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The Sign of Leo

The Sign of Leo

A Feature film by Éric Rohmer

Produced by Ajym Films

Release in France : 02/05/1962

    Synopsis

    Pierre (Jess Hahn) is an American-born, 39-year-old bohemian and aspiring composer living in Paris. One morning he receives a telegram informing him that his wealthy aunt has died. Assuming that he has inherited her factories in Germany and Switzerland, he throws a lavish party with his friend Jean-Francois (Van Doude), a reporter for Paris-Match. Pierre borrows large sums of money, believing that he'll be able to pay everyone back with his inheritance; however, he soon discovers that his aunt left everything to his cousin. Penniless and abandoned by his friends, he soon finds himself homeless.

    Videos

    20/11/2014

    The Sign of Leo

    French trailer

    Actors (22)

    Production and distribution (2)

    Executive Producer :

    Ajym Films

    Film exports/foreign sales :

    Les Films du Losange

    Box Office: Total results

    Box office: Timeline

    International releases (3)

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    TV Broadcasts: Cumulative total

    TV broadcasts: details by country

    Subject

    Production

    The film was photographed in black and white by Nicholas Hayer and printed at Laboratoires GTC in Joinville-le-Pont. Most of the shooting, including all outdoor scenes, was done on location. Rohmer, the eldest of the members of the Cahiers du cinéma circle of the Nouvelle Vague, was 38 at the time of production.

    The film was produced by fellow New Wave director and Cahiers du cinéma critic Claude Chabrol through Ajym Films, which had produced his debut feature, Le Beau Serge and would go on to produce Paris nous appartient, the debut feature of their colleague and friend Jacques Rivette.

    Style

    The film is often noted for the differences in tone and cinematic style it has from the work Rohmer is best known for. The film is shot in a wider aspect ratio, 1.66, than most of Rohmer's features; the director has used the 1.37 aspect ratio (also known as Academy ratio) for almost all of his films. It also features a musical score (rare for Rohmer) by Louis Saguer and a cameo by fellow New Wave director and Cahiers du cinéma critic Jean-Luc Godard; though the other French New Wave directors frequently appeared in cameo roles in each other's films (or, as in the case of Godard, cast directors they admired in their films), this is the only instance of such casting in a feature film directed by Rohmer. Writing for the website kamera.co.uk, Chris Weigand notes that in The Sign of Leo "perhaps more than in any other New Wave work," Paris appears to be "a filthy and unattractive city, viewed through the eyes of the desperate and needy."[1]

    Also unlike most of the director's films, Rohmer did not write the dialogue for the screenplay. The work is credited to Paul Gégauff, and Rohmer is instead only credited with the film's story.

    Reception and Influence

    Though praised by other members of the Nouvelle Vague (including Jean-Luc Godard, who put it on his top ten for 1962, The Sign of Leo was a commercial failure, a fact that kept Rohmer from making another feature until 1966.

    The film is one of Rohmer's least-seen features in the Anglosphere; it did not screen in the UK until 1966, and didn't show until 1970 in the United States, where it has never been available on home video (an English-subtitled DVD is available in the UK). Because of this, critical writing on the film is relatively scarce. Writing for the British film website kamera.co.uk, Chris Weigand notes that "the film is littered with painful moments"[1] and that "with its depiction of one man's long physical and spiritual decline, The Sign of Leo recalls the great naturalist novels of Emile Zola as well as the works of American realists such as Theodore Dreiser. It marks Rohmer out as one of the most literary of New Wave directors - always devoting particular attention to his characters' complex emotions and inner thoughts."

    The film influenced German director Rainer Werner Fassbinder, who paid homage to it with his first short film, Der Stadtstreicher.

    Source : Wikipedia

    Photos (4)

    Full credits (16)

    Executive Producer :

    Claude Chabrol

    Adapter/dialogue writer :

    Paul Gégauff

    Screenwriter :

    Éric Rohmer

    Director of Photography :

    Nicolas Hayer

    Assistant Operators :

    Robert Caristan, Alain Levent

    Production Manager :

    Jean Cotet

    Assistant editors :

    Monique Gaillard, Monique Teisseire

    Still Photographer :

    André Dino

    Assistant directors :

    Philippe Collin, Jean-Charles Lagneau

    Producer :

    Roland Nonin

    Voice :

    Albert Augier

    Sound Recordist :

    Jean Labussière

    Camera Operator :

    Pierre Lhomme

    Editors :

    Anne-Marie Cotret, Marie-Josèphe Yoyotte

    Continuity supervisor :

    Helly Stérian

    Location Manager :

    Jean Lavie

    Technical details

    Feature film

    Genres :

    Fiction

    Sub-genre :

    Drama

    Themes :

    Wandering

    Production language :

    French

    Production country :

    France

    Original French-language productions :

    Unknown

    Nationality :

    100% French (France)

    Production year :

    1959

    French release :

    02/05/1962

    Runtime :

    1 h 42 min

    Current status :

    Released

    Visa number :

    22388

    Visa issue date :

    30/10/1959

    Approval :

    Unknown

    Production formats :

    35mm

    Color type :

    Black & White

    Aspect ratio :

    1.66

    Audio format :

    Mono

    Rating restrictions :

    None

    Posters (1)

    Director

    Festival Selections (2)

    Taipei Golden Horse Film Festival - 2010

    Taipei Golden Horse Film Festival (Taiwan, 2010)

    Selection

    Tribute to Eric Rohmer

    Festival du Film Francophone d'Athènes  - 2010

    Festival du Film Francophone d'Athènes (Greece, 2010)

    Selection

    Hommage à Eric Rohmer