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The Lovers

The Lovers

A Feature film by Louis Malle

Produced by NEF - Nouvelles Éditions de Films

Release in France : 05/11/1958

    Synopsis

    Jeanne Tournier (Moreau) lives with her husband Henri (Alain Cuny) and child in a mansion near Dijon. Her emotionally remote husband is a busy newspaper owner who has little time for his wife, except when he chooses to place demands upon her; often they sleep in separate rooms. Jeanne escapes to Paris regularly when she can spend time with her chic friend Maggy (Judith Magre) and the polo-playing Raoul (José Luis de Vilallonga), Maggy's friend and Jeanne's lover. Jeanne's constant talk of Maggy and Raoul leads to Henri demanding that Jeanne invite them to dinner and to stay as overnight guests. Jeanne's car breaks down on the day of the dinner party, and she accepts a lift from a younger man, Bernard (Jean-Marc Bory), and then asks him to drive her home. By the time they get back, Maggy and Raoul have already arrived at the mansion. It transpires that Bernard, an archaeologist, is the son of a friend of Jeanne's husband, and he too is added to the guest list. Jeanne spurns Raoul's advances, claiming it is too dangerous, but she spends time in a small boat on the river with the attentive Bernard. Clandestinely, they spend the night together. In the morning, to the surprise of everyone, Jeanne leaves with Bernard for a new life.

    Source : Wikipedia

    Actors (12)

    Production and distribution (3)

    Film exports/foreign sales :

    Gaumont

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    Box office: Timeline

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    Subject

    American obscenity case

    The film is important in American legal history as it resulted in a court case that questioned the definition of obscenity. A showing of the film in Cleveland Heights, Ohio's Coventry Village resulted in a criminal conviction of the theatre manager for public depiction of obscene material. He appealed his conviction to the United States Supreme Court, which reversed the conviction and ruled that the film was not obscene in its written opinion (Jacobellis v. Ohio). The case resulted in Justice Potter Stewart's famously subjective definition of hard-core pornography: "I know it when I see it." (Stewart did not consider the film to be such.)

    Source : Wikipedia

    Full credits (16)

    Assistant directors :

    Alain Cavalier, François Leterrier

    Author of original work :

    Dominique Vivant

    Screenwriters :

    Louis Malle, Louise de Vilmorin

    Sound Recordist :

    Pierre-André Bertrand

    Production Manager :

    Irénée Leriche

    Assistant editors :

    Madeleine Bibollet, Kenout Peltier

    Production Designer :

    Jacques Saulnier

    Still Photographer :

    Vincent Rossell

    Dialogue Writer :

    Louise de Vilmorin

    Producer :

    Jean Thuillier

    Director of Photography :

    Henri Decaë

    Camera Operator :

    André Villard

    Editor :

    Léonide Azar

    Continuity supervisor :

    Francine Corteggiani

    Production Designer :

    Bernard Evein

    Location Manager :

    Hubert Mérial

    Technical details

    Feature film

    Genres :

    Fiction

    Sub-genre :

    Romantic comedy

    Themes :

    Love

    Production language :

    French

    Production country :

    France

    Original French-language productions :

    Unknown

    Nationality :

    100% French (France)

    Production year :

    1958

    French release :

    05/11/1958

    Runtime :

    1 h 28 min

    Current status :

    Released

    Visa number :

    20878

    Approval :

    Unknown

    Production formats :

    35mm

    Color type :

    Black & White

    Aspect ratio :

    2.35

    Audio format :

    Mono

    Posters (1)

    Director

    Festival Selections (5)

    Awards

    Venice International Film Festival  - 1958

    Venice International Film Festival (Italy, 1958)

    Awards (2)

    New Cinema Award : Jeanne Moreau

    Jury Grand Prize