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Newsletter Unifrance 143 - May 2023

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Editorial

Now at the beginning of May, we are delighted to unveil the new Unifrance website. It is the product of extensive collaborative efforts involved in the overhaul of our digital and communication tools that was initiated two years ago at the time of the adoption of our new visual and graphic identity. This is an important step for our association, as we now benefit from a unified platform that reflects the new Unifrance. This website embodies our expanded and strengthened strategy that fully integrates television industry creation. It is also a more efficient tool to serve all professionals–you, our members, as well as foreign buyers, who are our priority users. Our website also highlights even more strongly our initiatives and information services aimed at local audiences around the world, in line with our new content guidelines. We wish to thank the Unifrance teams, in particular our digital teams, for bringing this complex project to completion, at the same as other essential operations such as the merging of databases and the launch of a new shared viewing tool for the film and television sectors.

Tuesday, May 16, 2023 will see the opening of the 76th edition of the world's most prestigious film festival. Over ten days, Cannes will become the beating heart of the international movie scene, where all of the most distinctive artistic perspectives will come together and interact. The festival thus offers an exceptional showcase for the multiplicity of creative expression, and notably for French films, which enjoy a prominent position at the event. Indeed, over 80 films produced or coproduced by France are interspersed within the various Cannes sections this year, with a historically high presence of women directors, and even an equal balance in the French-majority films. Congratulations to everyone! We applaud all of the French film teams, represented in all of the festival sections and selections–directors, screenwriters, actors, producers, distributors, exhibitors, and sales companies–who, through their hard work, commitment, and their imaginations, constitute the strength and renown of our cinema industry.

Unifrance will accompany professionals and artists in order to facilitate dialogue and convivial moments based around French creations. We will operate a booth at the Marché du Film–which has, among its missions, to welcome our producer and distributor members–in addition to our famous Unifrance Terrace, which, as is the case each year, will host the crews from French films selected at the festival at our customary meetings with the international media.

A broad-ranging plan of action is also in place to shine a light on our artists, in particular the new generation, represented by Unifrance's 10 to Watch selection, whom we be welcoming on May 24 and 25. A large number of video formats will also be shared on our website and social media throughout the festival period. Furthermore, as we see that funds allocated by the press to criticism are decreasing, Unifrance will continue the Critic’s Lab this year. This mentoring project initiated by our association in 2022 aims to foster the emergence of talented film critics by inviting to Cannes three young novices–from English-language press outlets, selected by their peers– to cover events relating to French cinema. It is also an opportunity to emphasize the crucial importance of criticism as a vehicle for enhancing the visibility and reputation of films with audiences.
A Day of Reflection and Discussions that Unifrance is co-hosting with the CNC will be held once again on the CNC's beach, focusing on innovation in the field of marketing as a new resource for promoting the diversity of creative works.

We are thrilled to be meeting up with you on the Croisette to join together in celebration of cinema, which, despite still being in recovery mode in many countries after three tough years, is showing a vibrant creative energy at this time. We wish you all an excellent festival!

Serge Toubiana, Daniela Elstner, and Hervé Michel
President, Executive Director, and Vice-President of Unifrance

 

International box office results
International box-office for French films (outside France)
- From March 1 to April 2, 2023
# Title Admissions BO revenues (€) No. of prints No. of countries Total admissions Total BO (€)
1 Asterix & Obelix: The Middle Kingdom 496 110 3 022 283 1 265 26 2 139 306 13 607 604
2 Argonuts 471 335 2 064 433 2 715 8 817 620 4 674 391
3 Little Nicholas - Happy as Can Be 237 275 839 197 311 6 331 626 1 451 786
4 Heart of Oak 92 665 752 530 278 5 212 259 1 295 367
5 The Blue Caftan 84 880 680 791 253 9 85 289 683 726
6 Return to Seoul 72 594 593 429 179 10 108 909 909 266
7 The Crime Is Mine 52 850 497 962 108 4 52 850 497 962
8 Diary of a Fleeting Affair 50 526 386 929 175 4 122 315 774 516
9 A Happy Man 44 991 311 259 128 4 72 262 537 079
10 Pil 39 938 174 438 64 2 1 613 068 8 352 062
11 King 33 520 209 580 292 2 644 138 2 344 245
12 Alibi.com 2 31 830 258 655 190 5 46 661 487 616
13 Belle and Sebastian - Next Generation 31 163 190 982 327 9 399 463 2 095 751
14 One Fine Morning 28 070 197 137 176 8 119 555 891 217
15 Saint Omer 27 113 207 113 198 10 87 512 672 685
16 The Night of the 12th 21 182 116 143 110 6 107 479 705 630
17 Driving Madeleine 21 065 121 905 88 2 68 819 590 064
18 The Innocent 20 058 119 229 109 6 100 051 748 435
19 On The Wandering Path 19 106 224 841 46 2 19 106 224 841
20 Rise 18 526 117 148 61 2 304 849 2 398 473

 

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