cinema and audiovisual markets The cinema and audiovisual markets will take place from January 17 to 19 inclusive, at the Hôtel du Collectionneur for the cinema market, and at the Salons Hoche for the audiovisual market. On the cinema front, over 420 international buyers from some 50 countries are already expected to attend, while 47 French sales companies will be present. The market screenings (78 in all, including 50 market premieres) will be held from January 16 to 19 at the following movie theaters in the Champs-Elysées district: Le Club de l'Étoile, Le Balzac, Le Lincoln, and Publicis Cinémas. On the audiovisual front, the more than 100 buyers attending from 27 countries will be able to meet 51 French audiovisual distribution companies. Buyers will be able to use the Screening Room set up by Unifrance to view some 450 programs. The French TV Screenings, exclusive presentations to buyers of new French audiovisual programs (documentary and fiction) by eight distributors, will take place on January 16 and 17 at the Club de l'Étoile. 
Presentation of the 10 to Watch 2024 Emerging filmmakers, actors and actresses: they made a splash at major international festivals in 2023 and will be on screens the world over in 2024. They are the new faces of French cinema. Selected by international journalists Rebecca Leffler (Screen International), Fabien Lemercier (Cineuropa), Elsa Keslassy (Variety), Jordan Mintzer (The Hollywood Reporter), and Christine Masson (France Inter), the 10 to Watch 2024 embody the revitalization of French cinema through the freedom and singularity of their artistic choices, their ambition, their audacity, their openness to the world... Unifrance is proud to honor this new generation of filmmakers, who are making a major contribution to the effervescence of French cinematic creation, and to encourage the distribution of their works beyond France's borders. The list of the ten artists will be announced on January 18. 
French Cinema Award On Thursday, January 18, at the Ministry of Culture, a French Cinema Award will be presented by Unifrance to Melvil Poupaud. Created in 2016 by Unifrance, the French Cinema Award is intended to celebrate an international film industry personality who has worked to promote French cinema around the world, notably alongside Unifrance. Since 2016, the following people have been honored: producers Aton Soumache and Dimitri Rassam (Le Petit Prince), the Italian distributor Andrea Occhipinti (Lucky Red), Chinese distributor La Peikang (China Film Group), German distributor Torsten Frehse (Neue Visionen), actresses Isabelle Huppert, Juliette Binoche, and Virginie Efira, director of the Chinese Cinémathèque Sun Xianghui, Spanish distributor Adolfo Blanco (A Contracorriente Films), president and founder of Lumière Pavilions Jane Shao, and filmmakers Éric Toledano, Olivier Nakache, and Olivier Assayas. 
Launch of MyFrenchFilmFestival The 14th MyFrenchFilmFestival will be launched on January 19. The members of the official jury (Faouzi Bensaïdi, Pierfrancesco Favino, Lillah Halla, Marie Kreutzer, and Katell Quillévéré) will be present the day before at the Ministry of Culture for the French Cinema Award presented to Melvil Poupaud. They will then come together to award the Grand Prix to a feature film in Competition, to be announced on Friday February 16. From January 19 to February 19, festival-goers from all over the world will be able to discover a selection of 26 French-language films that have made their mark at major international film festivals: 11 features (including nine in Competition) and 15 shorts (including nine in Competition), all subtitled in 11 languages: Arabic, English, French, German, Italian, Japanese, Mandarin, Portuguese, Russian, Spanish, and Ukrainian. 
International press junket The press junket, dedicated to French films and audiovisual programs scheduled for release or broadcast abroad in 2024, will take place from January 20 to 23 at the Hôtel du Collectionneur, in the presence of 130 French artists (directors, actors, actresses, showrunners, etc.) who will meet international journalists.  68 films and 15 audiovisual programs will take center stage. The photo studio will be run by photographer Marie Rouge. Last but not least, taking advantage of the presence of many international journalists at the Rendez-Vous, Unifrance will also be partnering the Lumiere Awards which will take place on January 22.
The 26th Unifrance Rendez-vous in Paris enjoys the invaluable support of: French Government, CNC, Institut français, PROCIREP, Wallonie Bruxelles Images, TitraFilm, Davines, Le film français, Variety & Cinando. Official suppliers: Vranken Pommery Monopole & Estandon (Alcohol abuse is dangerous for your health.) The 10 to Watch program is supported by Screen International.
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MyFrenchFilmFestival 2024: Announcing the Festival Selections and Juries
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The first online festival devoted entirely to francophone cinema, MyFrenchFilmFestival welcomes viewers from around the world for its 14th edition from January 19 to February 19, 2024.
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On the docket for this year: a selection of 26 films (feature and short films combined) subtitled in 11 languages (Arabic, English, French, German, Italian, Japanese, Mandarin, Portuguese, Russian, Spanish, and Ukrainian). Discover the programme online at www.MyFrenchFilmFestival.com on all devices (computers, smartphones, TV, tablets, etc.) anywhere in the world (except where regional geoblocking of films may apply). To make the joy of cinema accessible to the largest possible audience, the short film selection will be available free of charge in all countries around the world. The Feature Film selection will be available for free in Africa, Baltic states (except Latvia), Latin America (Spanish-speaking), the Middle East, Russia/CIS, Southeast Asia, and Ukraine. In other countries, viewers can opt for a pay-per-view rate of €1.99 or an all-access pass for €7.99 (except where regional geoblocking of films may apply). In parallel, viewers can access the festival on more than 80 partner platforms streaming this 14th edition, a record! The selection Poignant dramas, zany comedies, inspiring documentaries… The programme aims to reflect the wealth and diversity of French-speaking cinema. To help you navigate your way through this comprehensive selection and to pique your curiosity, films will be grouped by theme. All Eyes on Docs! Toe to toe with a boxing collective in Marseille, a summer spent with twins, and a voyage between Greenland and southern France: immerse yourself in these worlds brought to you by these three exceptional documentaries questioning the barriers imposed upon us by society. - La Lutte est une fin, by Arthur Thomas-Pavlowsky, documentary
- Oasis, by Justine Martin, documentary (in partnership with Telefilm Canada)
- Polaris, by Ainara Vera, documentary
Families in Motion A spotlight on three families facing adversity under unique circumstances: in exile from the Italian Alps at the beginning of the 20th century, on the road through the vast expanse of Canada, and on the eve of a separation. - No Dogs or Italians Allowed, by Alain Ughetto, animated documentary
- Rodéo, by Joëlle Desjardins Paquette, road-movie (in partnership with Telefilm Canada)
- Life in Canada, by Frédéric Rosset, dramatic comedy
Heartbeats Let your heart beat as one with the protagonists of these three sensitive first feature films examining romantic feelings. - Junkyard Dogs, by Jean-Baptiste Durand, social drama
- Spare Keys, by Jeanne Aslan & Paul Saintillan, dramatic comedy
- The Lost Boys, by Zeno Graton, drama (in partnership with Wallonie Bruxelles Images)
Mad World When the world sweeps us up in its folly, what could be more valuable than cinema to take on the challenges and paradoxes of the absurd? Four films depicting, with humour and cheek, the evils of our times. - Fairplay, by Zoel Aeschbacher, thriller
- The Summer Holidays, by Valentine Cadic, Summer’s tale
- The Green Perfume, by Nicolas Pariser, spy comedy
- Fast, by Paul Rigoux, comedy
Smells Like Teen Spirit Teenagers: a theme explored by film at every place and at every time. (Re)discover this quirky stage of life through these films made by three director graduates of the renowned film school Fémis between the 1990s and today. - Des filles et des chiens, by Sophie Fillières, comedy
- Turkey Jeanne, by Pauline Ouvrard, coming-of-age tale
- Super Drunk, by Bastien Milheau, comedy
Tales of the Night Away from the bustle and view of daytime, night transcends those who are not afraid of the dark. Out clubbing, on a bicycle ride, or back against sculptures, let yourself be transported after hours by these three nocturnal stories. - The Beast in the Jungle, by Patric Chiha, drama
- Underdog, by David Arslanian, thriller
- The Great Arc, by Camille Authouart, animated documentary
Women Supporting Women Behind the scenes at a Parisian strip club, a confrontation with the memories of youth, and a journey into the imagination of Agnes Varda: a selection of three films celebrating the feminine view of the feminine universe. - My Sole Desire, by Lucie Borleteau, tale of initiation
- Cuddle, by Margot Reumont, animated drama (in partnership with Wallonie Bruxelles Images)
- Jane B. for Agnes V., by Agnès Varda, documentary
Enjoy the silence A selection of wordless animated shorts for young audiences. - Atomic Chicken, by Thibault Ermeneux, Lucie Lyfoung, Solène Polet, Capucine Prat, Morgane Siriex & Anna Uglova, young audience
- In the Dance, d'Ekaterina Mikheeva, young audience
- Two Friends, de Natalia Chernysheva, young audience
- To Be Sisters, d'Anne-Sophie Gousset & Clément Céard, young audience
The International Jury MyFrenchFilmFestival is honoured to welcome an esteemed International Jury for this rich 14th edition, which will award the competition’s Grand Prix for Best Feature Film. This award is endowed with €15,000 to be shared equally between the director, producer, and distributor. The members of the International Jury for 2024 are: Moroccan actor and director Faouzi Bensaïdi, Italian actor Pierfrancesco Favino, Italian-Brazilian director Lillah Halla, Austrian director Marie Kreutzer, and French director Katell Quillévéré. The International Press Jury At the end of the festival, the International Press Jury will award a feature film in competition. The international journalist members of the jury are: Gabriela Bravo Chiappe (Chile), Cathy Immelen (Belgium), Pavlina Jeleva (Bulgaria), Emrah Kolukisaoglu (Turkey), Iana Murray (United Kingdom), Kalash Nanda Kumar (Malaysia) and Leticia Alassë (Brazil). The Content Creators Jury New for this 14th edition: Three film-loving content creators will award a short film in competition. The members of this new jury are: Cécilia Jourdan (@hellofrenchnyc), Alexandre Neyraud (@diversificationlitteraire) and Abdelraouf Meraga & Nadjib Adda (@cilimastation). Audience Awards The 18 films in competition are also in candidature for the Audience Awards, presented to one feature film and one short film in competition.
MyFrenchFilmFestival 2024 benefits from the valuable support of: Official Partners: French Government, CNC, Institut français, Telefilm Canada, Wallonie Bruxelles Images, TitraFilm Media Partners: France Médias Monde, RFI, France 24, Monte Carlo Doualiya, Variety, TV5MONDE, AlloCiné, AdoroCinema, SensaCine, SensaCine LATAM, Filmstarts, El Hype, El País, ComingSoon.it, IONCINEMA.com, Flix.gr, kino-teatr.ua, Focus Taiwan – CNA, Quadro por Quadro, Under The Milky Way, JustWatch, Orange
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French TV Screenings 2024: 8 exclusive presentations of audiovisual programmes
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The French TV Screenings will take place on January 16 and 17, 2024 at the Club de l'Étoile and will be open to international television buyers, the press, Unifrance guests, along with those of the companies presenting their programmes. Discover below an overview of the eight participating companies' presentations. ARTE Distribution For its French TV Screening, ARTE Distribution is proud to present the richness of its catalogue, and the talents that make it. In the vast nature & discovery collection, Le cinquième rêve, producer of the International Emmy® Award-nominated 700 Sharks, will present exceptional footage from the series Europe’s Wildest Heritage. In the History category, producer Ma Drogue à Moi will reveal archaeological discoveries by The Mystery of the Desert Kites team. Then, directors Jules Giraudat and Arthur Bouvart will guide us through a geopolitical thriller spanning several years and several continents to find The Thing, America's Invisible Enemy. Véronique Préault and the Tournez S'il Vous Plaît Production team will answer the question: is a girl as likely to become rich as a boy in a major societal investigation regarding Women & Money? Hauteville Productions will help us understand the mechanisms of our brain and thought in Your Brain is Playing Tricks on you. Finally, Silex Films will transport us to the heart of the 19th century with beautiful animated images from the sublime artistic and historical fresco: The Legends of Paris : a Tale of the 19th century Artistic Scene. A true voyage through different countries and eras to understand a little more about man and humanity. Europe’s Wildest Heritage
Balanga Balanga is pleased to present you the first episode 'Transportation' of the series 2080, Our Futures (4 x 52’) produced for Canal+. 2080 is an anticipation documentary series. Transportation, healthcare, food, entertainment... Each episode gives us a glimpse of conceivable futures through the daily life of a fictional character. The scientists' interviews will approach various issues related to technology, environment, energy, demographic… Our aim is to give the viewer an uninterrupted immersion into the 2080 world. Episode: 'Transportation' Does the future of our transportation lie in the reduction and rationalisation of our movements, with living, working, and leisure spaces combined? Or can we envision that Europe will be connected by a Hyperloop network at 1000 km/h, like a continent-wide subway, powered by solar energy, replacing short-haul flights entirely? In any case, everyone agrees on one thing: in the future, it's the vehicle that will drive us, not the other way around. 2080, Our Futures
Federation Studios We’ve come full circle! Federation Studios comes back to the French TV Screenings to present in world premiere the first images of their event series presented in 2023, in presence of the talents: Bruno Nahon and Yan England for Rematch and Jean-Xavier De Lestrade and Matthieu Belghiti for Samber. It will also be the occasion to introduce the most recent series from our 2024 lineup, already available or looking for pre-sales. Samber
France tv distribution France tv distribution is thrilled to be presenting for the first time and exclusively to international buyers the 1st episode of the event series The Huguenots (6x52'), produced by Les Films du Cap and Together Media for France 2. The screening will be introduced by director Christopher Thompson (Bardot), and by some members of the cast. Based on the best-selling literary saga Fortune of France, The Huguenots is an adventure series about a family plunged into the European wars of religion in the 16th century: the Sioracs. The series boasts a prestigious cast of renowned actors (Nicolas Duvauchelle, Lucie Debay, Guillaume Gouix, Grégory Fitoussi, Antoine Gouy) and rising talents (Simon Zampieri, Lou Lampros, Angelina Woreth, Marcel Thompson, etc.). The Huguenots
Have A Good One (HAGO) Have A Good One is happy to present four very different titles. A dystopian thriller where a disease erases people’s personal memory (LT-21); a dramatic comedy in which laughter is forbidden (Rictus); a 6-part thriller where anyone can become a hitman, or a target (Knok); and finally a love-at-first-sight story between two women on the set of a show, where feminine desire, feelings, sex and sensuality are central, with a completely unprecedented vision (Split). 
Mediawan Rights Mediawan Rights will be presenting three of its 2024 highlights. Come and discover the first images of these three dramas and dive into the heart of the creation of these programmes in the presence of the various creative teams. Machine, a whirlwind of action and suspense, where thriller meets revolution! Imagine Kill Bill merging with the powerful ideas of Karl Marx. Margot Bancilhon and Joey Starr take you on board this explosive series, produced by White Lion Films. Serial Hunter, a thrilling crime series featuring a pair of extraordinary investigators who will do anything to track down an elusive serial killer. Starring Éric Cantona and Tiphaine Daviot, produced by Atlantique Productions. Tom & Lola, the new DEMD series starring Dounia Coesens and Pierre-Yves Bon. When two friends, each a police officer in a different brigade, become roommates, only to finally (and surprisingly) become partners in the same brigade, their friendship is put to the test. Serial Hunter
Newen Connect Newen Connect is thrilled to present its French TV Screening in the presence of creative teams, showcasing a selection of event titles for 2024. Covering all genres, these include dramas Unit 8200 (Elephant International & Keshet Studios International for TF1 - work in progress title), Le Négociateur (Caméra Subjective & B2films for TF1), In the Shadows (Elzévir & Deuxième Ligne Films for France 2), Law & Disorder (Itinéraire Productions for TF1) and ARTE’s record-breaking series Polar Park (247 Max). As well as documentary titles Winds : an Invisible Strength (Films à Cinq for ARTE), Hamas (Capa for France Télévisions) and Jesus’ Family Secrets (Capa for RMC Story), plus animated series Azuro & the Dragon’s Squad (La Chouette Compagnie for TF1). Winds : an Invisible Strength
Oble Oble will be showing an episode from the series The Plague, reflecting the timely themes addressed in the fiction, followed by a discussion on the timelessness of Albert Camus' best-selling novel "La Peste" and its even greater resonance today. As a slightly dystopian drama, The Plague echoes our post-Covid society’s preoccupations and asks where our humanity lies in times of great uncertainty. The series’ creators and actors will address how the story of Dr. Rieux, the heroes at his side and their antagonists, has been updated through contemporary and universal storylines. In particular, they will discuss the social issues addressed in Camus’ novel and introduced in the series (freedom, democracy, surveillance, etc.). Each will also share their experience of filming the series and their relationship to Albert Camus' original work. The Plague
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Young French Cinema: review of the 2023 edition and presentation of the 2024 edition
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The Young French Cinema programme, offered by Unifrance and Villa Albertine, once again puts the spotlight on a young generation of filmmakers, at the helm of films combining visual innovation and cultural influences. Featuring independent works, top-notch documentaries, and unusual discoveries, the 2024 edition of Young French Cinema once again highlights 10 feature films and a program of shorts selected during 2023 from the world's leading film festivals (Cannes, Toronto, Locarno...), to make them accessible to American audiences beyond New York and Los Angeles. Of the 10 films in the selection, nine were directed by women. The 2024 selection - Spirit of Ecstasy by Héléna Klotz
- Àma Gloria by Marie Amachoukeli
- First Case by Victoria Musiedlak
- No Love Lost by Erwan Le Duc
- Caiti Blues by Justine Harbonnier
- Marinette by Virginie Verrier
- All to Play For by Delphine Deloget
- Little Girl Blue by Mona Achache
- Sisterhood by Nora El Hourch
- The Rapture by Iris Kaltenbäck
- Metamorphosis (program of short films by Quartiers Lointains)
Review of the 2023 edition In 2023, some sixty physical screenings of YFC films took place in some thirty American cities, generating around $17,000 in revenues for French sales agents and producers. The films circulated in seventeen American states, including California, Connecticut, North Carolina, DC, Georgia, Maine, Massachusetts, Minnesota, Missouri, New York, Ohio, Pennsylvania, Texas, Washington, Wisconsin, as well as English-speaking Canada. For My Country, Mother and Son, Three Nights a Week, and Freestyle were the four most popular features. Two American tours were also organized: one for Rachid Hami(For My Country) to NY, Philadelphia, Princeton, Austin and Saint-Louis, the other for Florent Gouëlou (Three Nights a Week) to New York and New Orleans. These trips enabled the filmmakers to meet and engage with American audiences and students.
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Unifrance presents its 4th Export Day
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Created in 2021 by Unifrance, each year Export Day brings together distributors, broadcasters, producers, exporters, artists, and institutions from France and Europe, to debate the challenges of exporting French cinema and audiovisual works around the world. Export Day takes place prior to the Unifrance Rendez-Vous in Paris, the world's biggest market and press junket dedicated to French films and audiovisual works. The day's program 9am - 10am: Morning sessions opens - Opening speech by Olivier Becht - Minister Delegate for Foreign Trade, Economic Attractiveness and French Nationals Abroad
- Introductory remarks by Dominique Boutonnat - President, CNC
- Mots d’introduction par Gilles Pélisson - President, Unifrance
10am - 10.15am: Cinema report by Gilles Renouard, Director of Cinema at Unifrance 10.15am - 10.30am: Audiovisual report by Sarah Hemar, Director of Audiovisual at Unifrance 10.30am - 11.00am: - Presentation by Gilles Renouard of the HEC study "Cinema and audiovisual: What presence do French companies have on the international stage?"
- "3 questions to..." Anne Chérel (EVP Global Sales & Distribution, STUDIOCANAL), by Gilles Renouard
- "3 questions to..." Raphaëlle Mathieu (Chief Operating Officer, Cyber Group Studios), by Gilles Renouard
11.15am - 12.45pm: Round table "The challenges of promoting French cinema and audiovisual productions in an uncertain world" - Participants: Emmanuelle Guilbart (Joint-CEO & Co-Founder, About Premium Content), Aton Soumache (Producer & Honorary President, Mediawan Kids & Family), Alice Lesort (Director of International Sales, Les Films du Losange), Bertrand Faivre (Founder, Le Bureau Films)
- Moderator: Daniela Elstner, Executive Director, Unifrance
12.45pm – 1pm: Closing session - Concluding remarks by Daniela Elstner - Executive Director, Unifrance
- Concluding remarks by Jérémie Kessler – Director of European Affairs, CNC
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French films at the 53rd International Film Festival Rotterdam
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A dozen French talents will be accompanying their films at 2024 Rotterdam Film Festival, which will also see Daniel Mann 's feature-length documentary Under a Blue Sun, produced by Acqua alta, compete in the Tiger Competition section. The French delegates are Ramata-Toulaye Sy (Banel & Adama), Bertrand Bonello (The Beast), Anne Fontaine, Raphaël Personnaz and Philippe Carcassonne (Boléro), Jérémie Périn (Mars Express), Kaouther Ben Hania and Nadim Cheikhrouha (Four Daughters), Pierre Carles and Annie-Madeleine Gonzalez (The Farc Guerrilla, a History of the Future), Daniel Mann (Under a Blue Sun), Julien Maury, Alexandre Bustillo, Paul Hamy and Virginie Ledoyen (The Soul Eater), as well as the filmmakers of short films Valentin Noujaïm, Quentin L’Helgoualc’H, Vivian Ostrovsky, Simon Rieth, ENSI, and Alice Saey. Unifrance is organizing a dinner on January 27 with all the members of the delegation present that day. Unifrance is also participating in the Rotterdam Lab program by sending a delegation of two French producers: Jules Reinartz for Les films grand huit and Sophie Roudaut for Le Grand Saut Productions.They will take part in workshops on film industry innovation, international co-production and post-production, sales, financing, and project development.
The French films at the 53rd IFFR Tiger Competition - Under a Blue Sun by Daniel Mann
Limelight - Mars Express by Jérémie Périn
- Boléro by Anne Fontaine
- Daaaaaali ! by Quentin Dupieux
- The Beast by Bertrand Bonello
- Four Daughters by Kaouther Ben Hania
Harbour - The Farc Guerrilla, a History of the Future by Pierre Carles
- Banel & Adama by Ramata-Toulaye Sy
- The Soul Eater by Alexandre Bustillo and Julien Maury
Tiger Short Competition - LA DEFENSE VOLUME II - To Exist Under Permanent Suspicion by Valentin Noujaïm
- History Is Written at Night by Alejandro Alonso
- Flatastic by Alice Saey
- 6000 mensonges by Simon Rieth
Short & Mid-length - Wander to Wonder by Nina Gantz
- 6000 mensonges by Simon Rieth
- Beautiful Men by Nicolas Keppens
- I. / II. / III. by Alexandre Larose
- Is My Living In Vain by Ufuoma Essi
- Man of Aral by Helena Gouveia Monteiro
- Molecular Delusions by Quentin L’Helgoualc’H
- Wolna by Sonia Oleniak
- Zanatany, l'empreinte des linceuls esseulés by Hachimiya Ahamada
- Water Hazard by Alexander David
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Market indicator of French audiovisual programs on international television: October 2023
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Unifrance's fourteenth publication of its market indicator analyzes broadcasts of French audiovisual programs in four countries, Australia, Brazil, Canada, and Mexico, in October 2023.
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For each territory, the market shares by broadcast time give an overview of the market configuration and the penetration of French titles. In addition, the top three positions and the distribution of French broadcasts by genre allow us to identify the titles that received the highest broadcast ratio over the period. For the first indicator of 2024, which will be published in January, Unifrance will focus its analysis on broadcasts in Germany, Spain, Italy, the United Kingdom, and the United States in November 2023.
Unifrance members can download the monthly market indicator of French audiovisual programs on international television below (in French only).
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"Gaudí, the Atelier of the Divine," an immersion into the studio and creative mind of the famous architect
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Through a faithful recreation of the workshop of the ingenious designer of the Sagrada Familia, the immersive experience, Gaudí, the Atelier of the Divine, co-produced by GEDEON Experiences and Small Creative, invites visitors to share in a collective experience that is both poetic and pedagogical. Agnès Garaudel, director of GEDEON Experiences and producer of this virtual reality work, tells us about the genesis of the project, which arose from a documentary film, and its development, and unveils GEDEON Experiences' future VR productions.
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Unifrance: Can you tell us how the project came about? Agnès Garaudel Agnès Garaudel : GEDEON Programmes, originally a documentary producer, launched into immersive creation in 2020, with a multi-media strategy and the creation of GEDEON Experiences, the department dedicated to innovation and the creation of immersive experiences. When we had the idea for the VR experience Gaudí, the Atelier of the Divine, we were working on a documentary film, "Sagrada Familia, le défi de Gaudí'," with the ambition of recounting Gaudí's oeuvre and story. We soon realized that to tell the story of this architectural master, we needed to reconstruct his atelier, which had completely disappeared in a fire in 1936. To do this, we undertook a veritable investigation to recreate the space that had disappeared in the flames. We immersed ourselves in the archives of foundations and newspapers from the period, and tracked down rare photographs of the atelier. This enabled us to reconstruct every room and every object in 3D for the purposes of the film. We used this 3D reconstruction of the atelier in a large virtual studio, equipped with LED screens. The reactivity of the scenery projected onto these screens enabled us to recreate the sensation that the characters were actually moving about in the atelier. These docu-fiction sequences were an integral part of the film project. We then thought there was another story to be told, using virtual reality headsets, and approached Small Creative, the studio that co-produced the experience. How did the story of Gaudí and his oeuvre lend itself particularly well to the VR format? How did you go about it? Agnès Garaudel: VR can be divided into two main areas. On the one hand, there are the often solitary Home VR experiences, and on the other, there are the collective, location-based experiences. Gaudí, the Atelier of the Divine.falls into the latter category. The idea was to create an experience that you can't have in real life, through a highly narrative story for a mainstream audience, and for the whole family. The audience completely changes position, from spectator to visitor. The experience lasts around 20 minutes, in 50 square meters, and is free-roaming, i.e. with the possibility of moving freely in real space and, at the same time, in the virtual environment. A wireless headset and two controllers provide a multilingual, embodied experience, through an avatar. Up to six visitors can move about at the same time, each in the language of his or her choice. To date, the languages available are French, English, Japanese, and Korean. Moreover, the whole system is fairly light, with headsets and a computer for the launch. We're targeting the whole family, from the age of eight upwards, and wanted to create a link between fun technology and a cultural, narrative experience capable of provoking emotions in visitors.  As far as distribution is concerned, in what territories and contexts has the work already found its audience, especially internationally? Agnès Garaudel: Gaudí, the Atelier of the Divine is on a year-long tour of Japan and was co-produced with Japanese public broadcaster NHK, a long-standing partner of GEDEON Programmes, which has been operating the experience locally for the past six or seven months, with very positive feedback. In France, the experience is available in the Illucity network of virtual reality cinemas, with five theaters across the country. The work has also been presented at festivals, winning the Audience Award at the Pixii Festival in La Rochelle, the Best Heritage Experience Award at the European XR Awards in Brussels, and third prize at the Beyond The Frame Festival in Tokyo! It will soon be presented in the USA, at the end of January, at the Animation First festival in New York, organized by FIAF. --> Discover the experience in Illucity theaters What attributes does this experience possess to appeal to international audiences and be exported worldwide? What future do you envisage for this experience? Agnès Garaudel: Art and architecture are subjects that radiate around the world, arousing great interest among international audiences. The very essence of this project creates a buzz. From a practical point of view, the multilingual nature, the lightness of the system with its simple set-up, and the ease with which the software and control system can be mastered, make this ready-to-use experience very accessible. The level of maturity attained by immersive technologies is what makes this simplicity possible today. We wanted to use these tools wisely, to tell a story. Technology is used to serve history and knowledge. We'd like to be able to distribute the work in VR rooms, museums, and cultural spaces. It's an experience that's explored in a physical space, in a collective way. We've designed the system to support exhibitors and institutions, enabling them to attract new audiences, especially young people. We have forged close ties with cultural institutions to support them in the transition of exhibition spaces (video mapping, VR, etc.). In particular, we co-produced with the RMN Grand Palais the immersive Pompéi experience, presented at the Grand Palais in 2020, and created in collaboration with the Pompeii archaeological site, a project we initiated. This system allows viewers to travel back in time. What are your future projects in this area? Is there a real desire to pass on a lost heritage? Agnès Garaudel: Indeed, this is the direction we've taken with our projects. We want to offer journeys in time and space, embodied experiences, to enable the general public to discover the key places of our vanished heritage in an innovative and entertaining way. To discover places that are no longer accessible in the real world, through stories told by great historical figures. We are behind a major project about to be presented to the public. The Tonight with the Impressionists Paris 1874 experience, co-produced with the Emissive studio and the Musée d'Orsay, will be deployed in the Hamon gallery at Orsay from March 26 to August 11, 2024. It will enable visitors to discover for the very first time the first Impressionist exhibition of 1874, on Boulevard des Capucines, in the studio of the famous photographer Nadar. As with Gaudí, the GEDEON Experiences teams spent two years carrying out a gigantic research project, followed by a 3D reconstruction, to recreate this very important moment in art history. Until now, nobody knew exactly what this first exhibition looked like. By analyzing numerous documents, such as correspondence between the painters, cadastral maps of the period, and newspaper articles, we were able to recreate the studio and the building's façade in computer-generated images, the Boulevard des Capucines of 1874, and reproduce the hanging of the paintings as close as possible to historical reality. We approached the Musée d'Orsay teams with this unprecedented work, and it was at this point that the overall project was decided. The Musée d'Orsay will devote 700 square meters to this experience, complementing the Paris 1874. Inventing Impressionism exhibition which celebrates the 150th anniversary of the movement's birth and brings together some 130 works. 100 visitors will be able to enjoy this large-format VR experience simultaneously, preceded by a pre-show and followed by a post-show in the form of video mapping. The exhibition will then travel internationally. --> Learn more here ENG: https://www.musee-orsay.fr/en/whats-on/exhibitions/tonight-impressionists-paris-1874  GEDEON Programmes is also producing a documentary film, 1874, the Birth of Impressionism. For the very first time, the public will be able to discover this key moment hitherto devoid of visual representation, and learn about the young Impressionist painters, their influences, their working methods, and the regions that inspired them. With this film, alongside the immersive VR experience, we want to create a multi-channel, 360 degree experience! We've collaborated with the Orsay curators, who have scientifically validated the historical veracity of the entire documentary and immersive production. We're also working on a project focused on discovering the lost gardens of the Château de Versailles, from the Grotte de Téthys to the Labyrinthe, via the Ménagerie Royale, which will be presented in June 2024 and narrated by the young Louis XIV. An experience co-produced with Small Studio, in partnership with the Château de Versailles.
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International box office results
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French films at the international box office: November 2023
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In November 2023, French films were represented in international theaters by over 310 titles already in distribution and over 180 new releases, registering a total of 2.9 million admissions and generating €20 million in ticket sales.
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Anatomy of a Fall remained at the top of the monthly chart, with 780,000 spectators. Acide and Argonuts claimed second and third position. | # | Title | Admissions | Box Office Revenues (€) | No. of Prints | No. of Countries | Total Admissions | Total Revenues | | 1 | Anatomy of a Fall | 779,395 | 7,018,959 | 1,606 | 22 | 1,263,587 | 11,223,572 | | 2 | Acide | 211,115 | 763,605 | 1,204 | 3 | 227,963 | 854,899 | | 3 | Argonuts | 199,535 | 875,069 | 595 | 8 | 1,749,850 | 10,322,815 | | 4 | Ladybug & Cat Noir Awakening | 131,350 | 854,564 | 437 | 8 | 7,077,513 | 31,382,399 | | 5 | Only 3 Days Left | 96,804 | 659,655 | 553 | 4 | 155,320 | 1,114,494 | | 6 | Jeanne du Barry | 74,675 | 450,021 | 344 | 15 | 1,706,799 | 8,465,174 | | 7 | A Difficult Year | 46,884 | 397,970 | 484 | 6 | 85,281 | 787,998 | | 8 | On The Wandering Path | 46,571 | 301,735 | 178 | 5 | 147,340 | 1,223,376 | | 9 | The Taste of Things | 40,627 | 323,887 | 178 | 7 | 40,627 | 323,887 | | 10 | Lockdown Tower | 38,164 | 91,338 | 80 | 2 | 56,648 | 158,173 | | 11 | The Jungle Bunch: World Tour | 37,531 | 287,369 | 231 | 9 | 444,655 | 2,218,354 | | 12 | A Great Friend | 35,647 | 301,608 | 156 | 5 | 274,229 | 2,402,081 | | 13 | Animal Kingdom | 34,516 | 178,124 | 534 | 8 | 53,248 | 355,101 | | 14 | Driving Madeleine | 31,692 | 282,558 | 106 | 7 | 712,192 | 6,193,773 | | 15 | The Book of Solutions | 27,279 | 174,349 | 176 | 5 | 82,290 | 499,958 | | 16 | The Crime Is Mine | 26,862 | 198,021 | 72 | 7 | 574,991 | 4,004,748 | | 17 | Abbé Pierre - A Century of Devotion | 24,420 | 234,751 | 79 | 3 | 24,420 | 234,751 | | 18 | Dogman | 22,619 | 155,547 | 436 | 14 | 261,264 | 1,927,467 | | 19 | Paris Memories | 21,144 | 103,256 | 126 | 4 | 126,294 | 828,741 | | 20 | Second Round | 17,342 | 150,294 | 50 | 2 | 19,796 | 187,457 |
Box-office results strengthen for French films abroad French films registered three million admissions and generated €20 million in ticket sales in foreign theaters in November. Monthly admissions were 39% higher than in October, and also the highest tallied for November in the last five years! The 2019 level has been exceeded for the fourth consecutive month, confirming the audience's effective return to theaters and, consequently, reinforcing the centrality of the latter in a film's exhibition cycle. While comedies and animation continued to have the wind in their sails, the successful trajectories of many dramas and genre films point to a more eclectic audience profile, no longer limited to the family-film audience of the immediate post-Covid-19 period. And so, for the second month running, Anatomy of a Fall stood out as the French title most seen on the big screen outside France. Released in 22 markets, it crossed the symbolic threshold of one million tickets sold abroad! This month, the Palme d'Or winner attracted 200,000 new moviegoers in North America (Neon and Entract, 374,000 and over $3.5 million in box office revenues), and successfully launched in Germany (Plaion, €1.74 million) and the United Kingdom (Picturehouse/Lionsgate, €1.5 million), attracting 170,000 spectators in each market. There's no doubt that Anatomy of a Fall will retain its French amabassador status in the months to come. A newcomer took second place thanks to its Russian career. Released in almost 1,200 cinemas across the country, Acide was chosen by 210,000 moviegoers (Capella, €0.76 million), a score close to that generated in France (240,000). Lockdown Tower followed a very similar trajectory in Peru. Also a genre film, and also present in the monthly top 10 for the first time, it even managed to attract more Peruvians (Star, 36,000 and €0.08 million) than French (32,000). The new releases of Ladybug & Cat Noir Awakening in Czech Republic (Bontonfilm, 67,000 admissions and €0.48 million) and Slovakia (Bontonfilm, 42,000 and €0.28 million) kept it among the most popular French titles internationally. However, after four consecutive months in the top three, it yielded third place to another animated film, welcomed by 125,000 Polish moviegoers (New Horizons, €0.57 million): Argonuts. As for Only 3 Days Left, it took a leap forward thanks to 33,000 tickets sold in Ukraine (Kinomania, €0.13 million), coming close to its total in Russia (Global, 36,000 and €0.12 million). Present in 15 different territories, Jeanne du Barry enjoyed the widest monthly exposure after Anatomy of a Fall (22) and ahead of Dogman (14). The lower part of the monthly rankings features films that are destined to rise to the very top in the coming months: the return of the Nakache-Toledano duo with A Difficult Year and the French candidate for the Oscar for Best International Feature 2024, The Taste of Things. A special mention goes to On The Wandering Path : chosen by 36,000 German moviegoers (X-Verleih,€0.23 million), the drama debuted in last place in the local top 10; in the space of a single week, the film's German career overtook its Swiss (Pathé, 30,500 and €0.38 million) and Italian (Wanted, 28,000 and €0.17 million) counterparts. Russia, Germany, and Italy: top three territories in November As usual, Europe remained the leading geographic region for the theatrical distribution of French films (83% of monthly admissions). The top three territories remained unchanged from September and October, but not the order, with Russia back in first place. Over 100,000 tickets were sold in five other markets. As in October, outside Europe, over 100,000 admissions and a market share of over 5% were recorded in North America, again thanks to Anatomy of a Fall, the only French title to attract over 100,000 spectators outside Europe. Likewise, Latin America returned to the race, buoyed by a threefold increase in attendance for French films in the space of a month, following the opening of Argonuts (Brazil) and Lockdown Tower (Bolivia and Peru). Dramas, animated films, and comedies were the most popular In November, drama maintained its position as the favorite international genre (1.33 million viewers, 46% of the monthly total), thanks to the penetration of Anatomy of a Fall and The Old Oak (a minority French-production). Comedy and animation were the mainstays of the monthly top 10, with two titles each. Jeanne du Barry continued to ensure the presence of the biopic/history genre, while Acide and Lockdown Tower (285,000 admissions) give a boost to French genre films outside France. Majority-French productions (79% of total admissions) and French-language productions (82%) took the lion's share of the month's admissions. Audiences for the latter grew more than those for French-initiated films (+47% compared to +20%) in the space of a month, while the range of minority-French productions was enriched by the arrival of the aforementioned The Old Oak and Inséparables. To conclude, 1.52 million admissions went to arthouse films (52% of the monthly total), led by Anatomy of a Fall. French films at international film festivals in November 2023 The Annecy International Animation Film Festival, renowned for being the world's biggest event dedicated to animation, once again aimed accurately when it came to French productions this year. Selected at Cannes, then Annecy, three French animated films made headlines at festivals at the end of the year and around the world. Chicken for Linda!, awarded the Cristal for feature film, continued its adventure around the world: from Latin America (São Paulo) to Asia (Tokyo), the film was also selected at European festivals in Berlin, Dublin, Gijón, Séville, Turin (Best Screenplay Award), and The Netherlands (Best Children's Film Award at CINEKID). Robot Dreams (a minority-French production) also continued its run, with no fewer than nine selections in Asia, South America, and Europe. It received the European Film Award for Best Animated Feature at the European Film Awards in early December. Last but not least, Asian festivals also kept Mars Express busy. Already an award-winner in Montréal (Best Feature Film Temps Ø) and in South Korea at BIAF (Special Distinction Award), it is currently completing its 2023 tour, notably in Singapore, Hong Kong, and Taipei. Mars Express
> This report can be downloaded in PDF format below (French version only). > This report is based on results recorded on December 14, 2023. Since our statistics for film releases are continuously being updated, the graphics generated automatically on our website will differ from the chart featured in this article.
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French films at the international box office: November 2023
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International press roundup
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International press roundup: December 2023
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In December 2023, the international press followed the news about French film and audiovisual productions, along with theatrical releases and television broadcasts abroad.
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On the audiovisual front SeñalNews noted the Unifrance TV Export Awards , which were announced on December 11 in Paris. ➡️ Read the article online  In Argentina, Prensario announced dandelooo's acquisition of the worldwide distribution rights for the series Marcel, le Père Noël (et le petit livreur des pizzas). ➡️ Read the article online In Brazil, TV POP reported on the broadcast of L’homme de nos vies series on the Globo channel: "a harrowing thriller with a charismatic villain." ➡️ Read the article online In Spain, La Tribuna de Ciudad Real announced the arrival of "Crimes parfaits" on the Cosmo channel: "a successful crime series." ➡️ Read the article online In the United Kingdom, TBI took an interest in the documentary about Karl Lagerfeld, Révélation. ➡️ Read the article online  In Italy, the daily La Repubblica announced the broadcast of the OVNI(s) series on MyMovies One: "a unique experience not to be missed." ➡️ Read the article online And in Germany, Blickpunkt noted that "Lupin has been the great streaming success of the month." ➡️ Read the article online 
On the cinema front In Argentina, the daily El Día highlighted the theatrical release of The Three Musketeers - Milady. ➡️ Read the article online  In Mexico, Dogman lit up screens. Crónica, a national daily reported: "the interesting return of French filmmaker Luc Besson." ➡️ Read the article online In Spain, SER public radio named Anatomy of a Fall "the best thriller of the year" in an interview with Justine Triet. ➡️ Read the article online Toni received a warm welcome in Germany: "a warm and comical film," we can read in Film-Dienst. ➡️ Read the article online  In Portugal, C7nema published an interview with Franck Dubosc for the release of his film How to Survive Without Mum. ➡️ Read the article online In Denmark, The Jungle Bunch: World Tour enjoyed a fine theatrical release. "A fun film with an important message about the need to take care of the planet." ➡️ Read the article online In Japan, Bunshun published an interview with director Gaspar Noé to coincide with the release of his film Vortex. ➡️ Read the article online And in South Korea, the Kihoibo website published a long article about Àma Gloria: "A film that wonderfully captures a child's emotions in her new reality." ➡️ Read the article online 
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